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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #983E14 it is the complementary color #67C1EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #983E14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #983E14 shade: #9D3E0F, #AE5022, #BF6235, #D07448 and #E1865B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #983E14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #983E14 shade: #983E14, #872C01, #761A00, #650800 and #540000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #983E14 shade: #993E13, #991A13 and #991313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #983E14 shade: #993E13, #996213, #998613, #889913 and #649913

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #983E14 shade matches the following richer shades: #993E13 and #A73905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #983E14 shade: #993E13, #8B4321, #7D482F, #6F4D3E and #61524C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #983E14 shade: #991330, #991A13, #993E13, #996113 and #998513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #983E14 shade: #50200A, #742F0F, #993E13, #BD4D18 and #E15C1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #983E14 shade: #983E14, #549913 and #131F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #983E14 shade: #983E14, #13993E and #3E1399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #983E14 shade: #983E14, #549913, #136F99 and #581399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #983E14 shade: #983E14, #2C9913, #136F99 and #801399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

Complementary color

CMYK 56 / 18 / 0 / 8

HEX #67C1EB

RGB 103 193 235

HSL 199.09, 0.77%, 0.66%

LAB 74.2, -15.18, -29.05

 

CMYK 0 / 61 / 90 / 38

HEX #9D3E0F

RGB 157 62 15

HSL 19.86, 0.83%, 0.34%

LAB 38.98, 37.43, 45.01

 

CMYK 0 / 54 / 80 / 32

HEX #AE5022

RGB 174 80 34

HSL 19.71, 0.67%, 0.41%

LAB 45.43, 35.62, 43.6

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 0 / 44 / 65 / 18

HEX #D07448

RGB 208 116 72

HSL 19.41, 0.59%, 0.55%

LAB 58.39, 32.31, 39.67

 

CMYK 0 / 40 / 60 / 12

HEX #E1865B

RGB 225 134 91

HSL 19.25, 0.69%, 0.62%

LAB 64.81, 30.88, 37.82

 

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

CMYK 0 / 67 / 99 / 47

HEX #872C01

RGB 135 44 1

HSL 19.25, 0.99%, 0.27%

LAB 31.7, 37.29, 43.27

 

CMYK 0 / 78 / 100 / 54

HEX #761A00

RGB 118 26 0

HSL 13.22, 1%, 0.23%

LAB 25.53, 38.63, 37.26

 

CMYK 0 / 92 / 100 / 60

HEX #650800

RGB 101 8 0

HSL 4.75, 1%, 0.2%

LAB 19.8, 38.52, 30.14

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 83 / 88 / 40

HEX #991A13

RGB 153 26 19

HSL 3.13, 0.78%, 0.34%

LAB 33.05, 50.27, 38.19

 

CMYK 0 / 88 / 88 / 40

HEX #991313

RGB 153 19 19

HSL 0, 0.78%, 0.34%

LAB 32.45, 51.97, 37.69

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 36 / 88 / 40

HEX #996213

RGB 153 98 19

HSL 35.37, 0.78%, 0.34%

LAB 46.38, 16.21, 49.31

 

CMYK 0 / 12 / 88 / 40

HEX #998613

RGB 153 134 19

HSL 51.49, 0.78%, 0.34%

LAB 55.96, -4.19, 57.16

 

CMYK 11 / 0 / 88 / 40

HEX #889913

RGB 136 153 19

HSL 67.61, 0.78%, 0.34%

LAB 59.95, -21.94, 59.85

 

CMYK 35 / 0 / 88 / 40

HEX #649913

RGB 100 153 19

HSL 83.73, 0.78%, 0.34%

LAB 57.6, -36.82, 56.92

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 66 / 97 / 35

HEX #A73905

RGB 167 57 5

HSL 19.26, 0.94%, 0.34%

LAB 39.84, 43.38, 49.66

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 52 / 76 / 45

HEX #8B4321

RGB 139 67 33

HSL 19.25, 0.62%, 0.34%

LAB 37.14, 28.1, 33.93

 

CMYK 0 / 42 / 62 / 51

HEX #7D482F

RGB 125 72 47

HSL 19.23, 0.45%, 0.34%

LAB 36.37, 20.05, 24.53

 

