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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98757F it is the complementary color #678A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98757F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98757F shade: #9D757A, #AE878D, #BF99A0, #D0ABB3 and #E1BDC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98757F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98757F shade: #98757F, #87636C, #765159, #653F46 and #542D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98757F shade: #99757F, #997575 and #997575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98757F shade: #99757F, #997589, #997592, #957599 and #8C7599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98757F shade matches the following richer shades: #99757F, #AC6177, #BF4E6E, #D33A66 and #E6275E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98757F shade: #99757F, #858887, #729B90, #5EAF98 and #4BC2A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98757F shade: #997593, #997589, #99757F, #997576 and #997D75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98757F shade: #6B4F57, #83616B, #99757F, #AA8C95 and #BCA4AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98757F shade: #98757F, #999575 and #758E99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98757F shade: #98757F, #7F9975 and #757F99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98757F shade: #98757F, #999575, #75998E and #757899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98757F shade: #98757F, #919975, #75998E and #7C7599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

Complementary color

CMYK 25 / 0 / 7 / 46

HEX #678A80

RGB 103 138 128

HSL 162.86, 0.15%, 0.47%

LAB 54.68, -14.47, 1.37

 

CMYK 0 / 25 / 22 / 38

HEX #9D757A

RGB 157 117 122

HSL 352.5, 0.17%, 0.54%

LAB 53.27, 16.47, 3.39

 

CMYK 0 / 22 / 19 / 32

HEX #AE878D

RGB 174 135 141

HSL 350.77, 0.19%, 0.61%

LAB 60.11, 15.83, 2.52

 

CMYK 0 / 20 / 16 / 25

HEX #BF99A0

RGB 191 153 160

HSL 348.95, 0.23%, 0.67%

LAB 66.82, 15.26, 1.72

 

CMYK 0 / 18 / 14 / 18

HEX #D0ABB3

RGB 208 171 179

HSL 347.03, 0.28%, 0.74%

LAB 73.41, 14.75, 0.97

 

CMYK 0 / 16 / 12 / 12

HEX #E1BDC6

RGB 225 189 198

HSL 345, 0.38%, 0.81%

LAB 79.89, 14.28, 0.27

 

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

CMYK 0 / 27 / 20 / 47

HEX #87636C

RGB 135 99 108

HSL 345, 0.15%, 0.46%

LAB 45.85, 16.01, 0.64

 

CMYK 0 / 31 / 25 / 54

HEX #765159

RGB 118 81 89

HSL 347.03, 0.19%, 0.39%

LAB 38.65, 16.77, 1.57

 

CMYK 0 / 38 / 31 / 60

HEX #653F46

RGB 101 63 70

HSL 348.95, 0.23%, 0.32%

LAB 31.26, 17.66, 2.67

 

CMYK 0 / 46 / 39 / 67

HEX #542D33

RGB 84 45 51

HSL 350.77, 0.3%, 0.25%

LAB 23.67, 18.71, 4.03

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 24 / 24 / 40

HEX #997575

RGB 153 117 117

HSL 0, 0.15%, 0.53%

LAB 52.71, 14.11, 5.45

 

CMYK 0 / 24 / 24 / 40

HEX #997575

RGB 153 117 117

HSL 0, 0.15%, 0.53%

LAB 52.71, 14.11, 5.45

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 24 / 10 / 40

HEX #997589

RGB 153 117 137

HSL 326.67, 0.15%, 0.53%

LAB 53.28, 17.48, -5.45

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 3 / 24 / 0 / 40

HEX #957599

RGB 149 117 153

HSL 293.33, 0.15%, 0.53%

LAB 53.4, 19.11, -14.66

 

CMYK 8 / 24 / 0 / 40

HEX #8C7599

RGB 140 117 153

HSL 278.33, 0.15%, 0.53%

LAB 52.51, 15.96, -16.1

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 44 / 31 / 33

HEX #AC6177

RGB 172 97 119

HSL 342.4, 0.31%, 0.53%

LAB 50.28, 33.04, 1.05

 

CMYK 0 / 59 / 42 / 25

HEX #BF4E6E

RGB 191 78 110

HSL 343.01, 0.47%, 0.53%

LAB 49.07, 48.31, 5.06

 

CMYK 0 / 73 / 52 / 17

HEX #D33A66

RGB 211 58 102

HSL 342.75, 0.63%, 0.53%

LAB 49.29, 61.9, 10.7

 

