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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #987082 it is the complementary color #678F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #987082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #987082 shade: #9D707D, #AE8290, #BF94A3, #D0A6B6 and #E1B8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #987082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #987082 shade: #987082, #875E6F, #764C5C, #653A49 and #542836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #987082 shade: #987182, #987178 and #987171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #987082 shade: #987182, #98718D, #987197, #8E7198 and #837198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #987082 shade matches the following richer shades: #987182, #AB5D80, #BF497E, #D3357C and #E7217A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #987082 shade: #987182, #848484, #709886, #5CAC88 and #48C08A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #987082 shade: #987197, #98718D, #987182, #987178 and #987471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #987082 shade: #694C59, #815E6E, #987182, #A98897 and #BAA0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #987082 shade: #987082, #988E71 and #719298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #987082 shade: #987082, #829871 and #718298

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #987082 shade: #987082, #988E71, #719886 and #717A98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #987082 shade: #987082, #969871, #719886 and #727198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

Complementary color

CMYK 28 / 0 / 13 / 44

HEX #678F7D

RGB 103 143 125

HSL 153, 0.16%, 0.48%

LAB 56.1, -17.81, 5.14

 

CMYK 0 / 29 / 20 / 38

HEX #9D707D

RGB 157 112 125

HSL 342.67, 0.19%, 0.53%

LAB 52.1, 19.82, -0.07

 

CMYK 0 / 25 / 17 / 32

HEX #AE8290

RGB 174 130 144

HSL 340.91, 0.21%, 0.6%

LAB 58.95, 19.13, -0.89

 

CMYK 0 / 23 / 15 / 25

HEX #BF94A3

RGB 191 148 163

HSL 339.07, 0.25%, 0.66%

LAB 65.67, 18.52, -1.64

 

CMYK 0 / 20 / 13 / 18

HEX #D0A6B6

RGB 208 166 182

HSL 337.14, 0.31%, 0.73%

LAB 72.27, 17.96, -2.35

 

CMYK 0 / 18 / 11 / 12

HEX #E1B8C9

RGB 225 184 201

HSL 335.12, 0.41%, 0.8%

LAB 78.76, 17.45, -3.01

 

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

CMYK 0 / 30 / 18 / 47

HEX #875E6F

RGB 135 94 111

HSL 335.12, 0.18%, 0.45%

LAB 44.67, 19.47, -2.91

 

CMYK 0 / 36 / 22 / 54

HEX #764C5C

RGB 118 76 92

HSL 337.14, 0.22%, 0.38%

LAB 37.47, 20.28, -2.03

 

CMYK 0 / 43 / 28 / 60

HEX #653A49

RGB 101 58 73

HSL 339.07, 0.27%, 0.31%

LAB 30.09, 21.2, -0.98

 

CMYK 0 / 52 / 36 / 67

HEX #542836

RGB 84 40 54

HSL 340.91, 0.35%, 0.24%

LAB 22.54, 22.21, 0.36

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 26 / 21 / 40

HEX #987178

RGB 152 113 120

HSL 349.23, 0.16%, 0.52%

LAB 51.66, 16.5, 2.16

 

CMYK 0 / 26 / 26 / 40

HEX #987171

RGB 152 113 113

HSL 0, 0.16%, 0.52%

LAB 51.47, 15.4, 6.02

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 26 / 7 / 40

HEX #98718D

RGB 152 113 141

HSL 316.92, 0.16%, 0.52%

LAB 52.3, 20.16, -9.27

 

CMYK 0 / 26 / 1 / 40

HEX #987197

RGB 152 113 151

HSL 301.54, 0.16%, 0.52%

LAB 52.64, 22.08, -14.61

 

CMYK 7 / 26 / 0 / 40

HEX #8E7198

RGB 142 113 152

HSL 284.62, 0.16%, 0.52%

LAB 51.64, 18.78, -16.81

 

CMYK 14 / 26 / 0 / 40

HEX #837198

RGB 131 113 152

HSL 267.69, 0.16%, 0.52%

LAB 50.57, 15, -18.54

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 46 / 25 / 33

HEX #AB5D80

RGB 171 93 128

HSL 333.08, 0.32%, 0.52%

LAB 49.55, 36.12, -5.41

 

CMYK 0 / 62 / 34 / 25

HEX #BF497E

RGB 191 73 126

HSL 333.05, 0.48%, 0.52%

LAB 48.7, 52.38, -5.16

 

CMYK 0 / 75 / 41 / 17

HEX #D3357C

RGB 211 53 124

HSL 333.04, 0.64%, 0.52%

LAB 49.31, 65.49, -2.65

 

