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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988F93 it is the complementary color #67706C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #988F93 shade: #9D8F8E, #AEA1A1, #BFB3B4, #D0C5C7 and #E1D7DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #988F93 shade: #988F93, #877D80, #766B6D, #65595A and #544747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #988F93 shade: #988F93, #988F91 and #988F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #988F93 shade: #988F93, #988F95, #988F98, #968F98 and #938F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #988F93 shade matches the following richer shades: #988F93, #A97E91, #BA6C8F, #CC5B8D and #DD4A8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #988F93 shade: #988F93, #86A095, #75B297, #64C399 and #52D49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #988F93 shade: #988F98, #988F95, #988F93, #988F91 and #98908F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #988F93 shade: #6E666A, #847A7E, #988F93, #ABA5A8 and #BFBABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #988F93 shade: #988F93, #98968F and #8F9698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #988F93 shade: #988F93, #93988F and #8F9398

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #988F93 shade: #988F93, #98968F, #8F9894 and #8F9198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #988F93 shade: #988F93, #97988F, #8F9894 and #908F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

Complementary color

CMYK 8 / 0 / 4 / 56

HEX #67706C

RGB 103 112 108

HSL 153.33, 0.04%, 0.42%

LAB 46.38, -4.25, 1.05

 

CMYK 0 / 9 / 10 / 38

HEX #9D8F8E

RGB 157 143 142

HSL 4, 0.07%, 0.59%

LAB 60.57, 5.03, 2.41

 

CMYK 0 / 7 / 7 / 32

HEX #AEA1A1

RGB 174 161 161

HSL 0, 0.07%, 0.66%

LAB 67.32, 4.72, 1.7

 

CMYK 0 / 6 / 6 / 25

HEX #BFB3B4

RGB 191 179 180

HSL 355, 0.09%, 0.73%

LAB 73.94, 4.44, 1.02

 

CMYK 0 / 5 / 4 / 18

HEX #D0C5C7

RGB 208 197 199

HSL 349.09, 0.1%, 0.79%

LAB 80.44, 4.19, 0.37

 

CMYK 0 / 4 / 3 / 12

HEX #E1D7DA

RGB 225 215 218

HSL 342, 0.14%, 0.86%

LAB 86.83, 3.95, -0.26

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 7 / 5 / 47

HEX #877D80

RGB 135 125 128

HSL 342, 0.04%, 0.51%

LAB 53.36, 4.37, -0.26

 

CMYK 0 / 9 / 8 / 54

HEX #766B6D

RGB 118 107 109

HSL 349.09, 0.05%, 0.44%

LAB 46.27, 4.69, 0.44

 

CMYK 0 / 12 / 11 / 60

HEX #65595A

RGB 101 89 90

HSL 355, 0.06%, 0.37%

LAB 38.98, 5.06, 1.2

 

CMYK 0 / 15 / 15 / 67

HEX #544747

RGB 84 71 71

HSL 0, 0.08%, 0.3%

LAB 31.45, 5.5, 2.04

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 6 / 5 / 40

HEX #988F91

RGB 152 143 145

HSL 346.67, 0.04%, 0.58%

LAB 60.22, 3.7, 0.13

 

CMYK 0 / 6 / 6 / 40

HEX #988F8F

RGB 152 143 143

HSL 0, 0.04%, 0.58%

LAB 60.16, 3.33, 1.19

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 6 / 2 / 40

HEX #988F95

RGB 152 143 149

HSL 320, 0.04%, 0.58%

LAB 60.33, 4.46, -1.99

 

CMYK 0 / 6 / 0 / 40

HEX #988F98

RGB 152 143 152

HSL 300, 0.04%, 0.58%

LAB 60.42, 5.04, -3.57

 

CMYK 1 / 6 / 0 / 40

HEX #968F98

RGB 150 143 152

HSL 286.67, 0.04%, 0.58%

LAB 60.24, 4.32, -3.84

 

CMYK 3 / 6 / 0 / 40

HEX #938F98

RGB 147 143 152

HSL 266.67, 0.04%, 0.58%

LAB 59.99, 3.24, -4.24

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 25 / 14 / 34

HEX #A97E91

RGB 169 126 145

HSL 333.49, 0.2%, 0.58%

LAB 57.46, 19.7, -3.72

 

CMYK 0 / 42 / 23 / 27

HEX #BA6C8F

RGB 186 108 143

HSL 333.08, 0.36%, 0.58%

LAB 55.22, 35.58, -5.65

 

CMYK 0 / 55 / 31 / 20

HEX #CC5B8D

RGB 204 91 141

HSL 333.45, 0.53%, 0.58%

LAB 54.28, 50.07, -5.59

 

