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Color name
HEX #98ACC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98ACC8 it is the complementary color #675337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98ACC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98ACC8 shade: #9DACC3, #AEBED6, #BFD0E9, #D0E2FC and #E1F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98ACC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98ACC8 shade: #98ACC8, #879AB5, #7688A2, #65768F and #54647C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98ACC8 shade: #98ABC7, #989FC7, #9E98C7, #AA98C7 and #B798C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98ACC8 shade: #98ABC7, #989FC7 and #9898C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98ACC8 shade matches the following richer shades: #98ABC7, #8BA9D4, #7EA7E1, #71A5EE and #65A3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98ACC8 shade: #98ABC7, #A5AEBA, #B1B0AE, #BEB2A1 and #CBB494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98ACC8 shade: #98C5C7, #98B8C7, #98ABC7, #989FC7 and #9D98C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98ACC8 shade: #6280AA, #7D96B9, #98ABC7, #B3C1D6 and #CDD7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98ACC8 shade: #98ACC8, #BD98C7 and #BEC798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98ACC8 shade: #98ACC8, #C798AB and #ABC798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98ACC8 shade: #98ACC8, #BD98C7, #C7B398 and #A2C798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98ACC8 shade: #98ACC8, #C798C3, #C7B398 and #98C79C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

Complementary color

CMYK 0 / 19 / 47 / 60

HEX #675337

RGB 103 83 55

HSL 35, 0.3%, 0.31%

LAB 36.64, 4.13, 19.51

 

CMYK 19 / 12 / 0 / 24

HEX #9DACC3

RGB 157 172 195

HSL 216.32, 0.24%, 0.69%

LAB 69.9, -0.3, -13.49

 

CMYK 19 / 11 / 0 / 16

HEX #AEBED6

RGB 174 190 214

HSL 216, 0.33%, 0.76%

LAB 76.49, -0.45, -13.87

 

CMYK 18 / 11 / 0 / 9

HEX #BFD0E9

RGB 191 208 233

HSL 215.71, 0.49%, 0.83%

LAB 82.95, -0.6, -14.25

 

CMYK 17 / 10 / 0 / 1

HEX #D0E2FC

RGB 208 226 252

HSL 215.45, 0.88%, 0.9%

LAB 89.31, -0.74, -14.63

 

CMYK 12 / 4 / 0 / 0

HEX #E1F4FF

RGB 225 244 255

HSL 202, 1%, 0.94%

LAB 95.13, -4.09, -7.41

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 25 / 15 / 0 / 29

HEX #879AB5

RGB 135 154 181

HSL 215.22, 0.24%, 0.62%

LAB 63.01, -0.55, -16.24

 

CMYK 27 / 16 / 0 / 36

HEX #7688A2

RGB 118 136 162

HSL 215.45, 0.19%, 0.55%

LAB 56.16, -0.36, -15.94

 

CMYK 29 / 17 / 0 / 44

HEX #65768F

RGB 101 118 143

HSL 215.71, 0.17%, 0.48%

LAB 49.14, -0.15, -15.66

 

CMYK 32 / 19 / 0 / 51

HEX #54647C

RGB 84 100 124

HSL 216, 0.19%, 0.41%

LAB 41.93, 0.1, -15.4

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 24 / 20 / 0 / 22

HEX #989FC7

RGB 152 159 199

HSL 231.06, 0.3%, 0.69%

LAB 66.21, 6.26, -21.33

 

CMYK 21 / 24 / 0 / 22

HEX #9E98C7

RGB 158 152 199

HSL 247.66, 0.3%, 0.69%

LAB 64.84, 12.09, -23.38

 

CMYK 15 / 24 / 0 / 22

HEX #AA98C7

RGB 170 152 199

HSL 262.98, 0.3%, 0.69%

LAB 65.85, 15.92, -21.76

 

CMYK 8 / 24 / 0 / 22

HEX #B798C7

RGB 183 152 199

HSL 279.57, 0.3%, 0.69%

LAB 67.01, 20.18, -19.88

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 24 / 20 / 0 / 22

HEX #989FC7

RGB 152 159 199

HSL 231.06, 0.3%, 0.69%

LAB 66.21, 6.26, -21.33

 

CMYK 24 / 24 / 0 / 22

HEX #9898C7

RGB 152 152 199

HSL 240, 0.3%, 0.69%

LAB 64.37, 10.21, -24.15

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 34 / 20 / 0 / 17

HEX #8BA9D4

RGB 139 169 212

HSL 215.34, 0.46%, 0.69%

LAB 68.47, 0.04, -25.15

 

CMYK 44 / 26 / 0 / 12

HEX #7EA7E1

RGB 126 167 225

HSL 215.15, 0.62%, 0.69%

LAB 67.66, 1.22, -33.62

 

