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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988919 it is the complementary color #6776E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #988919 shade: #9D8914, #AE9B27, #BFAD3A, #D0BF4D and #E1D160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #988919 shade: #988919, #877706, #766500, #655300 and #544100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #988919 shade: #998A18, #996718, #994518, #992218 and #991818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #988919 shade: #998A18, #869918, #639918, #409918 and #1E9918

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #988919 shade matches the following richer shades: #998A18 and #A7950A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #988919 shade: #998A18, #8B7F27, #7C7435, #6E6944 and #5F5E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #988919 shade: #994318, #996618, #998818, #889918 and #669918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #988919 shade: #524A0D, #766A13, #998A18, #BCAA1E and #DCC628

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #988919 shade: #988919, #189921 and #541899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #988919 shade: #988919, #189988 and #881899

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #988919 shade: #988919, #189921, #182A99 and #991890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #988919 shade: #988919, #189948, #182A99 and #99186A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

Complementary color

CMYK 55 / 49 / 0 / 10

HEX #6776E6

RGB 103 118 230

HSL 232.91, 0.72%, 0.65%

LAB 53.55, 26.26, -58.76

 

CMYK 0 / 13 / 87 / 38

HEX #9D8914

RGB 157 137 20

HSL 51.24, 0.77%, 0.35%

LAB 57.18, -3.97, 58.08

 

CMYK 0 / 11 / 78 / 32

HEX #AE9B27

RGB 174 155 39

HSL 51.56, 0.63%, 0.42%

LAB 63.83, -5.38, 58.86

 

CMYK 0 / 9 / 70 / 25

HEX #BFAD3A

RGB 191 173 58

HSL 51.88, 0.53%, 0.49%

LAB 70.36, -6.54, 58.64

 

CMYK 0 / 8 / 63 / 18

HEX #D0BF4D

RGB 208 191 77

HSL 52.21, 0.58%, 0.56%

LAB 76.8, -7.5, 57.92

 

CMYK 0 / 7 / 57 / 12

HEX #E1D160

RGB 225 209 96

HSL 52.56, 0.68%, 0.63%

LAB 83.15, -8.31, 56.94

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 0 / 12 / 96 / 47

HEX #877706

RGB 135 119 6

HSL 52.56, 0.91%, 0.28%

LAB 49.93, -4.56, 54.36

 

CMYK 0 / 14 / 100 / 54

HEX #766500

RGB 118 101 0

HSL 51.36, 1%, 0.23%

LAB 43, -2.62, 49.84

 

CMYK 0 / 18 / 100 / 60

HEX #655300

RGB 101 83 0

HSL 49.31, 1%, 0.2%

LAB 35.89, -0.44, 43.97

 

CMYK 0 / 23 / 100 / 67

HEX #544100

RGB 84 65 0

HSL 46.43, 1%, 0.16%

LAB 28.55, 1.9, 37.77

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 0 / 33 / 84 / 40

HEX #996718

RGB 153 103 24

HSL 36.74, 0.73%, 0.35%

LAB 47.67, 13.48, 48.71

 

CMYK 0 / 55 / 84 / 40

HEX #994518

RGB 153 69 24

HSL 20.93, 0.73%, 0.35%

LAB 39.74, 32.5, 41.69

 

CMYK 0 / 78 / 84 / 40

HEX #992218

RGB 153 34 24

HSL 4.65, 0.73%, 0.35%

LAB 33.95, 47.98, 36.39

 

CMYK 0 / 84 / 84 / 40

HEX #991818

RGB 153 24 24

HSL 0, 0.73%, 0.35%

LAB 32.9, 50.92, 35.41

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 12 / 0 / 84 / 40

HEX #869918

RGB 134 153 24

HSL 68.84, 0.73%, 0.35%

LAB 59.81, -22.66, 58.5

 

CMYK 35 / 0 / 84 / 40

HEX #639918

RGB 99 153 24

HSL 85.12, 0.73%, 0.35%

LAB 57.56, -37.02, 55.66

 

CMYK 58 / 0 / 84 / 40

HEX #409918

RGB 64 153 24

HSL 101.4, 0.73%, 0.35%

LAB 56.03, -48.49, 53.71

 

CMYK 80 / 0 / 84 / 40

HEX #1E9918

RGB 30 153 24

HSL 117.21, 0.73%, 0.35%

LAB 55.2, -55.43, 52.65

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 0 / 11 / 94 / 35

HEX #A7950A

RGB 167 149 10

HSL 53.12, 0.89%, 0.35%

LAB 61.42, -6.1, 63.75

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 0 / 9 / 72 / 45

HEX #8B7F27

RGB 139 127 39

HSL 52.8, 0.56%, 0.35%

LAB 52.75, -6.01, 47.12

 

