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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9872D9 it is the complementary color #678D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9872D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9872D9 shade: #9D72D4, #AE84E7, #BF96FA, #D0A8FF and #E1BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9872D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9872D9 shade: #9872D9, #8760C6, #764EB3, #653CA0 and #542A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9872D9 shade: #9871D9, #B471D9, #D071D9, #D971C7 and #D971AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9872D9 shade: #9871D9, #7C71D9 and #7171D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9872D9 shade matches the following richer shades: #9871D9, #9463E7 and #9055F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9872D9 shade: #9871D9, #9B80CB, #9F8EBC, #A39DAE and #A7AB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9872D9 shade: #7183D9, #7C71D9, #9771D9, #B371D9 and #CF71D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9872D9 shade: #6934C4, #8051D0, #9871D9, #AF92E2 and #C7B3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9872D9 shade: #9872D9, #D9719E and #75D971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9872D9 shade: #9872D9, #D99771 and #71D997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9872D9 shade: #9872D9, #D9719E, #B3D971 and #71D9AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9872D9 shade: #9872D9, #D9717F, #B3D971 and #71D9CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

Complementary color

CMYK 27 / 0 / 73 / 45

HEX #678D26

RGB 103 141 38

HSL 82.14, 0.58%, 0.35%

LAB 54.1, -29.19, 47.94

 

CMYK 26 / 46 / 0 / 17

HEX #9D72D4

RGB 157 114 212

HSL 266.33, 0.53%, 0.64%

LAB 56.04, 36.6, -44.39

 

CMYK 25 / 43 / 0 / 9

HEX #AE84E7

RGB 174 132 231

HSL 265.45, 0.67%, 0.71%

LAB 62.74, 35.72, -44.36

 

CMYK 24 / 40 / 0 / 2

HEX #BF96FA

RGB 191 150 250

HSL 264.6, 0.91%, 0.78%

LAB 69.32, 34.92, -44.34

 

CMYK 18 / 34 / 0 / 0

HEX #D0A8FF

RGB 208 168 255

HSL 267.59, 1%, 0.83%

LAB 75.22, 31.05, -37.73

 

CMYK 12 / 27 / 0 / 0

HEX #E1BAFF

RGB 225 186 255

HSL 273.91, 1%, 0.86%

LAB 80.93, 26.43, -28.8

 

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

CMYK 32 / 52 / 0 / 22

HEX #8760C6

RGB 135 96 198

HSL 262.94, 0.47%, 0.58%

LAB 49, 37.46, -47.73

 

CMYK 34 / 56 / 0 / 30

HEX #764EB3

RGB 118 78 179

HSL 263.76, 0.4%, 0.5%

LAB 42.08, 38.52, -47.83

 

CMYK 37 / 63 / 0 / 37

HEX #653CA0

RGB 101 60 160

HSL 264.6, 0.45%, 0.43%

LAB 35.08, 39.61, -47.89

 

CMYK 40 / 70 / 0 / 45

HEX #542A8D

RGB 84 42 141

HSL 265.45, 0.54%, 0.36%

LAB 28.02, 40.6, -47.81

 

CMYK 30 / 48 / 0 / 15

HEX #9871D9

RGB 152 113 217

HSL 262.5, 0.58%, 0.65%

LAB 55.58, 37.04, -47.98

 

CMYK 17 / 48 / 0 / 15

HEX #B471D9

RGB 180 113 217

HSL 278.65, 0.58%, 0.65%

LAB 58.53, 44.66, -43.12

 

CMYK 4 / 48 / 0 / 15

HEX #D071D9

RGB 208 113 217

HSL 294.81, 0.58%, 0.65%

LAB 61.85, 52.51, -37.67

 

CMYK 0 / 48 / 8 / 15

HEX #D971C7

RGB 217 113 199

HSL 310.38, 0.58%, 0.65%

LAB 62.24, 51.96, -26.85

 

CMYK 0 / 48 / 21 / 15

HEX #D971AB

RGB 217 113 171

HSL 326.54, 0.58%, 0.65%

LAB 61.22, 47.59, -12.46

 

CMYK 30 / 48 / 0 / 15

HEX #9871D9

RGB 152 113 217

HSL 262.5, 0.58%, 0.65%

LAB 55.58, 37.04, -47.98

 

CMYK 43 / 48 / 0 / 15

HEX #7C71D9

RGB 124 113 217

HSL 246.35, 0.58%, 0.65%

LAB 53.06, 29.94, -52.14

 

CMYK 48 / 48 / 0 / 15

HEX #7171D9

RGB 113 113 217

HSL 240, 0.58%, 0.65%

LAB 52.21, 27.37, -53.55

 

CMYK 30 / 48 / 0 / 15

HEX #9871D9

RGB 152 113 217

HSL 262.5, 0.58%, 0.65%

LAB 55.58, 37.04, -47.98

 

CMYK 36 / 57 / 0 / 9

HEX #9463E7

RGB 148 99 231

HSL 262.27, 0.73%, 0.65%

LAB 52.94, 47.39, -60.11

 

CMYK 41 / 65 / 0 / 4

HEX #9055F6

RGB 144 85 246

HSL 261.99, 0.9%, 0.65%

LAB 50.78, 57.74, -72.01

 