CMYK 53 / 31 / 0 / 7

HEX #71A5EE

RGB 113 165 238

HSL 215.04, 0.79%, 0.69%

LAB 66.97, 3.11, -41.87

 

CMYK 60 / 35 / 0 / 2

HEX #65A3FA

RGB 101 163 250

HSL 215.03, 0.94%, 0.69%

LAB 66.42, 5.58, -49.34

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 11 / 6 / 0 / 27

HEX #A5AEBA

RGB 165 174 186

HSL 214.29, 0.13%, 0.69%

LAB 70.74, -0.72, -7.21

 

CMYK 0 / 1 / 2 / 31

HEX #B1B0AE

RGB 177 176 174

HSL 40, 0.02%, 0.69%

LAB 71.86, -0.01, 1.14

 

CMYK 0 / 6 / 15 / 25

HEX #BEB2A1

RGB 190 178 161

HSL 35.17, 0.18%, 0.69%

LAB 73.13, 1.4, 10.22

 

CMYK 0 / 11 / 27 / 20

HEX #CBB494

RGB 203 180 148

HSL 34.91, 0.35%, 0.69%

LAB 74.49, 3.34, 19.36

 

CMYK 24 / 1 / 0 / 22

HEX #98C5C7

RGB 152 197 199

HSL 182.55, 0.3%, 0.69%

LAB 76.52, -14.27, -5.86

 

CMYK 24 / 8 / 0 / 22

HEX #98B8C7

RGB 152 184 199

HSL 199.15, 0.3%, 0.69%

LAB 72.94, -7.45, -11.17

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 24 / 20 / 0 / 22

HEX #989FC7

RGB 152 159 199

HSL 231.06, 0.3%, 0.69%

LAB 66.21, 6.26, -21.33

 

CMYK 21 / 24 / 0 / 22

HEX #9D98C7

RGB 157 152 199

HSL 246.38, 0.3%, 0.69%

LAB 64.76, 11.77, -23.51

 

CMYK 42 / 25 / 0 / 33

HEX #6280AA

RGB 98 128 170

HSL 215, 0.3%, 0.53%

LAB 52.88, 0.55, -25.68

 

CMYK 32 / 19 / 0 / 27

HEX #7D96B9

RGB 125 150 185

HSL 215, 0.3%, 0.61%

LAB 61.37, -0.33, -21.05

 

CMYK 24 / 14 / 0 / 22

HEX #98ABC7

RGB 152 171 199

HSL 215.74, 0.3%, 0.69%

LAB 69.42, -0.41, -16.47

 

CMYK 16 / 10 / 0 / 16

HEX #B3C1D6

RGB 179 193 214

HSL 216, 0.3%, 0.77%

LAB 77.63, -0.48, -12.12

 

CMYK 10 / 6 / 0 / 11

HEX #CDD7E4

RGB 205 215 228

HSL 213.91, 0.3%, 0.85%

LAB 85.6, -0.85, -7.55

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 5 / 24 / 0 / 22

HEX #BD98C7

RGB 189 152 199

HSL 287.23, 0.3%, 0.69%

LAB 67.58, 22.18, -18.97

 

CMYK 5 / 0 / 24 / 22

HEX #BEC798

RGB 190 199 152

HSL 71.49, 0.3%, 0.69%

LAB 78.5, -11.02, 22.55

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 0 / 24 / 14 / 22

HEX #C798AB

RGB 199 152 171

HSL 335.74, 0.3%, 0.69%

LAB 67.68, 20.55, -3.09

 

CMYK 14 / 0 / 24 / 22

HEX #ABC798

RGB 171 199 152

HSL 95.74, 0.3%, 0.69%

LAB 77.14, -17.99, 20.48

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 5 / 24 / 0 / 22

HEX #BD98C7

RGB 189 152 199

HSL 287.23, 0.3%, 0.69%

LAB 67.58, 22.18, -18.97

 

CMYK 0 / 10 / 24 / 22

HEX #C7B398

RGB 199 179 152

HSL 34.47, 0.3%, 0.69%

LAB 73.96, 2.9, 16.41

 

CMYK 19 / 0 / 24 / 22

HEX #A2C798

RGB 162 199 152

HSL 107.23, 0.3%, 0.69%

LAB 76.55, -21.18, 19.57

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 0 / 24 / 2 / 22

HEX #C798C3

RGB 199 152 195

HSL 305.11, 0.3%, 0.69%

LAB 68.42, 24.77, -15.38

 

CMYK 0 / 10 / 24 / 22

HEX #C7B398

RGB 199 179 152

HSL 34.47, 0.3%, 0.69%

LAB 73.96, 2.9, 16.41

 

CMYK 24 / 0 / 22 / 22

HEX #98C79C

RGB 152 199 156

HSL 125.11, 0.3%, 0.69%

LAB 76.02, -23.92, 16.61

 

Description

Color code: HEX #98ACC8 | qconv.com Color code: HEX #98ACC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 172 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 172 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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