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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9897A5 it is the complementary color #67685A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9897A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9897A5 shade: #9D97A0, #AEA9B3, #BFBBC6, #D0CDD9 and #E1DFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9897A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9897A5 shade: #9897A5, #878592, #76737F, #65616C and #544F59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9897A5 shade: #9897A4, #9B97A4, #9F97A4, #A397A4 and #A497A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9897A5 shade: #9897A4 and #9797A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9897A5 shade matches the following richer shades: #9897A4, #8A87B4, #7D77C4, #6F68D3 and #6258E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9897A5 shade: #9897A4, #A5A695, #B3B685, #C0C675 and #CED666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9897A5 shade: #979DA4, #979AA4, #9897A4, #9B97A4 and #9F97A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9897A5 shade: #6D6C7D, #828191, #9897A4, #AEADB8 and #C4C3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9897A5 shade: #9897A5, #A497A1 and #9BA497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9897A5 shade: #9897A5, #A49897 and #97A498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9897A5 shade: #9897A5, #A497A1, #A3A497 and #97A49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9897A5 shade: #9897A5, #A4979D, #A3A497 and #97A49F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

Complementary color

CMYK 1 / 0 / 13 / 59

HEX #67685A

RGB 103 104 90

HSL 64.29, 0.07%, 0.38%

LAB 43.54, -3.12, 7.76

 

CMYK 2 / 6 / 0 / 37

HEX #9D97A0

RGB 157 151 160

HSL 280, 0.05%, 0.61%

LAB 63.21, 3.92, -3.94

 

CMYK 3 / 6 / 0 / 30

HEX #AEA9B3

RGB 174 169 179

HSL 270, 0.06%, 0.68%

LAB 69.92, 3.68, -4.5

 

CMYK 4 / 6 / 0 / 22

HEX #BFBBC6

RGB 191 187 198

HSL 261.82, 0.09%, 0.75%

LAB 76.49, 3.46, -5.05

 

CMYK 4 / 6 / 0 / 15

HEX #D0CDD9

RGB 208 205 217

HSL 255, 0.14%, 0.83%

LAB 82.96, 3.25, -5.58

 

CMYK 5 / 6 / 0 / 7

HEX #E1DFEC

RGB 225 223 236

HSL 249.23, 0.25%, 0.9%

LAB 89.32, 3.06, -6.1

 

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

CMYK 8 / 9 / 0 / 43

HEX #878592

RGB 135 133 146

HSL 249.23, 0.06%, 0.55%

LAB 56.09, 3.39, -6.69

 

CMYK 7 / 9 / 0 / 50

HEX #76737F

RGB 118 115 127

HSL 255, 0.05%, 0.47%

LAB 49.06, 3.64, -6.18

 

CMYK 6 / 10 / 0 / 58

HEX #65616C

RGB 101 97 108

HSL 261.82, 0.05%, 0.4%

LAB 41.84, 3.91, -5.66

 

CMYK 6 / 11 / 0 / 65

HEX #544F59

RGB 84 79 89

HSL 270, 0.06%, 0.33%

LAB 34.39, 4.22, -5.12

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 5 / 8 / 0 / 36

HEX #9B97A4

RGB 155 151 164

HSL 258.46, 0.07%, 0.62%

LAB 63.16, 4.01, -6.28

 

CMYK 3 / 8 / 0 / 36

HEX #9F97A4

RGB 159 151 164

HSL 276.92, 0.07%, 0.62%

LAB 63.5, 5.42, -5.75

 

CMYK 1 / 8 / 0 / 36

HEX #A397A4

RGB 163 151 164

HSL 295.38, 0.07%, 0.62%

LAB 63.84, 6.85, -5.21

 

CMYK 0 / 8 / 1 / 36

HEX #A497A2

RGB 164 151 162

HSL 309.23, 0.07%, 0.62%

LAB 63.86, 6.82, -4.03

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 8 / 8 / 0 / 36

HEX #9797A4

RGB 151 151 164

HSL 240, 0.07%, 0.62%

LAB 62.84, 2.61, -6.8

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 23 / 25 / 0 / 29

HEX #8A87B4

RGB 138 135 180

HSL 244, 0.23%, 0.62%

LAB 58.06, 11, -23.2

 

CMYK 36 / 39 / 0 / 23

HEX #7D77C4

RGB 125 119 196

HSL 244.68, 0.39%, 0.62%

LAB 53.53, 20.72, -39.46

 

CMYK 47 / 51 / 0 / 17

HEX #6F68D3

RGB 111 104 211

HSL 243.93, 0.55%, 0.62%

LAB 49.48, 30.54, -54.53

 