CMYK 0 / 86 / 47 / 9

HEX #E7217A

RGB 231 33 122

HSL 333.03, 0.8%, 0.52%

LAB 51.25, 75.27, 1.83

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 26 / 0 / 12 / 40

HEX #709886

RGB 112 152 134

HSL 153, 0.16%, 0.52%

LAB 59.55, -17.65, 5.04

 

CMYK 47 / 0 / 21 / 33

HEX #5CAC88

RGB 92 172 136

HSL 153, 0.33%, 0.52%

LAB 64.61, -33.15, 11.01

 

CMYK 63 / 0 / 28 / 25

HEX #48C08A

RGB 72 192 138

HSL 153, 0.49%, 0.52%

LAB 70.11, -46.15, 17.52

 

CMYK 0 / 26 / 1 / 40

HEX #987197

RGB 152 113 151

HSL 301.54, 0.16%, 0.52%

LAB 52.64, 22.08, -14.61

 

CMYK 0 / 26 / 7 / 40

HEX #98718D

RGB 152 113 141

HSL 316.92, 0.16%, 0.52%

LAB 52.3, 20.16, -9.27

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 26 / 21 / 40

HEX #987178

RGB 152 113 120

HSL 349.23, 0.16%, 0.52%

LAB 51.66, 16.5, 2.16

 

CMYK 0 / 24 / 26 / 40

HEX #987471

RGB 152 116 113

HSL 4.62, 0.16%, 0.52%

LAB 52.24, 13.67, 7.12

 

CMYK 0 / 28 / 15 / 59

HEX #694C59

RGB 105 76 89

HSL 333.1, 0.16%, 0.35%

LAB 35.78, 14.53, -2.82

 

CMYK 0 / 27 / 15 / 49

HEX #815E6E

RGB 129 94 110

HSL 332.57, 0.16%, 0.44%

LAB 43.94, 16.96, -3.45

 

CMYK 0 / 26 / 14 / 40

HEX #987182

RGB 152 113 130

HSL 333.85, 0.16%, 0.52%

LAB 51.95, 18.17, -3.31

 

CMYK 0 / 20 / 11 / 34

HEX #A98897

RGB 169 136 151

HSL 332.73, 0.16%, 0.6%

LAB 60.14, 15.07, -3.23

 

CMYK 0 / 14 / 8 / 27

HEX #BAA0AC

RGB 186 160 172

HSL 332.31, 0.16%, 0.68%

LAB 68.43, 11.6, -2.68

 

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

CMYK 0 / 7 / 26 / 40

HEX #988E71

RGB 152 142 113

HSL 44.62, 0.16%, 0.52%

LAB 59.17, -1.1, 16.82

 

CMYK 26 / 4 / 0 / 40

HEX #719298

RGB 113 146 152

HSL 189.23, 0.16%, 0.52%

LAB 58.35, -10.02, -6.94

 

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

CMYK 14 / 0 / 26 / 40

HEX #829871

RGB 130 152 113

HSL 93.85, 0.16%, 0.52%

LAB 60.24, -15.2, 18.01

 

CMYK 26 / 14 / 0 / 40

HEX #718298

RGB 113 130 152

HSL 213.85, 0.16%, 0.52%

LAB 53.75, -1, -13.84

 

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

CMYK 0 / 7 / 26 / 40

HEX #988E71

RGB 152 142 113

HSL 44.62, 0.16%, 0.52%

LAB 59.17, -1.1, 16.82

 

CMYK 26 / 0 / 12 / 40

HEX #719886

RGB 113 152 134

HSL 152.31, 0.16%, 0.52%

LAB 59.61, -17.31, 5.14

 

CMYK 26 / 20 / 0 / 40

HEX #717A98

RGB 113 122 152

HSL 226.15, 0.16%, 0.52%

LAB 51.49, 3.66, -17.27

 

CMYK 0 / 26 / 14 / 40

HEX #987082

RGB 152 112 130

HSL 333, 0.16%, 0.52%

LAB 51.7, 18.75, -3.68

 

CMYK 1 / 0 / 26 / 40

HEX #969871

RGB 150 152 113

HSL 63.08, 0.16%, 0.52%

LAB 61.77, -7.39, 20.34

 

CMYK 26 / 0 / 12 / 40

HEX #719886

RGB 113 152 134

HSL 152.31, 0.16%, 0.52%

LAB 59.61, -17.31, 5.14

 

CMYK 25 / 26 / 0 / 40

HEX #727198

RGB 114 113 152

HSL 241.54, 0.16%, 0.52%

LAB 49.07, 9.34, -20.96

 

Description

Color code: HEX #987082 | qconv.com Color code: HEX #987082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 112 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 112 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 14 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 14% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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