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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9882E7 it is the complementary color #677D18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9882E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9882E7 shade: #9D82E2, #AE94F5, #BFA6FF, #D0B8FF and #E1CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9882E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9882E7 shade: #9882E7, #8770D4, #765EC1, #654CAE and #543A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9882E7 shade: #9882E7, #B382E7, #CE82E7, #E782E4 and #E782C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9882E7 shade: #9882E7 and #8282E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9882E7 shade matches the following richer shades: #9882E7 and #9176F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9882E7 shade: #9882E7, #9F8EDB, #A69ACF, #ACA6C3 and #B3B2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9882E7 shade: #82A2E7, #8287E7, #9882E7, #B382E7 and #CE82E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9882E7 shade: #5F3DDA, #7C60E0, #9882E7, #B5A5ED and #D1C8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9882E7 shade: #9882E7, #E782BD and #95E782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9882E7 shade: #9882E7, #E79882 and #82E798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9882E7 shade: #9882E7, #E782BD, #D1E782 and #82E7AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9882E7 shade: #9882E7, #E7829F, #D1E782 and #82E7CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

Complementary color

CMYK 18 / 0 / 81 / 51

HEX #677D18

RGB 103 125 24

HSL 73.07, 0.68%, 0.29%

LAB 49.03, -22.07, 48.08

 

CMYK 31 / 42 / 0 / 11

HEX #9D82E2

RGB 157 130 226

HSL 256.88, 0.62%, 0.7%

LAB 60.45, 30.95, -45.29

 

CMYK 29 / 40 / 0 / 4

HEX #AE94F5

RGB 174 148 245

HSL 256.08, 0.83%, 0.77%

LAB 67.1, 30.12, -45.2

 

CMYK 25 / 35 / 0 / 0

HEX #BFA6FF

RGB 191 166 255

HSL 256.85, 1%, 0.83%

LAB 73.26, 27.23, -40.89

 

CMYK 18 / 28 / 0 / 0

HEX #D0B8FF

RGB 208 184 255

HSL 260.28, 1%, 0.86%

LAB 78.99, 22.33, -31.91

 

CMYK 12 / 21 / 0 / 0

HEX #E1CAFF

RGB 225 202 255

HSL 266.04, 1%, 0.9%

LAB 84.72, 17.85, -23.01

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 36 / 47 / 0 / 17

HEX #8770D4

RGB 135 112 212

HSL 253.8, 0.54%, 0.64%

LAB 53.48, 31.88, -48.58

 

CMYK 39 / 51 / 0 / 24

HEX #765EC1

RGB 118 94 193

HSL 254.55, 0.44%, 0.56%

LAB 46.59, 32.97, -48.79

 

CMYK 42 / 56 / 0 / 32

HEX #654CAE

RGB 101 76 174

HSL 255.31, 0.39%, 0.49%

LAB 39.57, 34.2, -49.02

 

CMYK 46 / 63 / 0 / 39

HEX #543A9B

RGB 84 58 155

HSL 256.08, 0.46%, 0.42%

LAB 32.43, 35.54, -49.24

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 23 / 44 / 0 / 9

HEX #B382E7

RGB 179 130 231

HSL 269.11, 0.68%, 0.71%

LAB 62.78, 38.23, -44.26

 

CMYK 11 / 44 / 0 / 9

HEX #CE82E7

RGB 206 130 231

HSL 285.15, 0.68%, 0.71%

LAB 65.64, 45.9, -39.57

 

CMYK 0 / 44 / 1 / 9

HEX #E782E4

RGB 231 130 228

HSL 301.78, 0.68%, 0.71%

LAB 68.43, 52.59, -33.35

 

CMYK 0 / 44 / 13 / 9

HEX #E782C9

RGB 231 130 201

HSL 317.82, 0.68%, 0.71%

LAB 67.41, 48.07, -19.91

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 44 / 44 / 0 / 9

HEX #8282E7

RGB 130 130 231

HSL 240, 0.68%, 0.71%

LAB 58.49, 25.35, -51.32

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 40 / 51 / 0 / 5

HEX #9176F3

RGB 145 118 243

HSL 252.96, 0.84%, 0.71%

LAB 57.51, 39.24, -59.48

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 27 / 35 / 0 / 14

HEX #9F8EDB

RGB 159 142 219

HSL 253.25, 0.52%, 0.71%

LAB 63.2, 22.89, -37.06

 

