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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #989878 it is the complementary color #676787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #989878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #989878 shade: #9D9873, #AEAA86, #BFBC99, #D0CEAC and #E1E0BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #989878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #989878 shade: #989878, #878665, #767452, #65623F and #54502C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #989878 shade: #969677, #968E77, #968577, #967D77 and #967777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #989878 shade: #969677, #8E9677, #859677, #7D9677 and #77967A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #989878 shade matches the following richer shades: #969677, #AAAA64, #BDBD50, #D0D03D and #E4E42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #989878 shade: #969677, #83838A, #6F6F9E, #5C5CB1 and #4949C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #989878 shade: #968677, #968E77, #969677, #8E9677 and #869677

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #989878 shade: #6A6A51, #818163, #969677, #A8A88E and #BABAA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #989878 shade: #989878, #77967D and #8A7796

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #989878 shade: #989878, #779696 and #967796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #989878 shade: #989878, #77967D, #777796 and #967790

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #989878 shade: #989878, #779687, #777796 and #967787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

Complementary color

CMYK 24 / 24 / 0 / 47

HEX #676787

RGB 103 103 135

HSL 240, 0.13%, 0.47%

LAB 44.71, 7.43, -17.65

 

CMYK 0 / 3 / 27 / 38

HEX #9D9873

RGB 157 152 115

HSL 52.86, 0.18%, 0.53%

LAB 62.39, -4.3, 20.18

 

CMYK 0 / 2 / 23 / 32

HEX #AEAA86

RGB 174 170 134

HSL 54, 0.2%, 0.6%

LAB 69.09, -4.56, 19.12

 

CMYK 0 / 2 / 20 / 25

HEX #BFBC99

RGB 191 188 153

HSL 55.26, 0.23%, 0.67%

LAB 75.66, -4.78, 18.13

 

CMYK 0 / 1 / 17 / 18

HEX #D0CEAC

RGB 208 206 172

HSL 56.67, 0.28%, 0.75%

LAB 82.13, -4.97, 17.19

 

CMYK 0 / 0 / 15 / 12

HEX #E1E0BF

RGB 225 224 191

HSL 58.24, 0.36%, 0.82%

LAB 88.49, -5.14, 16.31

 

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

CMYK 0 / 1 / 25 / 47

HEX #878665

RGB 135 134 101

HSL 58.24, 0.14%, 0.46%

LAB 55.22, -5.34, 17.96

 

CMYK 0 / 2 / 31 / 54

HEX #767452

RGB 118 116 82

HSL 56.67, 0.18%, 0.39%

LAB 48.2, -5.09, 19.11

 

CMYK 0 / 3 / 38 / 60

HEX #65623F

RGB 101 98 63

HSL 55.26, 0.23%, 0.32%

LAB 40.99, -4.75, 20.38

 

CMYK 0 / 5 / 48 / 67

HEX #54502C

RGB 84 80 44

HSL 54, 0.31%, 0.25%

LAB 33.57, -4.29, 21.75

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 0 / 5 / 21 / 41

HEX #968E77

RGB 150 142 119

HSL 44.52, 0.13%, 0.53%

LAB 59.12, -0.99, 13.34

 

CMYK 0 / 11 / 21 / 41

HEX #968577

RGB 150 133 119

HSL 27.1, 0.13%, 0.53%

LAB 56.67, 4.07, 9.9

 

CMYK 0 / 17 / 21 / 41

HEX #967D77

RGB 150 125 119

HSL 11.61, 0.13%, 0.53%

LAB 54.54, 8.63, 6.86

 

CMYK 0 / 21 / 21 / 41

HEX #967777

RGB 150 119 119

HSL 0, 0.13%, 0.53%

LAB 52.96, 12.08, 4.6

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 5 / 0 / 21 / 41

HEX #8E9677

RGB 142 150 119

HSL 75.48, 0.13%, 0.53%

LAB 60.69, -8.53, 15.41

 

CMYK 11 / 0 / 21 / 41

HEX #859677

RGB 133 150 119

HSL 92.9, 0.13%, 0.53%

LAB 60.01, -11.99, 14.36

 

CMYK 17 / 0 / 21 / 41

HEX #7D9677

RGB 125 150 119

HSL 108.39, 0.13%, 0.53%

LAB 59.44, -14.98, 13.48

 

CMYK 21 / 0 / 19 / 41

HEX #77967A

RGB 119 150 122

HSL 125.81, 0.13%, 0.53%

LAB 59.1, -16.6, 11.26

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 0 / 0 / 41 / 33

HEX #AAAA64

RGB 170 170 100

HSL 60, 0.29%, 0.53%

LAB 68.18, -10.53, 36.02

 

CMYK 0 / 0 / 58 / 26

HEX #BDBD50

RGB 189 189 80

HSL 60, 0.45%, 0.53%

LAB 74.69, -14.27, 53.83

 

CMYK 0 / 0 / 71 / 18

HEX #D0D03D

RGB 208 208 61

HSL 60, 0.61%, 0.53%

LAB 81.21, -16.99, 68.7

 

