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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A936 it is the complementary color #6756C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A936. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A936 shade: #9DA931, #AEBB44, #BFCD57, #D0DF6A and #E1F17D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A936. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A936 shade: #98A936, #879723, #768510, #657300 and #546100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A936 shade: #99AA35, #AA9C35, #AA7C35, #AA5D35 and #AA3D35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A936 shade: #99AA35, #79AA35, #5AAA35, #3AAA35 and #35AA50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A936 shade matches the following richer shades: #99AA35, #A6BC23 and #B2CE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A936 shade: #99AA35, #8C9848, #7F865A, #72746C and #66617E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A936 shade: #AA7B35, #AA9A35, #9AAA35, #7BAA35 and #5CAA35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A936 shade: #606B22, #7D8B2B, #99AA35, #B1C445 and #BECE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A936 shade: #98A936, #35AA5C and #8B35AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A936 shade: #98A936, #359AAA and #AA359A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A936 shade: #98A936, #35AA5C, #4535AA and #AA3583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A936 shade: #98A936, #35AA7F, #4535AA and #AA3560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

Complementary color

CMYK 49 / 57 / 0 / 21

HEX #6756C9

RGB 103 86 201

HSL 248.87, 0.52%, 0.56%

LAB 43.88, 36.61, -57.84

 

CMYK 7 / 0 / 71 / 34

HEX #9DA931

RGB 157 169 49

HSL 66, 0.55%, 0.43%

LAB 66.34, -19.68, 57.17

 

CMYK 7 / 0 / 64 / 27

HEX #AEBB44

RGB 174 187 68

HSL 66.55, 0.47%, 0.5%

LAB 72.86, -20.37, 56.7

 

CMYK 7 / 0 / 58 / 20

HEX #BFCD57

RGB 191 205 87

HSL 67.12, 0.54%, 0.57%

LAB 79.29, -20.91, 55.88

 

CMYK 7 / 0 / 52 / 13

HEX #D0DF6A

RGB 208 223 106

HSL 67.69, 0.65%, 0.65%

LAB 85.62, -21.35, 54.87

 

CMYK 7 / 0 / 48 / 5

HEX #E1F17D

RGB 225 241 125

HSL 68.28, 0.81%, 0.72%

LAB 91.86, -21.7, 53.79

 

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

CMYK 11 / 0 / 77 / 41

HEX #879723

RGB 135 151 35

HSL 68.28, 0.62%, 0.36%

LAB 59.35, -20.78, 54.86

 

CMYK 11 / 0 / 88 / 48

HEX #768510

RGB 118 133 16

HSL 67.69, 0.79%, 0.29%

LAB 52.58, -19.8, 53.82

 

CMYK 12 / 0 / 100 / 55

HEX #657300

RGB 101 115 0

HSL 67.3, 1%, 0.23%

LAB 45.67, -18.55, 51.09

 

CMYK 13 / 0 / 100 / 62

HEX #546100

RGB 84 97 0

HSL 68.04, 1%, 0.19%

LAB 38.61, -16.9, 45.21

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 0 / 8 / 69 / 33

HEX #AA9C35

RGB 170 156 53

HSL 52.82, 0.52%, 0.44%

LAB 63.82, -7.02, 53.43

 

CMYK 0 / 27 / 69 / 33

HEX #AA7C35

RGB 170 124 53

HSL 36.41, 0.52%, 0.44%

LAB 55.3, 10.58, 44.51

 

CMYK 0 / 45 / 69 / 33

HEX #AA5D35

RGB 170 93 53

HSL 20.51, 0.52%, 0.44%

LAB 47.79, 27.95, 36.22

 

CMYK 0 / 64 / 69 / 33

HEX #AA3D35

RGB 170 61 53

HSL 4.1, 0.52%, 0.44%

LAB 41.44, 44.2, 28.8

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 29 / 0 / 69 / 33

HEX #79AA35

RGB 121 170 53

HSL 85.13, 0.52%, 0.44%

LAB 64.22, -34.63, 52.68

 

CMYK 47 / 0 / 69 / 33

HEX #5AAA35

RGB 90 170 53

HSL 101.03, 0.52%, 0.44%

LAB 62.66, -45.5, 50.57

 

CMYK 66 / 0 / 69 / 33

HEX #3AAA35

RGB 58 170 53

HSL 117.44, 0.52%, 0.44%

LAB 61.57, -53.97, 49.09

 

CMYK 69 / 0 / 53 / 33

HEX #35AA50

RGB 53 170 80

HSL 133.85, 0.52%, 0.44%

LAB 61.73, -51.72, 36.85

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 12 / 0 / 81 / 26

HEX #A6BC23

RGB 166 188 35

HSL 68.63, 0.69%, 0.44%

LAB 72.36, -25.88, 67.45

 

