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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988318 it is the complementary color #677CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #988318 shade: #9D8313, #AE9526, #BFA739, #D0B94C and #E1CB5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #988318 shade: #988318, #877105, #765F00, #654D00 and #543B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #988318 shade: #9A8518, #9A6118, #9A3E18, #9A1B18 and #9A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #988318 shade: #9A8518, #8C9A18, #699A18, #469A18 and #239A18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #988318 shade matches the following richer shades: #9A8518 and #A88E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #988318 shade: #9A8518, #8B7B26, #7D7134, #6F6743 and #605E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #988318 shade: #9A3F18, #9A6118, #9A8418, #8D9A18 and #6A9A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #988318 shade: #53470C, #766612, #9A8518, #BEA31D and #DDBF27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #988318 shade: #988318, #189A1C and #50189A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #988318 shade: #988318, #189A84 and #84189A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #988318 shade: #988318, #189A1C, #182D9A and #9A1896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #988318 shade: #988318, #189A43, #182D9A and #9A186E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

Complementary color

CMYK 55 / 46 / 0 / 9

HEX #677CE7

RGB 103 124 231

HSL 230.16, 0.73%, 0.65%

LAB 55.14, 22.94, -56.77

 

CMYK 0 / 17 / 88 / 38

HEX #9D8313

RGB 157 131 19

HSL 48.7, 0.78%, 0.35%

LAB 55.53, -0.68, 56.98

 

CMYK 0 / 14 / 78 / 32

HEX #AE9526

RGB 174 149 38

HSL 48.97, 0.64%, 0.42%

LAB 62.2, -2.19, 57.71

 

CMYK 0 / 13 / 70 / 25

HEX #BFA739

RGB 191 167 57

HSL 49.25, 0.54%, 0.49%

LAB 68.76, -3.43, 57.43

 

CMYK 0 / 11 / 63 / 18

HEX #D0B94C

RGB 208 185 76

HSL 49.55, 0.58%, 0.56%

LAB 75.22, -4.46, 56.65

 

CMYK 0 / 10 / 58 / 12

HEX #E1CB5F

RGB 225 203 95

HSL 49.85, 0.68%, 0.63%

LAB 81.59, -5.33, 55.62

 

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

CMYK 0 / 16 / 96 / 47

HEX #877105

RGB 135 113 5

HSL 49.85, 0.93%, 0.27%

LAB 48.22, -1.19, 53.29

 

CMYK 0 / 19 / 100 / 54

HEX #765F00

RGB 118 95 0

HSL 48.31, 1%, 0.23%

LAB 41.27, 0.89, 48.63

 

CMYK 0 / 24 / 100 / 60

HEX #654D00

RGB 101 77 0

HSL 45.74, 1%, 0.2%

LAB 34.14, 3.2, 42.74

 

CMYK 0 / 30 / 100 / 67

HEX #543B00

RGB 84 59 0

HSL 42.14, 1%, 0.16%

LAB 26.77, 5.7, 36.25

 

CMYK 0 / 14 / 84 / 40

HEX #9A8518

RGB 154 133 24

HSL 50.31, 0.73%, 0.35%

LAB 55.8, -3.04, 55.75

 

CMYK 0 / 37 / 84 / 40

HEX #9A6118

RGB 154 97 24

HSL 33.69, 0.73%, 0.35%

LAB 46.29, 17.38, 47.56

 

CMYK 0 / 60 / 84 / 40

HEX #9A3E18

RGB 154 62 24

HSL 17.54, 0.73%, 0.35%

LAB 38.52, 36.49, 40.65

 

CMYK 0 / 82 / 84 / 40

HEX #9A1B18

RGB 154 27 24

HSL 1.38, 0.73%, 0.35%

LAB 33.39, 50.42, 35.94

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 14 / 84 / 40

HEX #9A8518

RGB 154 133 24

HSL 50.31, 0.73%, 0.35%

LAB 55.8, -3.04, 55.75

 

CMYK 9 / 0 / 84 / 40

HEX #8C9A18

RGB 140 154 24

HSL 66.46, 0.73%, 0.35%

LAB 60.56, -20.54, 59.32

 

CMYK 32 / 0 / 84 / 40

HEX #699A18

RGB 105 154 24

HSL 82.62, 0.73%, 0.35%

LAB 58.21, -35.16, 56.36

 

CMYK 55 / 0 / 84 / 40

HEX #469A18

RGB 70 154 24

HSL 98.77, 0.73%, 0.35%

LAB 56.56, -47.18, 54.27

 

CMYK 77 / 0 / 84 / 40

HEX #239A18

RGB 35 154 24

HSL 114.92, 0.73%, 0.35%

LAB 55.62, -55.02, 53.06

 

CMYK 0 / 14 / 84 / 40

HEX #9A8518

RGB 154 133 24

HSL 50.31, 0.73%, 0.35%

LAB 55.8, -3.04, 55.75

 

CMYK 0 / 15 / 95 / 34

HEX #A88E09

RGB 168 142 9

HSL 50.19, 0.9%, 0.35%

LAB 59.61, -1.86, 62.57

 

