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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98322B it is the complementary color #67CDD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98322B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98322B shade: #9D3226, #AE4439, #BF564C, #D0685F and #E17A72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98322B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98322B shade: #98322B, #872018, #760E05, #650000 and #540000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98322B shade: #97312A and #972A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98322B shade: #97312A, #974E2A, #976C2A, #97892A and #87972A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98322B shade matches the following richer shades: #97312A, #A6231A and #B6160B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98322B shade: #97312A, #873F3A, #774C49, #685A59 and #586869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98322B shade: #972A5F, #972A42, #97302A, #974D2A and #97692A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98322B shade: #561C18, #762721, #97312A, #B73C33 and #CB5148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98322B shade: #98322B, #7C972A and #2A5097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98322B shade: #98322B, #2A9730 and #302A97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98322B shade: #98322B, #7C972A, #2A9197 and #452A97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98322B shade: #98322B, #5B972A, #2A9197 and #662A97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

Complementary color

CMYK 51 / 3 / 0 / 17

HEX #67CDD4

RGB 103 205 212

HSL 183.85, 0.56%, 0.62%

LAB 76.86, -27.74, -12.61

 

CMYK 0 / 68 / 76 / 38

HEX #9D3226

RGB 157 50 38

HSL 6.05, 0.61%, 0.38%

LAB 37.09, 43.7, 32

 

CMYK 0 / 61 / 67 / 32

HEX #AE4439

RGB 174 68 57

HSL 5.64, 0.51%, 0.45%

LAB 43.4, 42.64, 28.96

 

CMYK 0 / 55 / 60 / 25

HEX #BF564C

RGB 191 86 76

HSL 5.22, 0.47%, 0.52%

LAB 49.8, 41.43, 26.38

 

CMYK 0 / 50 / 54 / 18

HEX #D0685F

RGB 208 104 95

HSL 4.78, 0.55%, 0.59%

LAB 56.22, 40.21, 24.2

 

CMYK 0 / 46 / 49 / 12

HEX #E17A72

RGB 225 122 114

HSL 4.32, 0.65%, 0.66%

LAB 62.63, 39.03, 22.32

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 0 / 76 / 82 / 47

HEX #872018

RGB 135 32 24

HSL 4.32, 0.7%, 0.31%

LAB 30.03, 42.8, 31.34

 

CMYK 0 / 88 / 96 / 54

HEX #760E05

RGB 118 14 5

HSL 4.78, 0.92%, 0.24%

LAB 24.25, 42.45, 33.99

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 68 / 72 / 41

HEX #97312A

RGB 151 49 42

HSL 3.85, 0.56%, 0.38%

LAB 35.87, 42.2, 27.95

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 68 / 72 / 41

HEX #97312A

RGB 151 49 42

HSL 3.85, 0.56%, 0.38%

LAB 35.87, 42.2, 27.95

 

CMYK 0 / 48 / 72 / 41

HEX #974E2A

RGB 151 78 42

HSL 19.82, 0.56%, 0.38%

LAB 41.52, 27.58, 34.36

 

CMYK 0 / 28 / 72 / 41

HEX #976C2A

RGB 151 108 42

HSL 36.33, 0.56%, 0.38%

LAB 48.85, 10.47, 42.22

 

CMYK 0 / 9 / 72 / 41

HEX #97892A

RGB 151 137 42

HSL 52.29, 0.56%, 0.38%

LAB 56.72, -5.87, 50.22

 

CMYK 11 / 0 / 72 / 41

HEX #87972A

RGB 135 151 42

HSL 68.81, 0.56%, 0.38%

LAB 59.39, -20.42, 52.39

 

CMYK 0 / 68 / 72 / 41

HEX #97312A

RGB 151 49 42

HSL 3.85, 0.56%, 0.38%

LAB 35.87, 42.2, 27.95

 

CMYK 0 / 79 / 84 / 35

HEX #A6231A

RGB 166 35 26

HSL 3.86, 0.73%, 0.38%

LAB 36.71, 51.79, 38.84

 

CMYK 0 / 88 / 94 / 29

HEX #B6160B

RGB 182 22 11

HSL 3.86, 0.89%, 0.38%

LAB 38.8, 59.39, 48.58

 

CMYK 0 / 68 / 72 / 41

HEX #97312A

RGB 151 49 42

HSL 3.85, 0.56%, 0.38%

LAB 35.87, 42.2, 27.95

 