CMYK 14 / 0 / 92 / 19

HEX #B2CE11

RGB 178 206 17

HSL 68.89, 0.85%, 0.44%

LAB 78.26, -29.93, 76.21

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 8 / 0 / 53 / 40

HEX #8C9848

RGB 140 152 72

HSL 69, 0.36%, 0.44%

LAB 60.34, -16.5, 40.17

 

CMYK 5 / 0 / 33 / 47

HEX #7F865A

RGB 127 134 90

HSL 69.55, 0.2%, 0.44%

LAB 54.34, -10.23, 22.88

 

CMYK 2 / 0 / 7 / 55

HEX #72746C

RGB 114 116 108

HSL 75, 0.04%, 0.44%

LAB 48.45, -2.35, 4.15

 

CMYK 19 / 23 / 0 / 51

HEX #66617E

RGB 102 97 126

HSL 250.34, 0.13%, 0.44%

LAB 42.58, 8.49, -15.48

 

CMYK 0 / 28 / 69 / 33

HEX #AA7B35

RGB 170 123 53

HSL 35.9, 0.52%, 0.44%

LAB 55.04, 11.15, 44.24

 

CMYK 0 / 9 / 69 / 33

HEX #AA9A35

RGB 170 154 53

HSL 51.79, 0.52%, 0.44%

LAB 63.27, -5.95, 52.87

 

CMYK 9 / 0 / 69 / 33

HEX #9AAA35

RGB 154 170 53

HSL 68.21, 0.52%, 0.44%

LAB 66.43, -21.23, 55.64

 

CMYK 28 / 0 / 69 / 33

HEX #7BAA35

RGB 123 170 53

HSL 84.1, 0.52%, 0.44%

LAB 64.34, -33.86, 52.84

 

CMYK 46 / 0 / 69 / 33

HEX #5CAA35

RGB 92 170 53

HSL 100, 0.52%, 0.44%

LAB 62.74, -44.87, 50.69

 

CMYK 10 / 0 / 68 / 58

HEX #606B22

RGB 96 107 34

HSL 69.04, 0.52%, 0.28%

LAB 42.94, -15.13, 38.04

 

CMYK 10 / 0 / 69 / 45

HEX #7D8B2B

RGB 125 139 43

HSL 68.75, 0.53%, 0.36%

LAB 55.07, -18.54, 47.42

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 10 / 0 / 65 / 23

HEX #B1C445

RGB 177 196 69

HSL 68.98, 0.52%, 0.52%

LAB 75.61, -23.5, 59.25

 

CMYK 8 / 0 / 51 / 19

HEX #BECE64

RGB 190 206 100

HSL 69.06, 0.52%, 0.6%

LAB 79.62, -20.71, 50.3

 

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

CMYK 69 / 0 / 46 / 33

HEX #35AA5C

RGB 53 170 92

HSL 140, 0.52%, 0.44%

LAB 61.89, -49.82, 30.93

 

CMYK 18 / 69 / 0 / 33

HEX #8B35AA

RGB 139 53 170

HSL 284.1, 0.52%, 0.44%

LAB 39.47, 54.14, -46.55

 

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

CMYK 69 / 9 / 0 / 33

HEX #359AAA

RGB 53 154 170

HSL 188.21, 0.52%, 0.44%

LAB 58.76, -23.47, -16.84

 

CMYK 0 / 69 / 9 / 33

HEX #AA359A

RGB 170 53 154

HSL 308.21, 0.52%, 0.44%

LAB 43.4, 58.61, -30.44

 

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

CMYK 69 / 0 / 46 / 33

HEX #35AA5C

RGB 53 170 92

HSL 140, 0.52%, 0.44%

LAB 61.89, -49.82, 30.93

 

CMYK 59 / 69 / 0 / 33

HEX #4535AA

RGB 69 53 170

HSL 248.21, 0.52%, 0.44%

LAB 31.15, 40.32, -60.44

 

CMYK 0 / 69 / 23 / 33

HEX #AA3583

RGB 170 53 131

HSL 320, 0.52%, 0.44%

LAB 42.36, 55.22, -18.11

 

CMYK 10 / 0 / 68 / 34

HEX #98A936

RGB 152 169 54

HSL 68.87, 0.52%, 0.44%

LAB 66, -21.52, 54.76

 

CMYK 69 / 0 / 25 / 33

HEX #35AA7F

RGB 53 170 127

HSL 157.95, 0.52%, 0.44%

LAB 62.54, -42.77, 12.89

 

CMYK 59 / 69 / 0 / 33

HEX #4535AA

RGB 69 53 170

HSL 248.21, 0.52%, 0.44%

LAB 31.15, 40.32, -60.44

 

CMYK 0 / 69 / 44 / 33

HEX #AA3560

RGB 170 53 96

HSL 337.95, 0.52%, 0.44%

LAB 41.12, 51.02, 1.75

 

Description

Color code: HEX #98A936 | qconv.com Color code: HEX #98A936 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 169 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 169 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 68 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 68% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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