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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #985A4B it is the complementary color #67A5B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #985A4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #985A4B shade: #9D5A46, #AE6C59, #BF7E6C, #D0907F and #E1A292

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #985A4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #985A4B shade: #985A4B, #874838, #763625, #652412 and #541200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #985A4B shade: #995A4B and #994B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #985A4B shade: #995A4B, #996F4B, #99854B, #99994B and #84994B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #985A4B shade matches the following richer shades: #995A4B, #AC4F39, #BE4426, #D13814 and #E42D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #985A4B shade: #995A4B, #87665E, #747170, #627C83 and #4F8896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #985A4B shade: #994B67, #994B52, #995A4B, #996E4B and #99834B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #985A4B shade: #623A30, #7E4A3E, #995A4B, #B06E5E and #BD877A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #985A4B shade: #985A4B, #7B994B and #4B5C99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #985A4B shade: #985A4B, #4B995A and #5A4B99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #985A4B shade: #985A4B, #7B994B, #4B8B99 and #694B99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #985A4B shade: #985A4B, #64994B, #4B8B99 and #814B99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

Complementary color

CMYK 43 / 8 / 0 / 29

HEX #67A5B4

RGB 103 165 180

HSL 191.69, 0.34%, 0.55%

LAB 64.23, -15.99, -14.02

 

CMYK 0 / 43 / 55 / 38

HEX #9D5A46

RGB 157 90 70

HSL 13.79, 0.38%, 0.45%

LAB 45.53, 25.42, 23.41

 

CMYK 0 / 38 / 49 / 32

HEX #AE6C59

RGB 174 108 89

HSL 13.41, 0.34%, 0.52%

LAB 52.34, 24.18, 21.67

 

CMYK 0 / 34 / 43 / 25

HEX #BF7E6C

RGB 191 126 108

HSL 13.01, 0.39%, 0.59%

LAB 59.05, 23.09, 20.15

 

CMYK 0 / 31 / 39 / 18

HEX #D0907F

RGB 208 144 127

HSL 12.59, 0.46%, 0.66%

LAB 65.66, 22.13, 18.8

 

CMYK 0 / 28 / 35 / 12

HEX #E1A292

RGB 225 162 146

HSL 12.15, 0.57%, 0.73%

LAB 72.18, 21.28, 17.58

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 0 / 47 / 59 / 47

HEX #874838

RGB 135 72 56

HSL 12.15, 0.41%, 0.37%

LAB 37.97, 25.14, 21.44

 

CMYK 0 / 54 / 69 / 54

HEX #763625

RGB 118 54 37

HSL 12.59, 0.52%, 0.3%

LAB 30.93, 26.64, 23.72

 

CMYK 0 / 64 / 82 / 60

HEX #652412

RGB 101 36 18

HSL 13.01, 0.7%, 0.23%

LAB 23.91, 28.24, 26.42

 

CMYK 0 / 79 / 100 / 67

HEX #541200

RGB 84 18 0

HSL 12.86, 1%, 0.16%

LAB 17.07, 29.5, 25.96

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 51 / 51 / 40

HEX #994B4B

RGB 153 75 75

HSL 0, 0.34%, 0.45%

LAB 41.71, 32.54, 15.24

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 27 / 51 / 40

HEX #996F4B

RGB 153 111 75

HSL 27.69, 0.34%, 0.45%

LAB 50.27, 12.18, 26.51

 

CMYK 0 / 13 / 51 / 40

HEX #99854B

RGB 153 133 75

HSL 44.62, 0.34%, 0.45%

LAB 56.14, -0.32, 33.85

 

CMYK 0 / 0 / 51 / 40

HEX #99994B

RGB 153 153 75

HSL 60, 0.34%, 0.45%

LAB 61.71, -11.22, 40.55

 

CMYK 14 / 0 / 51 / 40

HEX #84994B

RGB 132 153 75

HSL 76.15, 0.34%, 0.45%

LAB 60.07, -20.05, 38.2

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 54 / 67 / 33

HEX #AC4F39

RGB 172 79 57

HSL 11.48, 0.5%, 0.45%

LAB 45.16, 36.46, 31

 

CMYK 0 / 64 / 80 / 25

HEX #BE4426

RGB 190 68 38

HSL 11.84, 0.67%, 0.45%

LAB 45.94, 47.53, 43.04

 

CMYK 0 / 73 / 90 / 18

HEX #D13814

RGB 209 56 20

HSL 11.43, 0.83%, 0.45%

LAB 47.54, 58.16, 53.73

 

