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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #986D1F it is the complementary color #6792E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #986D1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #986D1F shade: #9D6D1A, #AE7F2D, #BF9140, #D0A353 and #E1B566

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #986D1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #986D1F shade: #986D1F, #875B0C, #764900, #653700 and #542500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #986D1F shade: #986D1F, #984C1F, #982B1F and #981F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #986D1F shade: #986D1F, #988E1F, #82981F, #61981F and #40981F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #986D1F shade matches the following richer shades: #986D1F, #A77110 and #B67501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #986D1F shade: #986D1F, #89692E, #7A643C, #6B604B and #5C5C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #986D1F shade: #982B1F, #984B1F, #986B1F, #988C1F and #84981F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #986D1F shade: #533C11, #765418, #986D1F, #BA8526 and #D59C34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #986D1F shade: #986D1F, #33981F and #3B1F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #986D1F shade: #986D1F, #1F986B and #6B1F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #986D1F shade: #986D1F, #33981F, #1F4B98 and #841F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #986D1F shade: #986D1F, #1F982F, #1F4B98 and #981F88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

Complementary color

CMYK 54 / 35 / 0 / 12

HEX #6792E0

RGB 103 146 224

HSL 218.68, 0.66%, 0.64%

LAB 60.63, 7.59, -44.15

 

CMYK 0 / 31 / 83 / 38

HEX #9D6D1A

RGB 157 109 26

HSL 38.02, 0.72%, 0.36%

LAB 49.71, 11.95, 49.98

 

CMYK 0 / 27 / 74 / 32

HEX #AE7F2D

RGB 174 127 45

HSL 38.14, 0.59%, 0.43%

LAB 56.45, 10.26, 49.49

 

CMYK 0 / 24 / 66 / 25

HEX #BF9140

RGB 191 145 64

HSL 38.27, 0.5%, 0.5%

LAB 63.09, 8.86, 48.43

 

CMYK 0 / 22 / 60 / 18

HEX #D0A353

RGB 208 163 83

HSL 38.4, 0.57%, 0.57%

LAB 69.63, 7.67, 47.17

 

CMYK 0 / 20 / 55 / 12

HEX #E1B566

RGB 225 181 102

HSL 38.54, 0.67%, 0.64%

LAB 76.08, 6.67, 45.85

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 33 / 91 / 47

HEX #875B0C

RGB 135 91 12

HSL 38.54, 0.84%, 0.29%

LAB 42.25, 11.73, 47.1

 

CMYK 0 / 38 / 100 / 54

HEX #764900

RGB 118 73 0

HSL 37.12, 1%, 0.23%

LAB 35.24, 14.04, 44.53

 

CMYK 0 / 46 / 100 / 60

HEX #653700

RGB 101 55 0

HSL 32.67, 1%, 0.2%

LAB 28.11, 16.75, 38.36

 

CMYK 0 / 56 / 100 / 67

HEX #542500

RGB 84 37 0

HSL 26.43, 1%, 0.16%

LAB 20.86, 19.53, 30.36

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 50 / 80 / 40

HEX #984C1F

RGB 152 76 31

HSL 22.31, 0.66%, 0.36%

LAB 41.13, 28.58, 39.67

 

CMYK 0 / 72 / 80 / 40

HEX #982B1F

RGB 152 43 31

HSL 5.95, 0.66%, 0.36%

LAB 35.01, 44.58, 33.5

 

CMYK 0 / 80 / 80 / 40

HEX #981F1F

RGB 152 31 31

HSL 0, 0.66%, 0.36%

LAB 33.47, 48.86, 31.89

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 7 / 80 / 40

HEX #988E1F

RGB 152 142 31

HSL 55.04, 0.66%, 0.36%

LAB 58.15, -8.63, 55.6

 

CMYK 14 / 0 / 80 / 40

HEX #82981F

RGB 130 152 31

HSL 70.91, 0.66%, 0.36%

LAB 59.25, -23.63, 55.92

 

CMYK 36 / 0 / 80 / 40

HEX #61981F

RGB 97 152 31

HSL 87.27, 0.66%, 0.36%

LAB 57.17, -37, 53.24

 

CMYK 58 / 0 / 80 / 40

HEX #40981F

RGB 64 152 31

HSL 103.64, 0.66%, 0.36%

LAB 55.73, -47.73, 51.37

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 32 / 90 / 35

HEX #A77110

RGB 167 113 16

HSL 38.54, 0.83%, 0.36%

LAB 51.91, 13.98, 55.32

 

CMYK 0 / 36 / 99 / 29

HEX #B67501

RGB 182 117 1

HSL 38.45, 0.99%, 0.36%

LAB 54.73, 18.27, 61.2

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 23 / 66 / 46

HEX #89692E

RGB 137 105 46

HSL 38.9, 0.5%, 0.36%

LAB 46.47, 6.01, 37.24

 

