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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A724 it is the complementary color #6758DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A724 shade: #9DA71F, #AEB932, #BFCB45, #D0DD58 and #E1EF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A724 shade: #98A724, #879511, #768300, #657100 and #545F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A724 shade: #99A823, #A89323, #A86F23, #A84C23 and #A82823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A724 shade: #99A823, #75A823, #51A823, #2DA823 and #23A83D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A724 shade matches the following richer shades: #99A823, #A5B813 and #B2C902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A724 shade: #99A823, #8C9734, #7F8744, #727655 and #666665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A724 shade: #A86E23, #A89223, #9BA823, #77A823 and #54A823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A724 shade: #5B6415, #7A861C, #99A823, #B8CA2A and #C7D746

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A724 shade: #98A724, #23A84B and #8023A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A724 shade: #98A724, #239BA8 and #A8239B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A724 shade: #98A724, #23A84B, #3023A8 and #A82380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A724 shade: #98A724, #23A873, #3023A8 and #A82358

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

Complementary color

CMYK 53 / 60 / 0 / 14

HEX #6758DB

RGB 103 88 219

HSL 246.87, 0.65%, 0.6%

LAB 45.6, 40.85, -65.37

 

CMYK 6 / 0 / 81 / 35

HEX #9DA71F

RGB 157 167 31

HSL 64.41, 0.69%, 0.39%

LAB 65.67, -19.47, 62.42

 

CMYK 6 / 0 / 73 / 27

HEX #AEB932

RGB 174 185 50

HSL 64.89, 0.57%, 0.46%

LAB 72.18, -20.41, 62.92

 

CMYK 6 / 0 / 66 / 20

HEX #BFCB45

RGB 191 203 69

HSL 65.37, 0.56%, 0.53%

LAB 78.59, -21.17, 62.67

 

CMYK 6 / 0 / 60 / 13

HEX #D0DD58

RGB 208 221 88

HSL 65.86, 0.66%, 0.61%

LAB 84.91, -21.78, 62

 

CMYK 6 / 0 / 55 / 6

HEX #E1EF6B

RGB 225 239 107

HSL 66.36, 0.8%, 0.68%

LAB 91.14, -22.28, 61.1

 

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

CMYK 9 / 0 / 89 / 42

HEX #879511

RGB 135 149 17

HSL 66.36, 0.8%, 0.33%

LAB 58.68, -20.41, 59.19

 

CMYK 10 / 0 / 100 / 49

HEX #768300

RGB 118 131 0

HSL 65.95, 1%, 0.26%

LAB 51.93, -19.13, 56.35

 

CMYK 11 / 0 / 100 / 56

HEX #657100

RGB 101 113 0

HSL 66.37, 1%, 0.22%

LAB 45.05, -17.49, 50.62

 

CMYK 12 / 0 / 100 / 63

HEX #545F00

RGB 84 95 0

HSL 66.95, 1%, 0.19%

LAB 37.97, -15.81, 44.73

 

CMYK 9 / 0 / 79 / 34

HEX #99A823

RGB 153 168 35

HSL 66.77, 0.66%, 0.4%

LAB 65.67, -21.55, 61.15

 

CMYK 0 / 13 / 79 / 34

HEX #A89323

RGB 168 147 35

HSL 50.53, 0.66%, 0.4%

LAB 61.06, -3.93, 57.47

 

CMYK 0 / 34 / 79 / 34

HEX #A86F23

RGB 168 111 35

HSL 34.29, 0.66%, 0.4%

LAB 51.63, 16.13, 48.77

 

CMYK 0 / 55 / 79 / 34

HEX #A84C23

RGB 168 76 35

HSL 18.5, 0.66%, 0.4%

LAB 43.68, 35.32, 41.07

 

CMYK 0 / 76 / 79 / 34

HEX #A82823

RGB 168 40 35

HSL 2.26, 0.66%, 0.4%

LAB 37.78, 51.07, 35.08

 

CMYK 9 / 0 / 79 / 34

HEX #99A823

RGB 153 168 35

HSL 66.77, 0.66%, 0.4%

LAB 65.67, -21.55, 61.15

 

CMYK 30 / 0 / 79 / 34

HEX #75A823

RGB 117 168 35

HSL 83.01, 0.66%, 0.4%

LAB 63.27, -36.35, 58.07

 

CMYK 52 / 0 / 79 / 34

HEX #51A823

RGB 81 168 35

HSL 99.25, 0.66%, 0.4%

LAB 61.55, -48.73, 55.84

 

CMYK 73 / 0 / 79 / 34

HEX #2DA823

RGB 45 168 35

HSL 115.49, 0.66%, 0.4%

LAB 60.5, -57.24, 54.48

 

CMYK 79 / 0 / 64 / 34

HEX #23A83D

RGB 35 168 61

HSL 131.73, 0.66%, 0.4%

LAB 60.52, -56.41, 44.37

 

CMYK 9 / 0 / 79 / 34

HEX #99A823

RGB 153 168 35

HSL 66.77, 0.66%, 0.4%

LAB 65.67, -21.55, 61.15

 

CMYK 10 / 0 / 90 / 28

HEX #A5B813

RGB 165 184 19

HSL 66.91, 0.81%, 0.4%

LAB 71.1, -24.79, 69.82

 

