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Color name
HEX #9869CD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9869CD it is the complementary color #679632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9869CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9869CD shade: #9D69C8, #AE7BDB, #BF8DEE, #D09FFF and #E1B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9869CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9869CD shade: #9869CD, #8757BA, #7645A7, #653394 and #542181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9869CD shade: #9869CD, #B369CD, #CD69CC, #CD69B1 and #CD6996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9869CD shade: #9869CD, #7D69CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9869CD shade matches the following richer shades: #9869CD, #9759DD, #9649ED and #9539FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9869CD shade: #9869CD, #9979BD, #9A8AAD, #9B9A9D and #9CAA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9869CD shade: #6970CD, #7D69CD, #9869CD, #B269CD and #CD69CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9869CD shade: #6E39AB, #834AC2, #9869CD, #AD88D7 and #C3A7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9869CD shade: #9869CD, #CD698A and #69CD70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9869CD shade: #9869CD, #CD9869 and #69CD98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9869CD shade: #9869CD, #CD698A, #9ECD69 and #69CDAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9869CD shade: #9869CD, #CD696D, #9ECD69 and #69CDC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

Complementary color

CMYK 31 / 0 / 67 / 41

HEX #679632

RGB 103 150 50

HSL 88.2, 0.5%, 0.39%

LAB 57, -32.54, 46.02

 

CMYK 22 / 48 / 0 / 22

HEX #9D69C8

RGB 157 105 200

HSL 272.84, 0.46%, 0.6%

LAB 53.43, 38.81, -41.7

 

CMYK 21 / 44 / 0 / 14

HEX #AE7BDB

RGB 174 123 219

HSL 271.88, 0.57%, 0.67%

LAB 60.14, 37.96, -41.76

 

CMYK 20 / 41 / 0 / 7

HEX #BF8DEE

RGB 191 141 238

HSL 270.93, 0.74%, 0.74%

LAB 66.75, 37.15, -41.81

 

CMYK 18 / 38 / 0 / 0

HEX #D09FFF

RGB 208 159 255

HSL 270.63, 1%, 0.81%

LAB 73.17, 35.95, -40.92

 

CMYK 12 / 31 / 0 / 0

HEX #E1B1FF

RGB 225 177 255

HSL 276.92, 1%, 0.85%

LAB 78.85, 31.27, -31.99

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 27 / 53 / 0 / 27

HEX #8757BA

RGB 135 87 186

HSL 269.09, 0.42%, 0.54%

LAB 46.33, 39.56, -45.04

 

CMYK 29 / 59 / 0 / 35

HEX #7645A7

RGB 118 69 167

HSL 270, 0.42%, 0.46%

LAB 39.41, 40.52, -45.02

 

CMYK 32 / 66 / 0 / 42

HEX #653394

RGB 101 51 148

HSL 270.93, 0.49%, 0.39%

LAB 32.42, 41.4, -44.89

 

CMYK 35 / 74 / 0 / 49

HEX #542181

RGB 84 33 129

HSL 271.88, 0.59%, 0.32%

LAB 25.43, 42, -44.51

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 13 / 49 / 0 / 20

HEX #B369CD

RGB 179 105 205

HSL 284.4, 0.5%, 0.61%

LAB 56.18, 46.09, -40.04

 

CMYK 0 / 49 / 0 / 20

HEX #CD69CC

RGB 205 105 204

HSL 300.6, 0.5%, 0.61%

LAB 59.38, 53.26, -34.23

 

CMYK 0 / 49 / 14 / 20

HEX #CD69B1

RGB 205 105 177

HSL 316.8, 0.5%, 0.61%

LAB 58.28, 48.7, -20.52

 

CMYK 0 / 49 / 27 / 20

HEX #CD6996

RGB 205 105 150

HSL 333, 0.5%, 0.61%

LAB 57.35, 44.7, -6.3

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 39 / 49 / 0 / 20

HEX #7D69CD

RGB 125 105 205

HSL 252, 0.5%, 0.61%

LAB 50.54, 31.54, -49.35

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 32 / 60 / 0 / 13

HEX #9759DD

RGB 151 89 221

HSL 268.18, 0.66%, 0.61%

LAB 50.62, 50.93, -58.17

 

CMYK 37 / 69 / 0 / 7

HEX #9649ED

RGB 150 73 237

HSL 268.17, 0.82%, 0.61%

LAB 48.71, 62.42, -70.29

 