CMYK 0 / 80 / 100 / 11

HEX #E42D01

RGB 228 45 1

HSL 11.63, 0.99%, 0.45%

LAB 49.95, 66.96, 62.38

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 24 / 30 / 47

HEX #87665E

RGB 135 102 94

HSL 11.71, 0.18%, 0.45%

LAB 46.26, 12.04, 9.65

 

CMYK 0 / 3 / 3 / 55

HEX #747170

RGB 116 113 112

HSL 15, 0.02%, 0.45%

LAB 47.87, 0.96, 0.96

 

CMYK 25 / 5 / 0 / 49

HEX #627C83

RGB 98 124 131

HSL 192.73, 0.14%, 0.45%

LAB 50.28, -7.65, -6.9

 

CMYK 47 / 9 / 0 / 41

HEX #4F8896

RGB 79 136 150

HSL 191.83, 0.31%, 0.45%

LAB 53.46, -14.78, -13.31

 

CMYK 0 / 51 / 33 / 40

HEX #994B67

RGB 153 75 103

HSL 338.46, 0.34%, 0.45%

LAB 42.44, 35.79, -1.02

 

CMYK 0 / 51 / 46 / 40

HEX #994B52

RGB 153 75 82

HSL 354.62, 0.34%, 0.45%

LAB 41.87, 33.26, 11.15

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 28 / 51 / 40

HEX #996E4B

RGB 153 110 75

HSL 26.92, 0.34%, 0.45%

LAB 50.02, 12.76, 26.18

 

CMYK 0 / 14 / 51 / 40

HEX #99834B

RGB 153 131 75

HSL 43.08, 0.34%, 0.45%

LAB 55.6, 0.8, 33.18

 

CMYK 0 / 41 / 51 / 62

HEX #623A30

RGB 98 58 48

HSL 12, 0.34%, 0.29%

LAB 29, 16.47, 13.69

 

CMYK 0 / 41 / 51 / 51

HEX #7E4A3E

RGB 126 74 62

HSL 11.25, 0.34%, 0.37%

LAB 37.26, 20.71, 16.59

 

CMYK 0 / 41 / 51 / 40

HEX #995A4B

RGB 153 90 75

HSL 11.54, 0.34%, 0.45%

LAB 45.07, 24.23, 19.75

 

CMYK 0 / 38 / 47 / 31

HEX #B06E5E

RGB 176 110 94

HSL 11.71, 0.34%, 0.53%

LAB 53.16, 24.39, 19.91

 

CMYK 0 / 29 / 35 / 26

HEX #BD877A

RGB 189 135 122

HSL 11.64, 0.34%, 0.61%

LAB 61.27, 18.96, 15.21

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 20 / 0 / 51 / 40

HEX #7B994B

RGB 123 153 75

HSL 83.08, 0.34%, 0.45%

LAB 59.44, -23.7, 37.29

 

CMYK 51 / 40 / 0 / 40

HEX #4B5C99

RGB 75 92 153

HSL 226.92, 0.34%, 0.45%

LAB 40.33, 11.33, -35.42

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 51 / 0 / 41 / 40

HEX #4B995A

RGB 75 153 90

HSL 131.54, 0.34%, 0.45%

LAB 57.09, -38.18, 25.92

 

CMYK 41 / 51 / 0 / 40

HEX #5A4B99

RGB 90 75 153

HSL 251.54, 0.34%, 0.45%

LAB 36.94, 25.96, -40.74

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 20 / 0 / 51 / 40

HEX #7B994B

RGB 123 153 75

HSL 83.08, 0.34%, 0.45%

LAB 59.44, -23.7, 37.29

 

CMYK 51 / 9 / 0 / 40

HEX #4B8B99

RGB 75 139 153

HSL 190.77, 0.34%, 0.45%

LAB 54.3, -16.52, -13.79

 

CMYK 31 / 51 / 0 / 40

HEX #694B99

RGB 105 75 153

HSL 263.08, 0.34%, 0.45%

LAB 38.44, 29.99, -38.26

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 35 / 0 / 51 / 40

HEX #64994B

RGB 100 153 75

HSL 100.77, 0.34%, 0.45%

LAB 58.04, -32.44, 35.27

 

CMYK 51 / 9 / 0 / 40

HEX #4B8B99

RGB 75 139 153

HSL 190.77, 0.34%, 0.45%

LAB 54.3, -16.52, -13.79

 

CMYK 16 / 51 / 0 / 40

HEX #814B99

RGB 129 75 153

HSL 281.54, 0.34%, 0.45%

LAB 41.21, 36.85, -33.69

 

Description

Color code: HEX #985A4B | qconv.com Color code: HEX #985A4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 90 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 90 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 51 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 51% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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