CMYK 0 / 83 / 59 / 10

HEX #E6275E

RGB 230 39 94

HSL 342.72, 0.79%, 0.53%

LAB 50.78, 71.81, 18.18

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 2 / 0 / 1 / 47

HEX #858887

RGB 133 136 135

HSL 160, 0.01%, 0.53%

LAB 56.43, -1.3, 0.14

 

CMYK 26 / 0 / 7 / 39

HEX #729B90

RGB 114 155 144

HSL 163.9, 0.17%, 0.53%

LAB 60.81, -16.4, 1.23

 

CMYK 46 / 0 / 13 / 31

HEX #5EAF98

RGB 94 175 152

HSL 162.96, 0.34%, 0.53%

LAB 65.99, -30.43, 4.13

 

CMYK 61 / 0 / 18 / 24

HEX #4BC2A0

RGB 75 194 160

HSL 162.86, 0.49%, 0.53%

LAB 71.29, -41.46, 7.29

 

CMYK 0 / 24 / 4 / 40

HEX #997593

RGB 153 117 147

HSL 310, 0.15%, 0.53%

LAB 53.6, 19.34, -10.81

 

CMYK 0 / 24 / 10 / 40

HEX #997589

RGB 153 117 137

HSL 326.67, 0.15%, 0.53%

LAB 53.28, 17.48, -5.45

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 24 / 23 / 40

HEX #997576

RGB 153 117 118

HSL 358.33, 0.15%, 0.53%

LAB 52.73, 14.26, 4.9

 

CMYK 0 / 18 / 24 / 40

HEX #997D75

RGB 153 125 117

HSL 13.33, 0.15%, 0.53%

LAB 54.79, 9.51, 8.42

 

CMYK 0 / 26 / 19 / 58

HEX #6B4F57

RGB 107 79 87

HSL 342.86, 0.15%, 0.36%

LAB 36.75, 13.13, -0.1

 

CMYK 0 / 26 / 18 / 49

HEX #83616B

RGB 131 97 107

HSL 342.35, 0.15%, 0.45%

LAB 44.85, 15.43, -0.26

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 18 / 12 / 33

HEX #AA8C95

RGB 170 140 149

HSL 342, 0.15%, 0.61%

LAB 61.2, 12.83, -0.52

 

CMYK 0 / 13 / 9 / 26

HEX #BCA4AB

RGB 188 164 171

HSL 342.5, 0.15%, 0.69%

LAB 69.6, 9.95, -0.39

 

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

CMYK 0 / 3 / 24 / 40

HEX #999575

RGB 153 149 117

HSL 53.33, 0.15%, 0.53%

LAB 61.27, -3.97, 17.47

 

CMYK 24 / 7 / 0 / 40

HEX #758E99

RGB 117 142 153

HSL 198.33, 0.15%, 0.53%

LAB 57.49, -6.28, -8.77

 

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

CMYK 17 / 0 / 24 / 40

HEX #7F9975

RGB 127 153 117

HSL 103.33, 0.15%, 0.53%

LAB 60.41, -16.17, 15.97

 

CMYK 24 / 17 / 0 / 40

HEX #757F99

RGB 117 127 153

HSL 223.33, 0.15%, 0.53%

LAB 53.23, 2.28, -15.18

 

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

CMYK 0 / 3 / 24 / 40

HEX #999575

RGB 153 149 117

HSL 53.33, 0.15%, 0.53%

LAB 61.27, -3.97, 17.47

 

CMYK 24 / 0 / 7 / 40

HEX #75998E

RGB 117 153 142

HSL 161.67, 0.15%, 0.53%

LAB 60.35, -14.8, 1.72

 

CMYK 24 / 22 / 0 / 40

HEX #757899

RGB 117 120 153

HSL 235, 0.15%, 0.53%

LAB 51.28, 6.39, -18.15

 

CMYK 0 / 23 / 16 / 40

HEX #98757F

RGB 152 117 127

HSL 342.86, 0.15%, 0.53%

LAB 52.87, 15.35, -0.19

 

CMYK 5 / 0 / 24 / 40

HEX #919975

RGB 145 153 117

HSL 73.33, 0.15%, 0.53%

LAB 61.73, -9.31, 18

 

CMYK 24 / 0 / 7 / 40

HEX #75998E

RGB 117 153 142

HSL 161.67, 0.15%, 0.53%

LAB 60.35, -14.8, 1.72

 

CMYK 19 / 24 / 0 / 40

HEX #7C7599

RGB 124 117 153

HSL 251.67, 0.15%, 0.53%

LAB 51.05, 10.49, -18.46

 

Description

Color code: HEX #98757F | qconv.com Color code: HEX #98757F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 117 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 117 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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