CMYK 11 / 0 / 99 / 21

HEX #B2C902

RGB 178 201 2

HSL 66.93, 0.98%, 0.4%

LAB 76.83, -27.75, 76.7

 

CMYK 9 / 0 / 79 / 34

HEX #99A823

RGB 153 168 35

HSL 66.77, 0.66%, 0.4%

LAB 65.67, -21.55, 61.15

 

CMYK 7 / 0 / 66 / 41

HEX #8C9734

RGB 140 151 52

HSL 66.67, 0.49%, 0.4%

LAB 59.85, -17.63, 48.94

 

CMYK 6 / 0 / 50 / 47

HEX #7F8744

RGB 127 135 68

HSL 67.16, 0.33%, 0.4%

LAB 54.3, -13.46, 34.76

 

CMYK 3 / 0 / 28 / 54

HEX #727655

RGB 114 118 85

HSL 67.27, 0.16%, 0.4%

LAB 48.5, -7.47, 17.72

 

CMYK 0 / 0 / 1 / 60

HEX #666665

RGB 102 102 101

HSL 60, 0%, 0.4%

LAB 43.16, -0.2, 0.56

 

CMYK 0 / 35 / 79 / 34

HEX #A86E23

RGB 168 110 35

HSL 33.83, 0.66%, 0.4%

LAB 51.38, 16.69, 48.53

 

CMYK 0 / 13 / 79 / 34

HEX #A89223

RGB 168 146 35

HSL 50.08, 0.66%, 0.4%

LAB 60.79, -3.38, 57.22

 

CMYK 8 / 0 / 79 / 34

HEX #9BA823

RGB 155 168 35

HSL 65.86, 0.66%, 0.4%

LAB 65.82, -20.69, 61.35

 

CMYK 29 / 0 / 79 / 34

HEX #77A823

RGB 119 168 35

HSL 82.11, 0.66%, 0.4%

LAB 63.38, -35.57, 58.22

 

CMYK 50 / 0 / 79 / 34

HEX #54A823

RGB 84 168 35

HSL 97.89, 0.66%, 0.4%

LAB 61.66, -47.83, 55.99

 

CMYK 9 / 0 / 79 / 61

HEX #5B6415

RGB 91 100 21

HSL 66.84, 0.65%, 0.24%

LAB 40.23, -14.43, 40.62

 

CMYK 9 / 0 / 79 / 47

HEX #7A861C

RGB 122 134 28

HSL 66.79, 0.65%, 0.32%

LAB 53.25, -18.09, 51.17

 

CMYK 9 / 0 / 79 / 34

HEX #99A823

RGB 153 168 35

HSL 66.77, 0.66%, 0.4%

LAB 65.67, -21.55, 61.15

 

CMYK 9 / 0 / 79 / 21

HEX #B8CA2A

RGB 184 202 42

HSL 66.75, 0.66%, 0.48%

LAB 77.64, -24.88, 70.71

 

CMYK 7 / 0 / 67 / 16

HEX #C7D746

RGB 199 215 70

HSL 66.62, 0.64%, 0.56%

LAB 82.48, -23.67, 66.44

 

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

CMYK 79 / 0 / 55 / 34

HEX #23A84B

RGB 35 168 75

HSL 138.05, 0.66%, 0.4%

LAB 60.67, -54.58, 37.96

 

CMYK 24 / 79 / 0 / 34

HEX #8023A8

RGB 128 35 168

HSL 281.95, 0.66%, 0.4%

LAB 35.24, 58.47, -52.27

 

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

CMYK 79 / 8 / 0 / 34

HEX #239BA8

RGB 35 155 168

HSL 185.86, 0.66%, 0.4%

LAB 58.63, -26.86, -15.94

 

CMYK 0 / 79 / 8 / 34

HEX #A8239B

RGB 168 35 155

HSL 305.86, 0.66%, 0.4%

LAB 41.05, 64.17, -34.77

 

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

CMYK 79 / 0 / 55 / 34

HEX #23A84B

RGB 35 168 75

HSL 138.05, 0.66%, 0.4%

LAB 60.67, -54.58, 37.96

 

CMYK 71 / 79 / 0 / 34

HEX #3023A8

RGB 48 35 168

HSL 245.86, 0.66%, 0.4%

LAB 25.74, 47.05, -68.2

 

CMYK 0 / 79 / 24 / 34

HEX #A82380

RGB 168 35 128

HSL 318.05, 0.66%, 0.4%

LAB 39.72, 60.37, -20.34

 

CMYK 9 / 0 / 78 / 35

HEX #98A724

RGB 152 167 36

HSL 66.87, 0.65%, 0.4%

LAB 65.31, -21.44, 60.5

 

CMYK 79 / 0 / 32 / 34

HEX #23A873

RGB 35 168 115

HSL 156.09, 0.66%, 0.4%

LAB 61.31, -47.21, 17.74

 

CMYK 71 / 79 / 0 / 34

HEX #3023A8

RGB 48 35 168

HSL 245.86, 0.66%, 0.4%

LAB 25.74, 47.05, -68.2

 

CMYK 0 / 79 / 48 / 34

HEX #A82358

RGB 168 35 88

HSL 336.09, 0.66%, 0.4%

LAB 38.25, 55.97, 2.62

 

Description

Color code: HEX #98A724 | qconv.com Color code: HEX #98A724 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 167 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 167 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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