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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #986029 it is the complementary color #679FD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #986029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #986029 shade: #9D6024, #AE7237, #BF844A, #D0965D and #E1A870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #986029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #986029 shade: #986029, #874E16, #763C03, #652A00 and #541800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #986029 shade: #996028, #994228 and #992828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #986029 shade: #996028, #997E28, #959928, #769928 and #589928

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #986029 shade matches the following richer shades: #996028, #A86019 and #B86009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #986029 shade: #996028, #896038, #796048, #6A6057 and #5A6067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #986029 shade: #99282E, #994128, #995F28, #997D28 and #979928

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #986029 shade: #573717, #784B20, #996028, #B97431 and #CD8946

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #986029 shade: #986029, #4C9928 and #322899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #986029 shade: #986029, #28995F and #5F2899

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #986029 shade: #986029, #4C9928, #286299 and #752899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #986029 shade: #986029, #2A9928, #286299 and #972899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

Complementary color

CMYK 52 / 26 / 0 / 16

HEX #679FD6

RGB 103 159 214

HSL 209.73, 0.58%, 0.62%

LAB 63.78, -2.97, -33.66

 

CMYK 0 / 39 / 77 / 38

HEX #9D6024

RGB 157 96 36

HSL 29.75, 0.63%, 0.38%

LAB 46.53, 19.76, 42.9

 

CMYK 0 / 34 / 68 / 32

HEX #AE7237

RGB 174 114 55

HSL 29.75, 0.52%, 0.45%

LAB 53.29, 18.09, 41.48

 

CMYK 0 / 31 / 61 / 25

HEX #BF844A

RGB 191 132 74

HSL 29.74, 0.48%, 0.52%

LAB 59.95, 16.68, 39.93

 

CMYK 0 / 28 / 55 / 18

HEX #D0965D

RGB 208 150 93

HSL 29.74, 0.55%, 0.59%

LAB 66.53, 15.48, 38.41

 

CMYK 0 / 25 / 50 / 12

HEX #E1A870

RGB 225 168 112

HSL 29.73, 0.65%, 0.66%

LAB 73.01, 14.44, 36.97

 

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

CMYK 0 / 42 / 84 / 47

HEX #874E16

RGB 135 78 22

HSL 29.73, 0.72%, 0.31%

LAB 39, 19.63, 40.86

 

CMYK 0 / 49 / 97 / 54

HEX #763C03

RGB 118 60 3

HSL 29.74, 0.95%, 0.24%

LAB 32.01, 21.82, 41.25

 

CMYK 0 / 58 / 100 / 60

HEX #652A00

RGB 101 42 0

HSL 24.95, 1%, 0.2%

LAB 25.02, 24.4, 35.6

 

CMYK 0 / 71 / 100 / 67

HEX #541800

RGB 84 24 0

HSL 17.14, 1%, 0.16%

LAB 18.09, 26.73, 27.18

 

CMYK 0 / 37 / 74 / 40

HEX #996028

RGB 153 96 40

HSL 29.73, 0.59%, 0.38%

LAB 46.03, 18.17, 40.32

 

CMYK 0 / 57 / 74 / 40

HEX #994228

RGB 153 66 40

HSL 13.81, 0.59%, 0.38%

LAB 39.28, 34.71, 33.07

 

CMYK 0 / 74 / 74 / 40

HEX #992828

RGB 153 40 40

HSL 0, 0.59%, 0.38%

LAB 34.89, 46.45, 28.12

 

CMYK 0 / 37 / 74 / 40

HEX #996028

RGB 153 96 40

HSL 29.73, 0.59%, 0.38%

LAB 46.03, 18.17, 40.32

 

CMYK 0 / 18 / 74 / 40

HEX #997E28

RGB 153 126 40

HSL 45.66, 0.59%, 0.38%

LAB 53.86, 1.04, 48.27

 

CMYK 3 / 0 / 74 / 40

HEX #959928

RGB 149 153 40

HSL 62.12, 0.59%, 0.38%

LAB 61.07, -15.42, 55.14

 

CMYK 23 / 0 / 74 / 40

HEX #769928

RGB 118 153 40

HSL 78.58, 0.59%, 0.38%

LAB 58.78, -28.71, 52.13

 

CMYK 42 / 0 / 74 / 40

HEX #589928

RGB 88 153 40

HSL 94.51, 0.59%, 0.38%

LAB 57.09, -40.11, 49.89

 

CMYK 0 / 37 / 74 / 40

HEX #996028

RGB 153 96 40

HSL 29.73, 0.59%, 0.38%

LAB 46.03, 18.17, 40.32

 

CMYK 0 / 43 / 85 / 34

HEX #A86019

RGB 168 96 25

HSL 29.79, 0.74%, 0.38%

LAB 47.96, 24.21, 49.37

 

CMYK 0 / 48 / 95 / 28

HEX #B86009

RGB 184 96 9

HSL 29.83, 0.91%, 0.38%

LAB 50.19, 30.74, 56.68

 