CMYK 0 / 14 / 84 / 40

HEX #9A8518

RGB 154 133 24

HSL 50.31, 0.73%, 0.35%

LAB 55.8, -3.04, 55.75

 

CMYK 0 / 12 / 73 / 45

HEX #8B7B26

RGB 139 123 38

HSL 50.5, 0.57%, 0.35%

LAB 51.6, -3.84, 46.39

 

CMYK 0 / 10 / 58 / 51

HEX #7D7134

RGB 125 113 52

HSL 50.14, 0.41%, 0.35%

LAB 47.52, -3.69, 35.01

 

CMYK 0 / 7 / 40 / 56

HEX #6F6743

RGB 111 103 67

HSL 49.09, 0.25%, 0.35%

LAB 43.49, -2.68, 21.47

 

CMYK 0 / 2 / 16 / 62

HEX #605E51

RGB 96 94 81

HSL 52, 0.08%, 0.35%

LAB 39.73, -1.73, 7.74

 

CMYK 0 / 59 / 84 / 40

HEX #9A3F18

RGB 154 63 24

HSL 18, 0.73%, 0.35%

LAB 38.71, 35.99, 40.83

 

CMYK 0 / 37 / 84 / 40

HEX #9A6118

RGB 154 97 24

HSL 33.69, 0.73%, 0.35%

LAB 46.29, 17.38, 47.56

 

CMYK 0 / 14 / 84 / 40

HEX #9A8418

RGB 154 132 24

HSL 49.85, 0.73%, 0.35%

LAB 55.52, -2.49, 55.51

 

CMYK 8 / 0 / 84 / 40

HEX #8D9A18

RGB 141 154 24

HSL 66, 0.73%, 0.35%

LAB 60.64, -20.11, 59.42

 

CMYK 31 / 0 / 84 / 40

HEX #6A9A18

RGB 106 154 24

HSL 82.15, 0.73%, 0.35%

LAB 58.27, -34.77, 56.43

 

CMYK 0 / 14 / 86 / 67

HEX #53470C

RGB 83 71 12

HSL 49.86, 0.75%, 0.19%

LAB 30.33, -1.88, 34.56

 

CMYK 0 / 14 / 85 / 54

HEX #766612

RGB 118 102 18

HSL 50.4, 0.74%, 0.27%

LAB 43.36, -2.73, 45.43

 

CMYK 0 / 14 / 84 / 40

HEX #9A8518

RGB 154 133 24

HSL 50.31, 0.73%, 0.35%

LAB 55.8, -3.04, 55.75

 

CMYK 0 / 14 / 85 / 25

HEX #BEA31D

RGB 190 163 29

HSL 49.94, 0.74%, 0.43%

LAB 67.45, -2.84, 65.6

 

CMYK 0 / 14 / 82 / 13

HEX #DDBF27

RGB 221 191 39

HSL 50.11, 0.73%, 0.51%

LAB 77.75, -3.66, 72.82

 

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

CMYK 84 / 0 / 82 / 40

HEX #189A1C

RGB 24 154 28

HSL 121.85, 0.73%, 0.35%

LAB 55.47, -56.25, 51.73

 

CMYK 48 / 84 / 0 / 40

HEX #50189A

RGB 80 24 154

HSL 265.85, 0.73%, 0.35%

LAB 25.84, 51.44, -59.41

 

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

CMYK 84 / 0 / 14 / 40

HEX #189A84

RGB 24 154 132

HSL 169.85, 0.73%, 0.35%

LAB 57.05, -38.23, 2.18

 

CMYK 14 / 84 / 0 / 40

HEX #84189A

RGB 132 24 154

HSL 289.85, 0.73%, 0.35%

LAB 33.76, 59.73, -46.16

 

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

CMYK 84 / 0 / 82 / 40

HEX #189A1C

RGB 24 154 28

HSL 121.85, 0.73%, 0.35%

LAB 55.47, -56.25, 51.73

 

CMYK 84 / 71 / 0 / 40

HEX #182D9A

RGB 24 45 154

HSL 230.31, 0.73%, 0.35%

LAB 24.96, 34.48, -61.01

 

CMYK 0 / 84 / 3 / 40

HEX #9A1896

RGB 154 24 150

HSL 301.85, 0.73%, 0.35%

LAB 37.34, 63.23, -37.76

 

CMYK 0 / 14 / 84 / 40

HEX #988318

RGB 152 131 24

HSL 50.16, 0.73%, 0.35%

LAB 55.05, -2.86, 55.03

 

CMYK 84 / 0 / 56 / 40

HEX #189A43

RGB 24 154 67

HSL 139.85, 0.73%, 0.35%

LAB 55.8, -52.22, 36.01

 

CMYK 84 / 71 / 0 / 40

HEX #182D9A

RGB 24 45 154

HSL 230.31, 0.73%, 0.35%

LAB 24.96, 34.48, -61.01

 

CMYK 0 / 84 / 29 / 40

HEX #9A186E

RGB 154 24 110

HSL 320.31, 0.73%, 0.35%

LAB 35.3, 57.62, -16.1

 

Description

Color code: HEX #988318 | qconv.com Color code: HEX #988318 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 131 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 131 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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