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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984F60 it is the complementary color #67B09F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984F60 shade: #9D4F5B, #AE616E, #BF7381, #D08594 and #E197A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984F60 shade: #984F60, #873D4D, #762B3A, #651927 and #540714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984F60 shade: #974E5F and #974E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984F60 shade: #974E5F, #974E72, #974E86, #944E97 and #804E97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984F60 shade matches the following richer shades: #974E5F, #AA3B55, #BC284B, #CF1641 and #E10337

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984F60 shade: #974E5F, #846069, #727372, #5F857C and #4D9886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984F60 shade: #974E86, #974E72, #974E5F, #97504E and #97644E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984F60 shade: #61313C, #7C404E, #974E5F, #AD6172 and #BB7C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984F60 shade: #984F60, #97954E and #4E7C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984F60 shade: #984F60, #5F974E and #4E5F97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984F60 shade: #984F60, #97954E, #4E9786 and #4E5097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984F60 shade: #984F60, #83974E, #4E9786 and #614E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

Complementary color

CMYK 41 / 0 / 10 / 31

HEX #67B09F

RGB 103 176 159

HSL 166.03, 0.32%, 0.55%

LAB 66.85, -26.92, 1.56

 

CMYK 0 / 50 / 42 / 38

HEX #9D4F5B

RGB 157 79 91

HSL 350.77, 0.33%, 0.46%

LAB 43.53, 33.64, 8.03

 

CMYK 0 / 44 / 37 / 32

HEX #AE616E

RGB 174 97 110

HSL 349.87, 0.32%, 0.53%

LAB 50.3, 32.61, 6.49

 

CMYK 0 / 40 / 32 / 25

HEX #BF7381

RGB 191 115 129

HSL 348.95, 0.37%, 0.6%

LAB 57, 31.65, 5.19

 

CMYK 0 / 36 / 29 / 18

HEX #D08594

RGB 208 133 148

HSL 348, 0.44%, 0.67%

LAB 63.61, 30.75, 4.06

 

CMYK 0 / 33 / 26 / 12

HEX #E197A7

RGB 225 151 167

HSL 347.03, 0.55%, 0.74%

LAB 70.13, 29.93, 3.06

 

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

CMYK 0 / 55 / 43 / 47

HEX #873D4D

RGB 135 61 77

HSL 347.03, 0.38%, 0.38%

LAB 36.03, 33.34, 5.67

 

CMYK 0 / 64 / 51 / 54

HEX #762B3A

RGB 118 43 58

HSL 348, 0.47%, 0.32%

LAB 29.12, 34.25, 7.84

 

CMYK 0 / 75 / 61 / 60

HEX #651927

RGB 101 25 39

HSL 348.95, 0.6%, 0.25%

LAB 22.33, 34.75, 10.84

 

CMYK 0 / 92 / 76 / 67

HEX #540714

RGB 84 7 20

HSL 349.87, 0.85%, 0.18%

LAB 15.94, 34.17, 15.16

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 48 / 48 / 41

HEX #974E4E

RGB 151 78 78

HSL 0, 0.32%, 0.45%

LAB 42.12, 30.43, 13.91

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 48 / 25 / 41

HEX #974E72

RGB 151 78 114

HSL 330.41, 0.32%, 0.45%

LAB 43.13, 35.03, -6.8

 

CMYK 0 / 48 / 11 / 41

HEX #974E86

RGB 151 78 134

HSL 313.97, 0.32%, 0.45%

LAB 43.87, 38.28, -17.86

 

CMYK 2 / 48 / 0 / 41

HEX #944E97

RGB 148 78 151

HSL 297.53, 0.32%, 0.45%

LAB 44.2, 40.47, -27.62

 

CMYK 15 / 48 / 0 / 41

HEX #804E97

RGB 128 78 151

HSL 281.1, 0.32%, 0.45%

LAB 41.65, 34.41, -31.81

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 65 / 50 / 33

HEX #AA3B55

RGB 170 59 85

HSL 345.95, 0.48%, 0.45%

LAB 41.74, 47.45, 9.51

 

CMYK 0 / 79 / 60 / 26

HEX #BC284B

RGB 188 40 75

HSL 345.81, 0.65%, 0.45%

LAB 42.33, 59.09, 17.12

 

CMYK 0 / 89 / 69 / 19

HEX #CF1641

RGB 207 22 65

HSL 346.05, 0.81%, 0.45%

LAB 44.55, 67.59, 26.94

 