CMYK 0 / 18 / 51 / 52

HEX #7A643C

RGB 122 100 60

HSL 38.71, 0.34%, 0.36%

LAB 43.62, 3.23, 25.9

 

CMYK 0 / 10 / 30 / 58

HEX #6B604B

RGB 107 96 75

HSL 39.38, 0.18%, 0.36%

LAB 41.22, 0.8, 13.62

 

CMYK 0 / 0 / 2 / 64

HEX #5C5C5A

RGB 92 92 90

HSL 60, 0.01%, 0.36%

LAB 39.02, -0.42, 1.14

 

CMYK 0 / 72 / 80 / 40

HEX #982B1F

RGB 152 43 31

HSL 5.95, 0.66%, 0.36%

LAB 35.01, 44.58, 33.5

 

CMYK 0 / 51 / 80 / 40

HEX #984B1F

RGB 152 75 31

HSL 21.82, 0.66%, 0.36%

LAB 40.91, 29.12, 39.46

 

CMYK 0 / 30 / 80 / 40

HEX #986B1F

RGB 152 107 31

HSL 37.69, 0.66%, 0.36%

LAB 48.62, 10.98, 46.87

 

CMYK 0 / 8 / 80 / 40

HEX #988C1F

RGB 152 140 31

HSL 54.05, 0.66%, 0.36%

LAB 57.59, -7.55, 55.09

 

CMYK 13 / 0 / 80 / 40

HEX #84981F

RGB 132 152 31

HSL 69.92, 0.66%, 0.36%

LAB 59.4, -22.76, 56.11

 

CMYK 0 / 28 / 80 / 67

HEX #533C11

RGB 83 60 17

HSL 39.09, 0.66%, 0.2%

LAB 27.05, 5.28, 29.25

 

CMYK 0 / 29 / 80 / 54

HEX #765418

RGB 118 84 24

HSL 38.3, 0.66%, 0.28%

LAB 38.3, 8.16, 38.54

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 0 / 28 / 80 / 27

HEX #BA8526

RGB 186 133 38

HSL 38.51, 0.66%, 0.44%

LAB 59.3, 11.99, 55.51

 

CMYK 0 / 27 / 76 / 16

HEX #D59C34

RGB 213 156 52

HSL 38.76, 0.66%, 0.52%

LAB 68.15, 11.83, 59.57

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 66 / 0 / 80 / 40

HEX #33981F

RGB 51 152 31

HSL 110.08, 0.66%, 0.36%

LAB 55.34, -50.93, 50.86

 

CMYK 61 / 80 / 0 / 40

HEX #3B1F98

RGB 59 31 152

HSL 253.88, 0.66%, 0.36%

LAB 24.25, 45.29, -60.88

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 80 / 0 / 30 / 40

HEX #1F986B

RGB 31 152 107

HSL 157.69, 0.66%, 0.36%

LAB 55.9, -43.06, 14.72

 

CMYK 30 / 80 / 0 / 40

HEX #6B1F98

RGB 107 31 152

HSL 277.69, 0.66%, 0.36%

LAB 30.33, 52.65, -50.68

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 66 / 0 / 80 / 40

HEX #33981F

RGB 51 152 31

HSL 110.08, 0.66%, 0.36%

LAB 55.34, -50.93, 50.86

 

CMYK 80 / 51 / 0 / 40

HEX #1F4B98

RGB 31 75 152

HSL 218.18, 0.66%, 0.36%

LAB 33.11, 14.05, -46.48

 

CMYK 13 / 80 / 0 / 40

HEX #841F98

RGB 132 31 152

HSL 290.08, 0.66%, 0.36%

LAB 34.3, 57.38, -44.07

 

CMYK 0 / 28 / 80 / 40

HEX #986D1F

RGB 152 109 31

HSL 38.68, 0.66%, 0.36%

LAB 49.14, 9.83, 47.36

 

CMYK 80 / 0 / 69 / 40

HEX #1F982F

RGB 31 152 47

HSL 127.93, 0.66%, 0.36%

LAB 55.02, -53.19, 44.41

 

CMYK 80 / 51 / 0 / 40

HEX #1F4B98

RGB 31 75 152

HSL 218.18, 0.66%, 0.36%

LAB 33.11, 14.05, -46.48

 

CMYK 0 / 80 / 11 / 40

HEX #981F88

RGB 152 31 136

HSL 307.93, 0.66%, 0.36%

LAB 36.8, 58.9, -30.06

 

Description

Color code: HEX #986D1F | qconv.com Color code: HEX #986D1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 109 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 109 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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