CMYK 20 / 26 / 0 / 19

HEX #A69ACF

RGB 166 154 207

HSL 253.58, 0.36%, 0.71%

LAB 66.31, 15.32, -25.53

 

CMYK 12 / 15 / 0 / 24

HEX #ACA6C3

RGB 172 166 195

HSL 252.41, 0.19%, 0.71%

LAB 69.46, 7.9, -14.05

 

CMYK 2 / 3 / 0 / 28

HEX #B3B2B7

RGB 179 178 183

HSL 252, 0.03%, 0.71%

LAB 72.79, 1.3, -2.43

 

CMYK 44 / 30 / 0 / 9

HEX #82A2E7

RGB 130 162 231

HSL 220.99, 0.68%, 0.71%

LAB 66.79, 6.74, -38.25

 

CMYK 44 / 42 / 0 / 9

HEX #8287E7

RGB 130 135 231

HSL 237.03, 0.68%, 0.71%

LAB 59.75, 22.4, -49.32

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 23 / 44 / 0 / 9

HEX #B382E7

RGB 179 130 231

HSL 269.11, 0.68%, 0.71%

LAB 62.78, 38.23, -44.26

 

CMYK 11 / 44 / 0 / 9

HEX #CE82E7

RGB 206 130 231

HSL 285.15, 0.68%, 0.71%

LAB 65.64, 45.9, -39.57

 

CMYK 56 / 72 / 0 / 15

HEX #5F3DDA

RGB 95 61 218

HSL 252.99, 0.68%, 0.55%

LAB 39.3, 54.23, -75.13

 

CMYK 45 / 57 / 0 / 12

HEX #7C60E0

RGB 124 96 224

HSL 253.13, 0.67%, 0.63%

LAB 49.54, 41.88, -61.76

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 24 / 30 / 0 / 7

HEX #B5A5ED

RGB 181 165 237

HSL 253.33, 0.67%, 0.79%

LAB 71.45, 20.66, -34

 

CMYK 14 / 18 / 0 / 4

HEX #D1C8F4

RGB 209 200 244

HSL 252.27, 0.67%, 0.87%

LAB 82.59, 11.63, -20.52

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 0 / 44 / 18 / 9

HEX #E782BD

RGB 231 130 189

HSL 324.95, 0.68%, 0.71%

LAB 67, 46.21, -13.8

 

CMYK 35 / 0 / 44 / 9

HEX #95E782

RGB 149 231 130

HSL 108.71, 0.68%, 0.71%

LAB 84.56, -43.76, 41.36

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 0 / 34 / 44 / 9

HEX #E79882

RGB 231 152 130

HSL 13.07, 0.68%, 0.71%

LAB 70.22, 27.14, 23.77

 

CMYK 44 / 0 / 34 / 9

HEX #82E798

RGB 130 231 152

HSL 133.07, 0.68%, 0.71%

LAB 84.05, -46.09, 29.5

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 0 / 44 / 18 / 9

HEX #E782BD

RGB 231 130 189

HSL 324.95, 0.68%, 0.71%

LAB 67, 46.21, -13.8

 

CMYK 10 / 0 / 44 / 9

HEX #D1E782

RGB 209 231 130

HSL 73.07, 0.68%, 0.71%

LAB 88.12, -22.52, 46.58

 

CMYK 44 / 0 / 26 / 9

HEX #82E7AC

RGB 130 231 172

HSL 144.95, 0.68%, 0.71%

LAB 84.42, -42.49, 19.7

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 0 / 44 / 31 / 9

HEX #E7829F

RGB 231 130 159

HSL 342.77, 0.68%, 0.71%

LAB 66.1, 42.04, 1.79

 

CMYK 10 / 0 / 44 / 9

HEX #D1E782

RGB 209 231 130

HSL 73.07, 0.68%, 0.71%

LAB 88.12, -22.52, 46.58

 

CMYK 44 / 0 / 13 / 9

HEX #82E7CA

RGB 130 231 202

HSL 162.77, 0.68%, 0.71%

LAB 85.08, -36.29, 4.93

 

Description

Color code: HEX #9882E7 | qconv.com Color code: HEX #9882E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 130 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 130 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 44 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 44% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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