CMYK 0 / 53 / 57 / 47

HEX #873F3A

RGB 135 63 58

HSL 3.9, 0.4%, 0.38%

LAB 36.01, 30.33, 17.66

 

CMYK 0 / 36 / 39 / 53

HEX #774C49

RGB 119 76 73

HSL 3.91, 0.24%, 0.38%

LAB 37.06, 17.82, 9.32

 

CMYK 0 / 13 / 14 / 59

HEX #685A59

RGB 104 90 89

HSL 4, 0.08%, 0.38%

LAB 39.54, 5.5, 2.67

 

CMYK 16 / 1 / 0 / 59

HEX #586869

RGB 88 104 105

HSL 183.53, 0.09%, 0.38%

LAB 42.76, -5.78, -2.6

 

CMYK 0 / 72 / 37 / 41

HEX #972A5F

RGB 151 42 95

HSL 330.83, 0.56%, 0.38%

LAB 36.1, 49.51, -5.39

 

CMYK 0 / 72 / 56 / 41

HEX #972A42

RGB 151 42 66

HSL 346.79, 0.56%, 0.38%

LAB 35.26, 46.67, 12.05

 

CMYK 0 / 68 / 72 / 41

HEX #97302A

RGB 151 48 42

HSL 3.3, 0.56%, 0.38%

LAB 35.71, 42.64, 27.76

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 30 / 72 / 41

HEX #97692A

RGB 151 105 42

HSL 34.68, 0.56%, 0.38%

LAB 48.07, 12.2, 41.41

 

CMYK 0 / 67 / 72 / 66

HEX #561C18

RGB 86 28 24

HSL 3.87, 0.56%, 0.22%

LAB 19.54, 26.6, 16.93

 

CMYK 0 / 67 / 72 / 54

HEX #762721

RGB 118 39 33

HSL 4.24, 0.56%, 0.3%

LAB 27.88, 34.21, 22.56

 

CMYK 0 / 68 / 72 / 41

HEX #97312A

RGB 151 49 42

HSL 3.85, 0.56%, 0.38%

LAB 35.87, 42.2, 27.95

 

CMYK 0 / 67 / 72 / 28

HEX #B73C33

RGB 183 60 51

HSL 4.09, 0.56%, 0.46%

LAB 43.56, 49.05, 33.04

 

CMYK 0 / 60 / 65 / 20

HEX #CB5148

RGB 203 81 72

HSL 4.12, 0.56%, 0.54%

LAB 50.74, 47.91, 30.3

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 18 / 0 / 72 / 41

HEX #7C972A

RGB 124 151 42

HSL 74.86, 0.56%, 0.38%

LAB 58.59, -25.12, 51.33

 

CMYK 72 / 47 / 0 / 41

HEX #2A5097

RGB 42 80 151

HSL 219.08, 0.56%, 0.38%

LAB 34.93, 11.77, -42.93

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 72 / 0 / 68 / 41

HEX #2A9730

RGB 42 151 48

HSL 123.3, 0.56%, 0.38%

LAB 54.91, -50.99, 43.91

 

CMYK 68 / 72 / 0 / 41

HEX #302A97

RGB 48 42 151

HSL 243.3, 0.56%, 0.38%

LAB 25.32, 37.63, -58.54

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 18 / 0 / 72 / 41

HEX #7C972A

RGB 124 151 42

HSL 74.86, 0.56%, 0.38%

LAB 58.59, -25.12, 51.33

 

CMYK 72 / 4 / 0 / 41

HEX #2A9197

RGB 42 145 151

HSL 183.3, 0.56%, 0.38%

LAB 55.05, -26.39, -11.62

 

CMYK 54 / 72 / 0 / 41

HEX #452A97

RGB 69 42 151

HSL 254.86, 0.56%, 0.38%

LAB 27.17, 40.69, -55.42

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 40 / 0 / 72 / 41

HEX #5B972A

RGB 91 151 42

HSL 93.03, 0.56%, 0.38%

LAB 56.61, -38.05, 48.7

 

CMYK 72 / 4 / 0 / 41

HEX #2A9197

RGB 42 145 151

HSL 183.3, 0.56%, 0.38%

LAB 55.05, -26.39, -11.62

 

CMYK 32 / 72 / 0 / 41

HEX #662A97

RGB 102 42 151

HSL 273.03, 0.56%, 0.38%

LAB 31.15, 46.86, -48.77

 

Description

Color code: HEX #98322B | qconv.com Color code: HEX #98322B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 50 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 50 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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