CMYK 30 / 48 / 0 / 15

HEX #9871D9

RGB 152 113 217

HSL 262.5, 0.58%, 0.65%

LAB 55.58, 37.04, -47.98

 

CMYK 24 / 37 / 0 / 20

HEX #9B80CB

RGB 155 128 203

HSL 261.6, 0.42%, 0.65%

LAB 58.71, 25.86, -35.13

 

CMYK 15 / 24 / 0 / 26

HEX #9F8EBC

RGB 159 142 188

HSL 262.17, 0.26%, 0.65%

LAB 61.95, 15.59, -21.62

 

CMYK 6 / 10 / 0 / 32

HEX #A39DAE

RGB 163 157 174

HSL 261.18, 0.09%, 0.65%

LAB 65.71, 5.48, -8.04

 

CMYK 2 / 0 / 7 / 33

HEX #A7AB9F

RGB 167 171 159

HSL 80, 0.07%, 0.65%

LAB 69.36, -3.64, 5.68

 

CMYK 48 / 40 / 0 / 15

HEX #7183D9

RGB 113 131 217

HSL 229.62, 0.58%, 0.65%

LAB 56.83, 16.56, -46.19

 

CMYK 43 / 48 / 0 / 15

HEX #7C71D9

RGB 124 113 217

HSL 246.35, 0.58%, 0.65%

LAB 53.06, 29.94, -52.14

 

CMYK 30 / 48 / 0 / 15

HEX #9771D9

RGB 151 113 217

HSL 261.92, 0.58%, 0.65%

LAB 55.48, 36.77, -48.14

 

CMYK 18 / 48 / 0 / 15

HEX #B371D9

RGB 179 113 217

HSL 278.08, 0.58%, 0.65%

LAB 58.42, 44.38, -43.31

 

CMYK 5 / 48 / 0 / 15

HEX #CF71D9

RGB 207 113 217

HSL 294.23, 0.58%, 0.65%

LAB 61.73, 52.23, -37.88

 

CMYK 46 / 73 / 0 / 23

HEX #6934C4

RGB 105 52 196

HSL 262.08, 0.58%, 0.49%

LAB 36.83, 54.11, -66.39

 

CMYK 38 / 61 / 0 / 18

HEX #8051D0

RGB 128 81 208

HSL 262.2, 0.57%, 0.57%

LAB 45.67, 46.78, -58.86

 

CMYK 30 / 48 / 0 / 15

HEX #9871D9

RGB 152 113 217

HSL 262.5, 0.58%, 0.65%

LAB 55.58, 37.04, -47.98

 

CMYK 23 / 35 / 0 / 11

HEX #AF92E2

RGB 175 146 226

HSL 261.75, 0.58%, 0.73%

LAB 65.88, 26.98, -36.67

 

CMYK 15 / 24 / 0 / 8

HEX #C7B3EA

RGB 199 179 234

HSL 261.82, 0.57%, 0.81%

LAB 76.27, 17.75, -24.84

 

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

CMYK 0 / 48 / 27 / 15

HEX #D9719E

RGB 217 113 158

HSL 334.04, 0.58%, 0.65%

LAB 60.81, 45.77, -5.62

 

CMYK 46 / 0 / 48 / 15

HEX #75D971

RGB 117 217 113

HSL 117.69, 0.58%, 0.65%

LAB 78.81, -49.84, 42.13

 

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

CMYK 0 / 30 / 48 / 15

HEX #D99771

RGB 217 151 113

HSL 21.92, 0.58%, 0.65%

LAB 68.08, 20.43, 29.92

 

CMYK 48 / 0 / 30 / 15

HEX #71D997

RGB 113 217 151

HSL 141.92, 0.58%, 0.65%

LAB 79.25, -44.81, 23.41

 

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

CMYK 0 / 48 / 27 / 15

HEX #D9719E

RGB 217 113 158

HSL 334.04, 0.58%, 0.65%

LAB 60.81, 45.77, -5.62

 

CMYK 18 / 0 / 48 / 15

HEX #B3D971

RGB 179 217 113

HSL 81.92, 0.58%, 0.65%

LAB 82.06, -29, 46.86

 

CMYK 48 / 0 / 21 / 15

HEX #71D9AC

RGB 113 217 172

HSL 154.04, 0.58%, 0.65%

LAB 79.68, -40.64, 12.96

 

CMYK 30 / 47 / 0 / 15

HEX #9872D9

RGB 152 114 217

HSL 262.14, 0.58%, 0.65%

LAB 55.81, 36.47, -47.62

 

CMYK 0 / 48 / 41 / 15

HEX #D9717F

RGB 217 113 127

HSL 351.92, 0.58%, 0.65%

LAB 59.97, 42, 11.06

 

CMYK 18 / 0 / 48 / 15

HEX #B3D971

RGB 179 217 113

HSL 81.92, 0.58%, 0.65%

LAB 82.06, -29, 46.86

 

CMYK 48 / 0 / 6 / 15

HEX #71D9CB

RGB 113 217 203

HSL 171.92, 0.58%, 0.65%

LAB 80.43, -33.6, -2.45

 

Description

Color code: HEX #9872D9 | qconv.com Color code: HEX #9872D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 114 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 114 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 47 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 47% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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