CMYK 0 / 99 / 76 / 12

HEX #E10337

RGB 225 3 55

HSL 345.95, 0.97%, 0.45%

LAB 47.43, 73.61, 37.29

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 27 / 20 / 48

HEX #846069

RGB 132 96 105

HSL 345, 0.16%, 0.45%

LAB 44.65, 16.09, 0.66

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 29 / 0 / 7 / 48

HEX #5F857C

RGB 95 133 124

HSL 165.79, 0.17%, 0.45%

LAB 52.58, -15.3, 0.57

 

CMYK 49 / 0 / 12 / 40

HEX #4D9886

RGB 77 152 134

HSL 165.6, 0.33%, 0.45%

LAB 57.8, -27.88, 2.31

 

CMYK 0 / 48 / 11 / 41

HEX #974E86

RGB 151 78 134

HSL 313.97, 0.32%, 0.45%

LAB 43.87, 38.28, -17.86

 

CMYK 0 / 48 / 25 / 41

HEX #974E72

RGB 151 78 114

HSL 330.41, 0.32%, 0.45%

LAB 43.13, 35.03, -6.8

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 47 / 48 / 41

HEX #97504E

RGB 151 80 78

HSL 1.64, 0.32%, 0.45%

LAB 42.56, 29.33, 14.51

 

CMYK 0 / 34 / 48 / 41

HEX #97644E

RGB 151 100 78

HSL 18.08, 0.32%, 0.45%

LAB 47.29, 17.97, 20.86

 

CMYK 0 / 49 / 38 / 62

HEX #61313C

RGB 97 49 60

HSL 346.25, 0.33%, 0.29%

LAB 26.92, 23.02, 2.9

 

CMYK 0 / 48 / 37 / 51

HEX #7C404E

RGB 124 64 78

HSL 346, 0.32%, 0.37%

LAB 35.01, 27.59, 3.34

 

CMYK 0 / 48 / 37 / 41

HEX #974E5F

RGB 151 78 95

HSL 346.03, 0.32%, 0.45%

LAB 42.54, 32.39, 4.04

 

CMYK 0 / 44 / 34 / 32

HEX #AD6172

RGB 173 97 114

HSL 346.58, 0.32%, 0.53%

LAB 50.27, 32.74, 4.04

 

CMYK 0 / 34 / 26 / 27

HEX #BB7C8B

RGB 187 124 139

HSL 345.71, 0.32%, 0.61%

LAB 58.83, 26.6, 1.98

 

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

CMYK 0 / 1 / 48 / 41

HEX #97954E

RGB 151 149 78

HSL 58.36, 0.32%, 0.45%

LAB 60.45, -9.65, 37.49

 

CMYK 48 / 18 / 0 / 41

HEX #4E7C97

RGB 78 124 151

HSL 202.19, 0.32%, 0.45%

LAB 49.82, -8.01, -19.44

 

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

CMYK 37 / 0 / 48 / 41

HEX #5F974E

RGB 95 151 78

HSL 106.03, 0.32%, 0.45%

LAB 57.19, -32.87, 32.61

 

CMYK 48 / 37 / 0 / 41

HEX #4E5F97

RGB 78 95 151

HSL 226.03, 0.32%, 0.45%

LAB 41.28, 9.54, -32.71

 

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

CMYK 0 / 1 / 48 / 41

HEX #97954E

RGB 151 149 78

HSL 58.36, 0.32%, 0.45%

LAB 60.45, -9.65, 37.49

 

CMYK 48 / 0 / 11 / 41

HEX #4E9786

RGB 78 151 134

HSL 166.03, 0.32%, 0.45%

LAB 57.53, -27.13, 1.92

 

CMYK 48 / 47 / 0 / 41

HEX #4E5097

RGB 78 80 151

HSL 238.36, 0.32%, 0.45%

LAB 37.1, 19.11, -39.34

 

CMYK 0 / 48 / 37 / 40

HEX #984F60

RGB 152 79 96

HSL 346.03, 0.32%, 0.45%

LAB 42.93, 32.35, 4

 

CMYK 13 / 0 / 48 / 41

HEX #83974E

RGB 131 151 78

HSL 76.44, 0.32%, 0.45%

LAB 59.44, -19.11, 35.9

 

CMYK 48 / 0 / 11 / 41

HEX #4E9786

RGB 78 151 134

HSL 166.03, 0.32%, 0.45%

LAB 57.53, -27.13, 1.92

 

CMYK 36 / 48 / 0 / 41

HEX #614E97

RGB 97 78 151

HSL 255.62, 0.32%, 0.45%

LAB 38.24, 25.39, -37.42

 

Description

Color code: HEX #984F60 | qconv.com Color code: HEX #984F60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 79 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 79 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 37 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 37% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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