CMYK 41 / 77 / 0 / 1

HEX #9539FD

RGB 149 57 253

HSL 268.16, 0.98%, 0.61%

LAB 47.5, 72.61, -81.24

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 19 / 36 / 0 / 26

HEX #9979BD

RGB 153 121 189

HSL 268.24, 0.34%, 0.61%

LAB 56.21, 25.98, -31.09

 

CMYK 11 / 20 / 0 / 32

HEX #9A8AAD

RGB 154 138 173

HSL 267.43, 0.18%, 0.61%

LAB 59.95, 12.92, -16.22

 

CMYK 1 / 2 / 0 / 38

HEX #9B9A9D

RGB 155 154 157

HSL 260, 0.02%, 0.61%

LAB 63.77, 0.94, -1.45

 

CMYK 8 / 0 / 18 / 33

HEX #9CAA8C

RGB 156 170 140

HSL 88, 0.15%, 0.61%

LAB 67.81, -10.46, 13.83

 

CMYK 49 / 45 / 0 / 20

HEX #6970CD

RGB 105 112 205

HSL 235.8, 0.5%, 0.61%

LAB 50.69, 22.5, -49.2

 

CMYK 39 / 49 / 0 / 20

HEX #7D69CD

RGB 125 105 205

HSL 252, 0.5%, 0.61%

LAB 50.54, 31.54, -49.35

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 13 / 49 / 0 / 20

HEX #B269CD

RGB 178 105 205

HSL 283.8, 0.5%, 0.61%

LAB 56.06, 45.81, -40.24

 

CMYK 0 / 49 / 0 / 20

HEX #CD69CD

RGB 205 105 205

HSL 300, 0.5%, 0.61%

LAB 59.43, 53.44, -34.73

 

CMYK 36 / 67 / 0 / 33

HEX #6E39AB

RGB 110 57 171

HSL 267.89, 0.5%, 0.45%

LAB 36.33, 46.09, -52.41

 

CMYK 32 / 62 / 0 / 24

HEX #834AC2

RGB 131 74 194

HSL 268.5, 0.5%, 0.53%

LAB 43.68, 47.63, -53.97

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 20 / 37 / 0 / 16

HEX #AD88D7

RGB 173 136 215

HSL 268.1, 0.5%, 0.69%

LAB 62.84, 29.48, -35.3

 

CMYK 13 / 26 / 0 / 12

HEX #C3A7E1

RGB 195 167 225

HSL 268.97, 0.49%, 0.77%

LAB 72.68, 21.17, -25.47

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 0 / 49 / 33 / 20

HEX #CD698A

RGB 205 105 138

HSL 340.2, 0.5%, 0.61%

LAB 56.99, 43.12, 0.17

 

CMYK 49 / 0 / 45 / 20

HEX #69CD70

RGB 105 205 112

HSL 124.2, 0.5%, 0.61%

LAB 74.72, -48.42, 37.39

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 0 / 26 / 49 / 20

HEX #CD9869

RGB 205 152 105

HSL 28.2, 0.5%, 0.61%

LAB 66.87, 14.22, 32.4

 

CMYK 49 / 0 / 26 / 20

HEX #69CD98

RGB 105 205 152

HSL 148.2, 0.5%, 0.61%

LAB 75.41, -41.44, 17.54

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 0 / 49 / 33 / 20

HEX #CD698A

RGB 205 105 138

HSL 340.2, 0.5%, 0.61%

LAB 56.99, 43.12, 0.17

 

CMYK 23 / 0 / 49 / 20

HEX #9ECD69

RGB 158 205 105

HSL 88.2, 0.5%, 0.61%

LAB 77.25, -32.06, 44.56

 

CMYK 49 / 0 / 16 / 20

HEX #69CDAC

RGB 105 205 172

HSL 160.2, 0.5%, 0.61%

LAB 75.85, -37.17, 7.47

 

CMYK 26 / 49 / 0 / 20

HEX #9869CD

RGB 152 105 205

HSL 268.2, 0.5%, 0.61%

LAB 53.15, 38.61, -45.03

 

CMYK 0 / 49 / 47 / 20

HEX #CD696D

RGB 205 105 109

HSL 357.6, 0.5%, 0.61%

LAB 56.27, 39.86, 16.08

 

CMYK 23 / 0 / 49 / 20

HEX #9ECD69

RGB 158 205 105

HSL 88.2, 0.5%, 0.61%

LAB 77.25, -32.06, 44.56

 

CMYK 49 / 0 / 2 / 20

HEX #69CDC9

RGB 105 205 201

HSL 177.6, 0.5%, 0.61%

LAB 76.61, -30.19, -7.05

 

Description

Color code: HEX #9869CD | qconv.com Color code: HEX #9869CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 105 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 105 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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