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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #987C6E it is the complementary color #678391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #987C6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #987C6E shade: #9D7C69, #AE8E7C, #BFA08F, #D0B2A2 and #E1C4B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #987C6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #987C6E shade: #987C6E, #876A5B, #765848, #654635 and #543422

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #987C6E shade: #977A6C, #976F6C and #976C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #987C6E shade: #977A6C, #97866C, #97916C, #91976C and #85976C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #987C6E shade matches the following richer shades: #977A6C, #AB7458, #BF6D44, #D36630 and #E8601B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #987C6E shade: #977A6C, #838181, #6E8895, #5A8FA9 and #4695BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #987C6E shade: #976C75, #976F6C, #977A6C, #97866C and #97916C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #987C6E shade: #675349, #80675A, #977A6C, #A89084 and #B9A69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #987C6E shade: #987C6E, #80976C and #6C6F97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #987C6E shade: #987C6E, #6C977A and #7A6C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #987C6E shade: #987C6E, #80976C, #6C8997 and #836C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #987C6E shade: #987C6E, #73976C, #6C8997 and #906C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

Complementary color

CMYK 29 / 10 / 0 / 43

HEX #678391

RGB 103 131 145

HSL 200, 0.17%, 0.49%

LAB 53.12, -6.52, -10.79

 

CMYK 0 / 21 / 33 / 38

HEX #9D7C69

RGB 157 124 105

HSL 21.92, 0.21%, 0.51%

LAB 54.66, 9.96, 15.24

 

CMYK 0 / 18 / 29 / 32

HEX #AE8E7C

RGB 174 142 124

HSL 21.6, 0.24%, 0.58%

LAB 61.48, 9.34, 14.13

 

CMYK 0 / 16 / 25 / 25

HEX #BFA08F

RGB 191 160 143

HSL 21.25, 0.27%, 0.65%

LAB 68.17, 8.8, 13.12

 

CMYK 0 / 14 / 22 / 18

HEX #D0B2A2

RGB 208 178 162

HSL 20.87, 0.33%, 0.73%

LAB 74.74, 8.32, 12.18

 

CMYK 0 / 13 / 20 / 12

HEX #E1C4B5

RGB 225 196 181

HSL 20.45, 0.42%, 0.8%

LAB 81.19, 7.9, 11.29

 

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

CMYK 0 / 21 / 33 / 47

HEX #876A5B

RGB 135 106 91

HSL 20.45, 0.19%, 0.44%

LAB 47.25, 9.25, 12.83

 

CMYK 0 / 25 / 39 / 54

HEX #765848

RGB 118 88 72

HSL 20.87, 0.24%, 0.37%

LAB 40.08, 10.02, 14.08

 

CMYK 0 / 31 / 48 / 60

HEX #654635

RGB 101 70 53

HSL 21.25, 0.31%, 0.3%

LAB 32.71, 10.97, 15.53

 

CMYK 0 / 38 / 60 / 67

HEX #543422

RGB 84 52 34

HSL 21.6, 0.42%, 0.23%

LAB 25.13, 12.22, 17.26

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 26 / 28 / 41

HEX #976F6C

RGB 151 111 108

HSL 4.19, 0.17%, 0.51%

LAB 50.72, 15.41, 7.89

 

CMYK 0 / 28 / 28 / 41

HEX #976C6C

RGB 151 108 108

HSL 0, 0.17%, 0.51%

LAB 49.96, 17.14, 6.8

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 11 / 28 / 41

HEX #97866C

RGB 151 134 108

HSL 36.28, 0.17%, 0.51%

LAB 56.79, 2.24, 16.37

 

CMYK 0 / 4 / 28 / 41

HEX #97916C

RGB 151 145 108

HSL 51.63, 0.17%, 0.51%

LAB 59.81, -3.89, 20.48

 

CMYK 4 / 0 / 28 / 41

HEX #91976C

RGB 145 151 108

HSL 68.37, 0.17%, 0.51%

LAB 60.99, -9.58, 21.99

 

CMYK 12 / 0 / 28 / 41

HEX #85976C

RGB 133 151 108

HSL 85.12, 0.17%, 0.51%

LAB 60.07, -14.31, 20.59

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 32 / 49 / 33

HEX #AB7458

RGB 171 116 88

HSL 20.24, 0.33%, 0.51%

LAB 53.87, 18.34, 24.2

 

CMYK 0 / 43 / 64 / 25

HEX #BF6D44

RGB 191 109 68

HSL 20, 0.49%, 0.51%

LAB 54.48, 28.89, 36.64

 

CMYK 0 / 52 / 77 / 17

HEX #D36630

RGB 211 102 48

HSL 19.88, 0.65%, 0.51%

LAB 55.65, 39.54, 48.93

 

