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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984D2D it is the complementary color #67B2D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984D2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984D2D shade: #9D4D28, #AE5F3B, #BF714E, #D08361 and #E19574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984D2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984D2D shade: #984D2D, #873B1A, #762907, #651700 and #540500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984D2D shade: #994D2D, #99302D and #992D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984D2D shade: #994D2D, #996A2D, #99872D, #8D992D and #70992D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984D2D shade matches the following richer shades: #994D2D, #A9471D and #B9400D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984D2D shade: #994D2D, #89543D, #785A4D, #68615E and #58676E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984D2D shade: #992D48, #992F2D, #994C2D, #99682D and #99852D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984D2D shade: #592D1A, #793D24, #994D2D, #B85E37 and #CA734E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984D2D shade: #984D2D, #65992D and #2D3A99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984D2D shade: #984D2D, #2D994C and #4C2D99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984D2D shade: #984D2D, #65992D, #2D7A99 and #612D99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984D2D shade: #984D2D, #45992D, #2D7A99 and #812D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

Complementary color

CMYK 51 / 15 / 0 / 18

HEX #67B2D2

RGB 103 178 210

HSL 197.94, 0.54%, 0.61%

LAB 69.02, -14.54, -23.37

 

CMYK 0 / 51 / 75 / 38

HEX #9D4D28

RGB 157 77 40

HSL 18.97, 0.59%, 0.39%

LAB 42.2, 30.53, 36.44

 

CMYK 0 / 45 / 66 / 32

HEX #AE5F3B

RGB 174 95 59

HSL 18.78, 0.49%, 0.46%

LAB 48.88, 28.89, 34.36

 

CMYK 0 / 41 / 59 / 25

HEX #BF714E

RGB 191 113 78

HSL 18.58, 0.47%, 0.53%

LAB 55.52, 27.43, 32.43

 

CMYK 0 / 37 / 53 / 18

HEX #D08361

RGB 208 131 97

HSL 18.38, 0.54%, 0.6%

LAB 62.09, 26.13, 30.69

 

CMYK 0 / 34 / 48 / 12

HEX #E19574

RGB 225 149 116

HSL 18.17, 0.64%, 0.67%

LAB 68.58, 24.99, 29.12

 

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

CMYK 0 / 56 / 81 / 47

HEX #873B1A

RGB 135 59 26

HSL 18.17, 0.68%, 0.32%

LAB 34.71, 30.45, 34.92

 

CMYK 0 / 65 / 94 / 54

HEX #762907

RGB 118 41 7

HSL 18.38, 0.89%, 0.25%

LAB 27.99, 32.25, 36.58

 

CMYK 0 / 77 / 100 / 60

HEX #651700

RGB 101 23 0

HSL 13.66, 1%, 0.2%

LAB 21.5, 33.75, 32.02

 

CMYK 0 / 94 / 100 / 67

HEX #540500

RGB 84 5 0

HSL 3.57, 1%, 0.16%

LAB 15.45, 34.04, 23.94

 

CMYK 0 / 50 / 71 / 40

HEX #994D2D

RGB 153 77 45

HSL 17.78, 0.55%, 0.39%

LAB 41.64, 29.14, 32.93

 

CMYK 0 / 69 / 71 / 40

HEX #99302D

RGB 153 48 45

HSL 1.67, 0.55%, 0.39%

LAB 36.13, 43.49, 26.52

 

CMYK 0 / 71 / 71 / 40

HEX #992D2D

RGB 153 45 45

HSL 0, 0.55%, 0.39%

LAB 35.67, 44.74, 25.97

 

CMYK 0 / 50 / 71 / 40

HEX #994D2D

RGB 153 77 45

HSL 17.78, 0.55%, 0.39%

LAB 41.64, 29.14, 32.93

 

CMYK 0 / 31 / 71 / 40

HEX #996A2D

RGB 153 106 45

HSL 33.89, 0.55%, 0.39%

LAB 48.6, 12.7, 40.59

 

CMYK 0 / 12 / 71 / 40

HEX #99872D

RGB 153 135 45

HSL 50, 0.55%, 0.39%

LAB 56.38, -3.7, 48.69

 

CMYK 8 / 0 / 71 / 40

HEX #8D992D

RGB 141 153 45

HSL 66.67, 0.55%, 0.39%

LAB 60.46, -18.66, 52.45

 

CMYK 27 / 0 / 71 / 40

HEX #70992D

RGB 112 153 45

HSL 82.78, 0.55%, 0.39%

LAB 58.43, -30.81, 49.75

 

CMYK 0 / 50 / 71 / 40

HEX #994D2D

RGB 153 77 45

HSL 17.78, 0.55%, 0.39%

LAB 41.64, 29.14, 32.93

 

CMYK 0 / 58 / 83 / 34

HEX #A9471D

RGB 169 71 29

HSL 18, 0.71%, 0.39%

LAB 42.81, 38.03, 43.18

 

CMYK 0 / 65 / 93 / 27

HEX #B9400D

RGB 185 64 13

HSL 17.79, 0.87%, 0.39%

LAB 44.25, 46.91, 51.73

 