CMYK 0 / 6 / 57 / 51

HEX #7C7435

RGB 124 116 53

HSL 53.24, 0.4%, 0.35%

LAB 48.3, -5.76, 35.38

 

CMYK 0 / 5 / 38 / 57

HEX #6E6944

RGB 110 105 68

HSL 52.86, 0.24%, 0.35%

LAB 44, -4.16, 21.53

 

CMYK 0 / 1 / 14 / 63

HEX #5F5E52

RGB 95 94 82

HSL 55.38, 0.07%, 0.35%

LAB 39.66, -1.96, 7.03

 

CMYK 0 / 56 / 84 / 40

HEX #994318

RGB 153 67 24

HSL 20, 0.73%, 0.35%

LAB 39.33, 33.55, 41.32

 

CMYK 0 / 33 / 84 / 40

HEX #996618

RGB 153 102 24

HSL 36.28, 0.73%, 0.35%

LAB 47.42, 14.06, 48.49

 

CMYK 0 / 11 / 84 / 40

HEX #998818

RGB 153 136 24

HSL 52.09, 0.73%, 0.35%

LAB 56.53, -5.15, 56.33

 

CMYK 11 / 0 / 84 / 40

HEX #889918

RGB 136 153 24

HSL 67.91, 0.73%, 0.35%

LAB 59.96, -21.79, 58.69

 

CMYK 33 / 0 / 84 / 40

HEX #669918

RGB 102 153 24

HSL 83.72, 0.73%, 0.35%

LAB 57.73, -35.87, 55.87

 

CMYK 0 / 10 / 84 / 68

HEX #524A0D

RGB 82 74 13

HSL 53.04, 0.73%, 0.19%

LAB 31.16, -4.19, 34.89

 

CMYK 0 / 10 / 84 / 54

HEX #766A13

RGB 118 106 19

HSL 52.73, 0.72%, 0.27%

LAB 44.53, -4.99, 46.13

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 0 / 10 / 84 / 26

HEX #BCAA1E

RGB 188 170 30

HSL 53.16, 0.72%, 0.43%

LAB 69.14, -7.4, 66.68

 

CMYK 0 / 10 / 82 / 14

HEX #DCC628

RGB 220 198 40

HSL 52.67, 0.72%, 0.51%

LAB 79.48, -7.66, 73.99

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 84 / 0 / 78 / 40

HEX #189921

RGB 24 153 33

HSL 124.19, 0.73%, 0.35%

LAB 55.16, -55.6, 49.85

 

CMYK 45 / 84 / 0 / 40

HEX #541899

RGB 84 24 153

HSL 267.91, 0.73%, 0.35%

LAB 26.27, 51.73, -58.07

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 84 / 0 / 11 / 40

HEX #189988

RGB 24 153 136

HSL 172.09, 0.73%, 0.35%

LAB 56.84, -36.65, -0.41

 

CMYK 11 / 84 / 0 / 40

HEX #881899

RGB 136 24 153

HSL 292.09, 0.73%, 0.35%

LAB 34.37, 60.28, -44.53

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 84 / 0 / 78 / 40

HEX #189921

RGB 24 153 33

HSL 124.19, 0.73%, 0.35%

LAB 55.16, -55.6, 49.85

 

CMYK 84 / 73 / 0 / 40

HEX #182A99

RGB 24 42 153

HSL 231.63, 0.73%, 0.35%

LAB 24.16, 36.02, -61.72

 

CMYK 0 / 84 / 6 / 40

HEX #991890

RGB 153 24 144

HSL 304.19, 0.73%, 0.35%

LAB 36.82, 62.1, -34.95

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 84 / 0 / 53 / 40

HEX #189948

RGB 24 153 72

HSL 142.33, 0.73%, 0.35%

LAB 55.53, -51.1, 33.17

 

CMYK 84 / 73 / 0 / 40

HEX #182A99

RGB 24 42 153

HSL 231.63, 0.73%, 0.35%

LAB 24.16, 36.02, -61.72

 

CMYK 0 / 84 / 31 / 40

HEX #99186A

RGB 153 24 106

HSL 321.86, 0.73%, 0.35%

LAB 34.94, 56.9, -14.13

 

Description

Color code: HEX #988919 | qconv.com Color code: HEX #988919 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 137 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 137 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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