CMYK 0 / 59 / 88 / 9

HEX #E8601B

RGB 232 96 27

HSL 20.2, 0.82%, 0.51%

LAB 57.66, 49.76, 60.54

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 2 / 2 / 49

HEX #838181

RGB 131 129 129

HSL 0, 0.01%, 0.51%

LAB 54.14, 0.75, 0.26

 

CMYK 26 / 9 / 0 / 42

HEX #6E8895

RGB 110 136 149

HSL 200, 0.16%, 0.51%

LAB 55.17, -6.13, -9.99

 

CMYK 47 / 15 / 0 / 34

HEX #5A8FA9

RGB 90 143 169

HSL 199.75, 0.31%, 0.51%

LAB 56.77, -10.41, -19.18

 

CMYK 63 / 21 / 0 / 26

HEX #4695BD

RGB 70 149 189

HSL 200.17, 0.47%, 0.51%

LAB 58.48, -11.93, -27.98

 

CMYK 0 / 28 / 23 / 41

HEX #976C75

RGB 151 108 117

HSL 347.44, 0.17%, 0.51%

LAB 50.2, 18.52, 1.81

 

CMYK 0 / 26 / 28 / 41

HEX #976F6C

RGB 151 111 108

HSL 4.19, 0.17%, 0.51%

LAB 50.72, 15.41, 7.89

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 11 / 28 / 41

HEX #97866C

RGB 151 134 108

HSL 36.28, 0.17%, 0.51%

LAB 56.79, 2.24, 16.37

 

CMYK 0 / 4 / 28 / 41

HEX #97916C

RGB 151 145 108

HSL 51.63, 0.17%, 0.51%

LAB 59.81, -3.89, 20.48

 

CMYK 0 / 19 / 29 / 60

HEX #675349

RGB 103 83 73

HSL 20, 0.17%, 0.35%

LAB 37.02, 6.62, 8.98

 

CMYK 0 / 20 / 30 / 50

HEX #80675A

RGB 128 103 90

HSL 20.53, 0.17%, 0.43%

LAB 45.67, 7.92, 11.11

 

CMYK 0 / 19 / 28 / 41

HEX #977A6C

RGB 151 122 108

HSL 19.53, 0.17%, 0.51%

LAB 53.58, 9.06, 11.91

 

CMYK 0 / 14 / 21 / 34

HEX #A89084

RGB 168 144 132

HSL 20, 0.17%, 0.59%

LAB 61.6, 7.03, 9.69

 

CMYK 0 / 10 / 15 / 27

HEX #B9A69D

RGB 185 166 157

HSL 19.29, 0.17%, 0.67%

LAB 69.48, 5.38, 7.16

 

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

CMYK 15 / 0 / 28 / 41

HEX #80976C

RGB 128 151 108

HSL 92.09, 0.17%, 0.51%

LAB 59.71, -16.24, 20.05

 

CMYK 28 / 26 / 0 / 41

HEX #6C6F97

RGB 108 111 151

HSL 235.81, 0.17%, 0.51%

LAB 48, 8.36, -22.08

 

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

CMYK 28 / 0 / 19 / 41

HEX #6C977A

RGB 108 151 122

HSL 139.53, 0.17%, 0.51%

LAB 58.72, -20.94, 10.63

 

CMYK 19 / 28 / 0 / 41

HEX #7A6C97

RGB 122 108 151

HSL 259.53, 0.17%, 0.51%

LAB 48.38, 14.71, -21.38

 

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

CMYK 15 / 0 / 28 / 41

HEX #80976C

RGB 128 151 108

HSL 92.09, 0.17%, 0.51%

LAB 59.71, -16.24, 20.05

 

CMYK 28 / 9 / 0 / 41

HEX #6C8997

RGB 108 137 151

HSL 199.53, 0.17%, 0.51%

LAB 55.39, -6.83, -10.82

 

CMYK 13 / 28 / 0 / 41

HEX #836C97

RGB 131 108 151

HSL 272.09, 0.17%, 0.51%

LAB 49.23, 17.74, -20

 

CMYK 0 / 18 / 28 / 40

HEX #987C6E

RGB 152 124 110

HSL 20, 0.17%, 0.51%

LAB 54.26, 8.62, 11.71

 

CMYK 24 / 0 / 28 / 41

HEX #73976C

RGB 115 151 108

HSL 110.23, 0.17%, 0.51%

LAB 58.85, -21.09, 18.72

 

CMYK 28 / 9 / 0 / 41

HEX #6C8997

RGB 108 137 151

HSL 199.53, 0.17%, 0.51%

LAB 55.39, -6.83, -10.82

 

CMYK 5 / 28 / 0 / 41

HEX #906C97

RGB 144 108 151

HSL 290.23, 0.17%, 0.51%

LAB 50.56, 22.19, -17.86

 

Description

Color code: HEX #987C6E | qconv.com Color code: HEX #987C6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 124 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 124 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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