CMYK 0 / 50 / 71 / 40

HEX #994D2D

RGB 153 77 45

HSL 17.78, 0.55%, 0.39%

LAB 41.64, 29.14, 32.93

 

CMYK 0 / 39 / 55 / 46

HEX #89543D

RGB 137 84 61

HSL 18.16, 0.38%, 0.39%

LAB 41.21, 19.52, 22.64

 

CMYK 0 / 25 / 36 / 53

HEX #785A4D

RGB 120 90 77

HSL 18.14, 0.22%, 0.39%

LAB 40.96, 10.37, 12.28

 

CMYK 0 / 7 / 10 / 59

HEX #68615E

RGB 104 97 94

HSL 18, 0.05%, 0.39%

LAB 41.69, 2.2, 2.7

 

CMYK 20 / 6 / 0 / 57

HEX #58676E

RGB 88 103 110

HSL 199.09, 0.11%, 0.39%

LAB 42.61, -4, -5.84

 

CMYK 0 / 71 / 53 / 40

HEX #992D48

RGB 153 45 72

HSL 345, 0.55%, 0.39%

LAB 36.21, 46.63, 9.56

 

CMYK 0 / 69 / 71 / 40

HEX #992F2D

RGB 153 47 45

HSL 1.11, 0.55%, 0.39%

LAB 35.97, 43.92, 26.34

 

CMYK 0 / 50 / 71 / 40

HEX #994C2D

RGB 153 76 45

HSL 17.22, 0.55%, 0.39%

LAB 41.42, 29.68, 32.68

 

CMYK 0 / 32 / 71 / 40

HEX #99682D

RGB 153 104 45

HSL 32.78, 0.55%, 0.39%

LAB 48.09, 13.85, 40.04

 

CMYK 0 / 13 / 71 / 40

HEX #99852D

RGB 153 133 45

HSL 48.89, 0.55%, 0.39%

LAB 55.82, -2.6, 48.13

 

CMYK 0 / 49 / 71 / 65

HEX #592D1A

RGB 89 45 26

HSL 18.1, 0.55%, 0.23%

LAB 23.92, 18.29, 21.01

 

CMYK 0 / 50 / 70 / 53

HEX #793D24

RGB 121 61 36

HSL 17.65, 0.54%, 0.31%

LAB 32.98, 23.9, 26.85

 

CMYK 0 / 50 / 71 / 40

HEX #994D2D

RGB 153 77 45

HSL 17.78, 0.55%, 0.39%

LAB 41.64, 29.14, 32.93

 

CMYK 0 / 49 / 70 / 28

HEX #B85E37

RGB 184 94 55

HSL 18.14, 0.54%, 0.47%

LAB 50.06, 33.28, 38.26

 

CMYK 0 / 43 / 61 / 21

HEX #CA734E

RGB 202 115 78

HSL 17.9, 0.54%, 0.55%

LAB 57.43, 30.82, 35.11

 

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

CMYK 34 / 0 / 71 / 40

HEX #65992D

RGB 101 153 45

HSL 88.89, 0.55%, 0.39%

LAB 57.79, -35.07, 48.89

 

CMYK 71 / 62 / 0 / 40

HEX #2D3A99

RGB 45 58 153

HSL 232.78, 0.55%, 0.39%

LAB 29.12, 27.76, -53.55

 

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

CMYK 71 / 0 / 50 / 40

HEX #2D994C

RGB 45 153 76

HSL 137.22, 0.55%, 0.39%

LAB 55.95, -47.47, 31.71

 

CMYK 50 / 71 / 0 / 40

HEX #4C2D99

RGB 76 45 153

HSL 257.22, 0.55%, 0.39%

LAB 28.68, 40.83, -54.16

 

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

CMYK 34 / 0 / 71 / 40

HEX #65992D

RGB 101 153 45

HSL 88.89, 0.55%, 0.39%

LAB 57.79, -35.07, 48.89

 

CMYK 71 / 20 / 0 / 40

HEX #2D7A99

RGB 45 122 153

HSL 197.22, 0.55%, 0.39%

LAB 47.98, -13.02, -23.56

 

CMYK 37 / 71 / 0 / 40

HEX #612D99

RGB 97 45 153

HSL 268.89, 0.55%, 0.39%

LAB 31.16, 44.88, -50.02

 

CMYK 0 / 49 / 70 / 40

HEX #984D2D

RGB 152 77 45

HSL 17.94, 0.54%, 0.39%

LAB 41.49, 28.72, 32.72

 

CMYK 55 / 0 / 71 / 40

HEX #45992D

RGB 69 153 45

HSL 106.67, 0.55%, 0.39%

LAB 56.32, -45.69, 46.91

 

CMYK 71 / 20 / 0 / 40

HEX #2D7A99

RGB 45 122 153

HSL 197.22, 0.55%, 0.39%

LAB 47.98, -13.02, -23.56

 

CMYK 16 / 71 / 0 / 40

HEX #812D99

RGB 129 45 153

HSL 286.67, 0.55%, 0.39%

LAB 35.68, 51.82, -42.49

 

Description

Color code: HEX #984D2D | qconv.com Color code: HEX #984D2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 77 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 77 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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