CMYK 0 / 0 / 82 / 11

HEX #E4E42A

RGB 228 228 42

HSL 60, 0.78%, 0.53%

LAB 88.04, -19.16, 81.03

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 5 / 5 / 0 / 46

HEX #83838A

RGB 131 131 138

HSL 240, 0.03%, 0.53%

LAB 54.96, 1.42, -3.77

 

CMYK 30 / 30 / 0 / 38

HEX #6F6F9E

RGB 111 111 158

HSL 240, 0.2%, 0.53%

LAB 48.53, 11.15, -25.35

 

CMYK 48 / 48 / 0 / 31

HEX #5C5CB1

RGB 92 92 177

HSL 240, 0.35%, 0.53%

LAB 42.92, 23.13, -45.46

 

CMYK 63 / 63 / 0 / 23

HEX #4949C5

RGB 73 73 197

HSL 240, 0.52%, 0.53%

LAB 38.22, 37.73, -64.82

 

CMYK 0 / 11 / 21 / 41

HEX #968677

RGB 150 134 119

HSL 29.03, 0.13%, 0.53%

LAB 56.94, 3.5, 10.28

 

CMYK 0 / 5 / 21 / 41

HEX #968E77

RGB 150 142 119

HSL 44.52, 0.13%, 0.53%

LAB 59.12, -0.99, 13.34

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 5 / 0 / 21 / 41

HEX #8E9677

RGB 142 150 119

HSL 75.48, 0.13%, 0.53%

LAB 60.69, -8.53, 15.41

 

CMYK 11 / 0 / 21 / 41

HEX #869677

RGB 134 150 119

HSL 90.97, 0.13%, 0.53%

LAB 60.08, -11.61, 14.48

 

CMYK 0 / 0 / 24 / 58

HEX #6A6A51

RGB 106 106 81

HSL 60, 0.13%, 0.37%

LAB 44.18, -4.58, 14.08

 

CMYK 0 / 0 / 23 / 49

HEX #818163

RGB 129 129 99

HSL 60, 0.13%, 0.45%

LAB 53.24, -5.31, 16.32

 

CMYK 0 / 0 / 21 / 41

HEX #969677

RGB 150 150 119

HSL 60, 0.13%, 0.53%

LAB 61.33, -5.4, 16.4

 

CMYK 0 / 0 / 15 / 34

HEX #A8A88E

RGB 168 168 142

HSL 60, 0.13%, 0.61%

LAB 68.23, -4.56, 13.46

 

CMYK 0 / 0 / 11 / 27

HEX #BABAA6

RGB 186 186 166

HSL 60, 0.13%, 0.69%

LAB 75.02, -3.52, 10.14

 

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

CMYK 21 / 0 / 17 / 41

HEX #77967D

RGB 119 150 125

HSL 131.61, 0.13%, 0.53%

LAB 59.17, -16.03, 9.67

 

CMYK 8 / 21 / 0 / 41

HEX #8A7796

RGB 138 119 150

HSL 276.77, 0.13%, 0.53%

LAB 52.73, 13.44, -14.03

 

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

CMYK 21 / 0 / 0 / 41

HEX #779696

RGB 119 150 150

HSL 180, 0.13%, 0.53%

LAB 59.83, -10.75, -3.57

 

CMYK 0 / 21 / 0 / 41

HEX #967796

RGB 150 119 150

HSL 300, 0.13%, 0.53%

LAB 53.9, 17.7, -12.15

 

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

CMYK 21 / 0 / 17 / 41

HEX #77967D

RGB 119 150 125

HSL 131.61, 0.13%, 0.53%

LAB 59.17, -16.03, 9.67

 

CMYK 21 / 21 / 0 / 41

HEX #777796

RGB 119 119 150

HSL 240, 0.13%, 0.53%

LAB 51.06, 6.91, -16.72

 

CMYK 0 / 21 / 4 / 41

HEX #967790

RGB 150 119 144

HSL 311.61, 0.13%, 0.53%

LAB 53.7, 16.52, -8.95

 

CMYK 0 / 0 / 21 / 40

HEX #989878

RGB 152 152 120

HSL 60, 0.13%, 0.53%

LAB 62.07, -5.55, 16.89

 

CMYK 21 / 0 / 10 / 41

HEX #779687

RGB 119 150 135

HSL 150.97, 0.13%, 0.53%

LAB 59.42, -14.02, 4.35

 

CMYK 21 / 21 / 0 / 41

HEX #777796

RGB 119 119 150

HSL 240, 0.13%, 0.53%

LAB 51.06, 6.91, -16.72

 

CMYK 0 / 21 / 10 / 41

HEX #967787

RGB 150 119 135

HSL 329.03, 0.13%, 0.53%

LAB 53.41, 14.83, -4.11

 

Description

Color code: HEX #989878 | qconv.com Color code: HEX #989878 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 152 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 152 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 21 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 21% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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