CMYK 0 / 31 / 44 / 56

HEX #6F4D3E

RGB 111 77 62

HSL 18.37, 0.28%, 0.34%

LAB 36.05, 12.3, 14.62

 

CMYK 0 / 15 / 22 / 62

HEX #61524C

RGB 97 82 76

HSL 17.14, 0.12%, 0.34%

LAB 36.17, 5.12, 5.82

 

CMYK 0 / 88 / 69 / 40

HEX #991330

RGB 153 19 48

HSL 347.01, 0.78%, 0.34%

LAB 32.81, 53.05, 20.56

 

CMYK 0 / 83 / 88 / 40

HEX #991A13

RGB 153 26 19

HSL 3.13, 0.78%, 0.34%

LAB 33.05, 50.27, 38.19

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 37 / 88 / 40

HEX #996113

RGB 153 97 19

HSL 34.93, 0.78%, 0.34%

LAB 46.14, 16.78, 49.11

 

CMYK 0 / 13 / 88 / 40

HEX #998513

RGB 153 133 19

HSL 51.04, 0.78%, 0.34%

LAB 55.68, -3.64, 56.94

 

CMYK 0 / 60 / 88 / 69

HEX #50200A

RGB 80 32 10

HSL 18.86, 0.78%, 0.18%

LAB 19.06, 21.04, 24.05

 

CMYK 0 / 59 / 87 / 55

HEX #742F0F

RGB 116 47 15

HSL 19.01, 0.77%, 0.26%

LAB 28.85, 28.55, 33.71

 

CMYK 0 / 59 / 88 / 40

HEX #993E13

RGB 153 62 19

HSL 19.25, 0.78%, 0.34%

LAB 38.31, 35.96, 42.62

 

CMYK 0 / 59 / 87 / 26

HEX #BD4D18

RGB 189 77 24

HSL 19.27, 0.77%, 0.42%

LAB 47.23, 42.65, 50.44

 

CMYK 0 / 59 / 87 / 12

HEX #E15C1E

RGB 225 92 30

HSL 19.08, 0.76%, 0.5%

LAB 55.84, 49.1, 57.59

 

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

CMYK 45 / 0 / 88 / 40

HEX #549913

RGB 84 153 19

HSL 90.9, 0.78%, 0.34%

LAB 56.8, -42.59, 55.92

 

CMYK 88 / 80 / 0 / 40

HEX #131F99

RGB 19 31 153

HSL 234.63, 0.78%, 0.34%

LAB 21.65, 42.29, -65.89

 

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

CMYK 88 / 0 / 59 / 40

HEX #13993E

RGB 19 153 62

HSL 139.25, 0.78%, 0.34%

LAB 55.35, -53.07, 37.91

 

CMYK 59 / 88 / 0 / 40

HEX #3E1399

RGB 62 19 153

HSL 259.25, 0.78%, 0.34%

LAB 22.96, 50.89, -63.61

 

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

CMYK 45 / 0 / 88 / 40

HEX #549913

RGB 84 153 19

HSL 90.9, 0.78%, 0.34%

LAB 56.8, -42.59, 55.92

 

CMYK 88 / 27 / 0 / 40

HEX #136F99

RGB 19 111 153

HSL 198.81, 0.78%, 0.34%

LAB 43.96, -9.68, -29.86

 

CMYK 42 / 88 / 0 / 40

HEX #581399

RGB 88 19 153

HSL 270.9, 0.78%, 0.34%

LAB 26.28, 53.88, -58.04

 

CMYK 0 / 59 / 87 / 40

HEX #983E14

RGB 152 62 20

HSL 19.09, 0.77%, 0.34%

LAB 38.15, 35.59, 41.99

 

CMYK 71 / 0 / 88 / 40

HEX #2C9913

RGB 44 153 19

HSL 108.81, 0.78%, 0.34%

LAB 55.45, -53.37, 54.22

 

CMYK 88 / 27 / 0 / 40

HEX #136F99

RGB 19 111 153

HSL 198.81, 0.78%, 0.34%

LAB 43.96, -9.68, -29.86

 

CMYK 16 / 88 / 0 / 40

HEX #801399

RGB 128 19 153

HSL 288.81, 0.78%, 0.34%

LAB 32.6, 60.02, -47.45

 

Description

Color code: HEX #983E14 | qconv.com Color code: HEX #983E14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 62 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 62 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 87 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 87% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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