CMYK 0 / 37 / 74 / 40

HEX #996028

RGB 153 96 40

HSL 29.73, 0.59%, 0.38%

LAB 46.03, 18.17, 40.32

 

CMYK 0 / 30 / 59 / 46

HEX #896038

RGB 137 96 56

HSL 29.63, 0.42%, 0.38%

LAB 44.19, 12.04, 29.24

 

CMYK 0 / 21 / 40 / 53

HEX #796048

RGB 121 96 72

HSL 29.39, 0.25%, 0.38%

LAB 42.61, 6.55, 17.55

 

CMYK 0 / 9 / 18 / 58

HEX #6A6057

RGB 106 96 87

HSL 28.42, 0.1%, 0.38%

LAB 41.4, 2.34, 6.59

 

CMYK 13 / 7 / 0 / 60

HEX #5A6067

RGB 90 96 103

HSL 212.31, 0.07%, 0.38%

LAB 40.44, -0.75, -4.78

 

CMYK 0 / 74 / 70 / 40

HEX #99282E

RGB 153 40 46

HSL 356.81, 0.59%, 0.38%

LAB 34.98, 46.75, 24.52

 

CMYK 0 / 58 / 74 / 40

HEX #994128

RGB 153 65 40

HSL 13.27, 0.59%, 0.38%

LAB 39.08, 35.22, 32.85

 

CMYK 0 / 38 / 74 / 40

HEX #995F28

RGB 153 95 40

HSL 29.2, 0.59%, 0.38%

LAB 45.78, 18.74, 40.06

 

CMYK 0 / 18 / 74 / 40

HEX #997D28

RGB 153 125 40

HSL 45.13, 0.59%, 0.38%

LAB 53.59, 1.6, 48

 

CMYK 1 / 0 / 74 / 40

HEX #979928

RGB 151 153 40

HSL 61.06, 0.59%, 0.38%

LAB 61.23, -14.53, 55.35

 

CMYK 0 / 37 / 74 / 66

HEX #573717

RGB 87 55 23

HSL 30, 0.58%, 0.22%

LAB 26.22, 10.85, 25.34

 

CMYK 0 / 38 / 73 / 53

HEX #784B20

RGB 120 75 32

HSL 29.32, 0.58%, 0.3%

LAB 36.23, 14.94, 32.66

 

CMYK 0 / 37 / 74 / 40

HEX #996028

RGB 153 96 40

HSL 29.73, 0.59%, 0.38%

LAB 46.03, 18.17, 40.32

 

CMYK 0 / 37 / 74 / 27

HEX #B97431

RGB 185 116 49

HSL 29.56, 0.58%, 0.46%

LAB 55.1, 21.44, 46.74

 

CMYK 0 / 33 / 66 / 20

HEX #CD8946

RGB 205 137 70

HSL 29.78, 0.57%, 0.54%

LAB 62.77, 19.63, 45.63

 

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

CMYK 50 / 0 / 74 / 40

HEX #4C9928

RGB 76 153 40

HSL 100.88, 0.59%, 0.38%

LAB 56.56, -44.03, 49.19

 

CMYK 67 / 74 / 0 / 40

HEX #322899

RGB 50 40 153

HSL 245.31, 0.59%, 0.38%

LAB 25.25, 39.72, -59.88

 

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

CMYK 74 / 0 / 38 / 40

HEX #28995F

RGB 40 153 95

HSL 149.2, 0.59%, 0.38%

LAB 56.15, -44.85, 21.76

 

CMYK 38 / 74 / 0 / 40

HEX #5F2899

RGB 95 40 153

HSL 269.2, 0.59%, 0.38%

LAB 30.04, 46.9, -51.85

 

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

CMYK 50 / 0 / 74 / 40

HEX #4C9928

RGB 76 153 40

HSL 100.88, 0.59%, 0.38%

LAB 56.56, -44.03, 49.19

 

CMYK 74 / 36 / 0 / 40

HEX #286299

RGB 40 98 153

HSL 209.2, 0.59%, 0.38%

LAB 40.39, 0.56, -35.44

 

CMYK 24 / 74 / 0 / 40

HEX #752899

RGB 117 40 153

HSL 280.88, 0.59%, 0.38%

LAB 33.13, 51.29, -46.68

 

CMYK 0 / 37 / 73 / 40

HEX #986029

RGB 152 96 41

HSL 29.73, 0.58%, 0.38%

LAB 45.91, 17.77, 39.66

 

CMYK 73 / 0 / 74 / 40

HEX #2A9928

RGB 42 153 40

HSL 118.94, 0.59%, 0.38%

LAB 55.51, -52.42, 47.79

 

CMYK 74 / 36 / 0 / 40

HEX #286299

RGB 40 98 153

HSL 209.2, 0.59%, 0.38%

LAB 40.39, 0.56, -35.44

 

CMYK 1 / 74 / 0 / 40

HEX #972899

RGB 151 40 153

HSL 298.94, 0.59%, 0.38%

LAB 38.55, 58.63, -37.71

 

Description

Color code: HEX #986029 | qconv.com Color code: HEX #986029 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 96 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 96 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 73 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 73% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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