CMYK 0 / 67 / 37 / 13

HEX #DD4A8B

RGB 221 74 139

HSL 333.47, 0.68%, 0.58%

LAB 54.17, 62.39, -4.28

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 16 / 0 / 7 / 37

HEX #86A095

RGB 134 160 149

HSL 154.62, 0.12%, 0.58%

LAB 63.66, -11.34, 2.7

 

CMYK 34 / 0 / 15 / 30

HEX #75B297

RGB 117 178 151

HSL 153.44, 0.28%, 0.58%

LAB 67.92, -25.71, 7.59

 

CMYK 49 / 0 / 22 / 24

HEX #64C399

RGB 100 195 153

HSL 153.47, 0.44%, 0.58%

LAB 72.25, -38.02, 12.56

 

CMYK 61 / 0 / 27 / 17

HEX #52D49B

RGB 82 212 155

HSL 153.69, 0.6%, 0.58%

LAB 76.83, -48.92, 17.81

 

CMYK 0 / 6 / 0 / 40

HEX #988F98

RGB 152 143 152

HSL 300, 0.04%, 0.58%

LAB 60.42, 5.04, -3.57

 

CMYK 0 / 6 / 2 / 40

HEX #988F95

RGB 152 143 149

HSL 320, 0.04%, 0.58%

LAB 60.33, 4.46, -1.99

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 6 / 5 / 40

HEX #988F91

RGB 152 143 145

HSL 346.67, 0.04%, 0.58%

LAB 60.22, 3.7, 0.13

 

CMYK 0 / 5 / 6 / 40

HEX #98908F

RGB 152 144 143

HSL 6.67, 0.04%, 0.58%

LAB 60.43, 2.77, 1.58

 

CMYK 0 / 7 / 4 / 57

HEX #6E666A

RGB 110 102 106

HSL 330, 0.04%, 0.42%

LAB 44.03, 3.94, -1.12

 

CMYK 0 / 8 / 5 / 48

HEX #847A7E

RGB 132 122 126

HSL 336, 0.04%, 0.5%

LAB 52.21, 4.58, -0.81

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 4 / 2 / 33

HEX #ABA5A8

RGB 171 165 168

HSL 330, 0.03%, 0.66%

LAB 68.31, 2.71, -0.79

 

CMYK 0 / 3 / 2 / 25

HEX #BFBABC

RGB 191 186 188

HSL 336, 0.04%, 0.74%

LAB 75.96, 2.12, -0.4

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 1 / 6 / 40

HEX #98968F

RGB 152 150 143

HSL 46.67, 0.04%, 0.58%

LAB 62.06, -0.58, 3.94

 

CMYK 6 / 1 / 0 / 40

HEX #8F9698

RGB 143 150 152

HSL 193.33, 0.04%, 0.58%

LAB 61.58, -2.11, -1.93

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 3 / 0 / 6 / 40

HEX #93988F

RGB 147 152 143

HSL 93.33, 0.04%, 0.58%

LAB 62.2, -3.53, 4.1

 

CMYK 6 / 3 / 0 / 40

HEX #8F9398

RGB 143 147 152

HSL 213.33, 0.04%, 0.58%

LAB 60.76, -0.44, -3.15

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 0 / 1 / 6 / 40

HEX #98968F

RGB 152 150 143

HSL 46.67, 0.04%, 0.58%

LAB 62.06, -0.58, 3.94

 

CMYK 6 / 0 / 3 / 40

HEX #8F9894

RGB 143 152 148

HSL 153.33, 0.04%, 0.58%

LAB 62.03, -4.02, 0.98

 

CMYK 6 / 5 / 0 / 40

HEX #8F9198

RGB 143 145 152

HSL 226.67, 0.04%, 0.58%

LAB 60.21, 0.68, -3.96

 

CMYK 0 / 6 / 3 / 40

HEX #988F93

RGB 152 143 147

HSL 333.33, 0.04%, 0.58%

LAB 60.27, 4.08, -0.93

 

CMYK 1 / 0 / 6 / 40

HEX #97988F

RGB 151 152 143

HSL 66.67, 0.04%, 0.58%

LAB 62.52, -2.06, 4.6

 

CMYK 6 / 0 / 3 / 40

HEX #8F9894

RGB 143 152 148

HSL 153.33, 0.04%, 0.58%

LAB 62.03, -4.02, 0.98

 

CMYK 5 / 6 / 0 / 40

HEX #908F98

RGB 144 143 152

HSL 246.67, 0.04%, 0.58%

LAB 59.75, 2.16, -4.63

 

Description

Color code: HEX #988F93 | qconv.com Color code: HEX #988F93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 143 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 143 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 3 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 3% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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