CMYK 57 / 61 / 0 / 11

HEX #6258E3

RGB 98 88 227

HSL 244.32, 0.71%, 0.62%

LAB 45.8, 42.42, -69.61

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 1 / 0 / 10 / 35

HEX #A5A695

RGB 165 166 149

HSL 63.53, 0.09%, 0.62%

LAB 67.61, -3.44, 8.68

 

CMYK 2 / 0 / 27 / 29

HEX #B3B685

RGB 179 182 133

HSL 63.67, 0.25%, 0.62%

LAB 72.72, -9.11, 24.66

 

CMYK 3 / 0 / 41 / 22

HEX #C0C675

RGB 192 198 117

HSL 64.44, 0.42%, 0.62%

LAB 77.8, -14.21, 39.82

 

CMYK 4 / 0 / 52 / 16

HEX #CED666

RGB 206 214 102

HSL 64.29, 0.58%, 0.62%

LAB 83.01, -18.08, 53.63

 

CMYK 8 / 4 / 0 / 36

HEX #979DA4

RGB 151 157 164

HSL 212.31, 0.07%, 0.62%

LAB 64.46, -0.73, -4.4

 

CMYK 8 / 6 / 0 / 36

HEX #979AA4

RGB 151 154 164

HSL 226.15, 0.07%, 0.62%

LAB 63.65, 0.93, -5.6

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 5 / 8 / 0 / 36

HEX #9B97A4

RGB 155 151 164

HSL 258.46, 0.07%, 0.62%

LAB 63.16, 4.01, -6.28

 

CMYK 3 / 8 / 0 / 36

HEX #9F97A4

RGB 159 151 164

HSL 276.92, 0.07%, 0.62%

LAB 63.5, 5.42, -5.75

 

CMYK 13 / 14 / 0 / 51

HEX #6D6C7D

RGB 109 108 125

HSL 243.53, 0.07%, 0.46%

LAB 46.25, 4.07, -9.27

 

CMYK 10 / 11 / 0 / 43

HEX #828191

RGB 130 129 145

HSL 243.75, 0.07%, 0.54%

LAB 54.54, 3.7, -8.46

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 5 / 6 / 0 / 28

HEX #AEADB8

RGB 174 173 184

HSL 245.45, 0.07%, 0.7%

LAB 71.11, 2.48, -5.5

 

CMYK 3 / 4 / 0 / 20

HEX #C4C3CB

RGB 196 195 203

HSL 247.5, 0.07%, 0.78%

LAB 79.09, 1.84, -3.88

 

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

CMYK 0 / 8 / 2 / 36

HEX #A497A1

RGB 164 151 161

HSL 313.85, 0.07%, 0.62%

LAB 63.83, 6.63, -3.51

 

CMYK 5 / 0 / 8 / 36

HEX #9BA497

RGB 155 164 151

HSL 101.54, 0.07%, 0.62%

LAB 66.33, -5.67, 5.64

 

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

CMYK 0 / 7 / 8 / 36

HEX #A49897

RGB 164 152 151

HSL 4.62, 0.07%, 0.62%

LAB 63.82, 4.22, 2.11

 

CMYK 8 / 0 / 7 / 36

HEX #97A498

RGB 151 164 152

HSL 124.62, 0.07%, 0.62%

LAB 66.06, -6.93, 4.65

 

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

CMYK 0 / 8 / 2 / 36

HEX #A497A1

RGB 164 151 161

HSL 313.85, 0.07%, 0.62%

LAB 63.83, 6.63, -3.51

 

CMYK 1 / 0 / 8 / 36

HEX #A3A497

RGB 163 164 151

HSL 64.62, 0.07%, 0.62%

LAB 66.95, -2.75, 6.61

 

CMYK 8 / 0 / 6 / 36

HEX #97A49A

RGB 151 164 154

HSL 133.85, 0.07%, 0.62%

LAB 66.11, -6.55, 3.61

 

CMYK 8 / 8 / 0 / 35

HEX #9897A5

RGB 152 151 165

HSL 244.29, 0.07%, 0.62%

LAB 62.95, 3.16, -7.19

 

CMYK 0 / 8 / 4 / 36

HEX #A4979D

RGB 164 151 157

HSL 332.31, 0.07%, 0.62%

LAB 63.72, 5.88, -1.42

 

CMYK 1 / 0 / 8 / 36

HEX #A3A497

RGB 163 164 151

HSL 64.62, 0.07%, 0.62%

LAB 66.95, -2.75, 6.61

 

CMYK 8 / 0 / 3 / 36

HEX #97A49F

RGB 151 164 159

HSL 156.92, 0.07%, 0.62%

LAB 66.24, -5.57, 1.01

 

Description

Color code: HEX #9897A5 | qconv.com Color code: HEX #9897A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 151 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 151 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 8 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 8% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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