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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98C43A it is the complementary color #673BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98C43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98C43A shade: #9DC435, #AED648, #BFE85B, #D0FA6E and #E1FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98C43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98C43A shade: #98C43A, #87B227, #76A014, #658E01 and #547C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98C43A shade: #98C43A, #BDC43A, #C4A53A, #C4803A and #C45B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98C43A shade: #98C43A, #73C43A, #4EC43A, #3AC44C and #3AC471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98C43A shade matches the following richer shades: #98C43A, #9FD826 and #A7ED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98C43A shade: #98C43A, #90AF4F, #899B63, #828678 and #7A718D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98C43A shade: #C4A63A, #BDC43A, #98C43A, #74C43A and #4FC43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98C43A shade: #678427, #7FA431, #98C43A, #A9CD5A and #B9D77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98C43A shade: #98C43A, #3AC481 and #B83AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98C43A shade: #98C43A, #3A98C4 and #C43A98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98C43A shade: #98C43A, #3AC481, #663AC4 and #C43A7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98C43A shade: #98C43A, #3AC4AB, #663AC4 and #C43A53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

Complementary color

CMYK 48 / 70 / 0 / 23

HEX #673BC5

RGB 103 59 197

HSL 259.13, 0.54%, 0.5%

LAB 37.92, 50.6, -65.2

 

CMYK 20 / 0 / 73 / 23

HEX #9DC435

RGB 157 196 53

HSL 76.36, 0.57%, 0.49%

LAB 74.13, -32.55, 63.35

 

CMYK 19 / 0 / 66 / 16

HEX #AED648

RGB 174 214 72

HSL 76.9, 0.63%, 0.56%

LAB 80.49, -33.06, 63.09

 

CMYK 18 / 0 / 61 / 9

HEX #BFE85B

RGB 191 232 91

HSL 77.45, 0.75%, 0.63%

LAB 86.77, -33.44, 62.44

 

CMYK 17 / 0 / 56 / 2

HEX #D0FA6E

RGB 208 250 110

HSL 78, 0.93%, 0.71%

LAB 92.97, -33.73, 61.57

 

CMYK 12 / 0 / 49 / 0

HEX #E1FF81

RGB 225 255 129

HSL 74.29, 1%, 0.75%

LAB 95.63, -27.96, 56.46

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 24 / 0 / 78 / 30

HEX #87B227

RGB 135 178 39

HSL 78.56, 0.64%, 0.43%

LAB 67.38, -33.67, 61.04

 

CMYK 26 / 0 / 88 / 37

HEX #76A014

RGB 118 160 20

HSL 78, 0.78%, 0.35%

LAB 60.82, -32.89, 59.86

 

CMYK 29 / 0 / 99 / 44

HEX #658E01

RGB 101 142 1

HSL 77.45, 0.99%, 0.28%

LAB 54.15, -31.89, 57.33

 

CMYK 32 / 0 / 100 / 51

HEX #547C00

RGB 84 124 0

HSL 79.35, 1%, 0.24%

LAB 47.37, -30.48, 51.85

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 4 / 0 / 70 / 23

HEX #BDC43A

RGB 189 196 58

HSL 63.04, 0.54%, 0.5%

LAB 76.44, -19.15, 64.61

 

CMYK 0 / 16 / 70 / 23

HEX #C4A53A

RGB 196 165 58

HSL 46.52, 0.54%, 0.5%

LAB 68.72, -0.13, 57.13

 

CMYK 0 / 35 / 70 / 23

HEX #C4803A

RGB 196 128 58

HSL 30.43, 0.54%, 0.5%

LAB 59.42, 20.02, 47.46

 

CMYK 0 / 54 / 70 / 23

HEX #C45B3A

RGB 196 91 58

HSL 14.35, 0.54%, 0.5%

LAB 51.29, 39.71, 38.53

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 41 / 0 / 70 / 23

HEX #73C43A

RGB 115 196 58

HSL 95.22, 0.54%, 0.5%

LAB 71.85, -47.65, 58.5

 

CMYK 60 / 0 / 70 / 23

HEX #4EC43A

RGB 78 196 58

HSL 111.3, 0.54%, 0.5%

LAB 70.46, -58.2, 56.63

 

CMYK 70 / 0 / 61 / 23

HEX #3AC44C

RGB 58 196 76

HSL 127.83, 0.54%, 0.5%

LAB 70.11, -60.53, 48.65

 

CMYK 70 / 0 / 42 / 23

HEX #3AC471

RGB 58 196 113

HSL 143.91, 0.54%, 0.5%

LAB 70.57, -55.11, 31.28

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 26 / 0 / 82 / 15

HEX #9FD826

RGB 159 216 38

HSL 79.21, 0.7%, 0.5%

LAB 79.97, -41.46, 73.18

 

CMYK 30 / 0 / 93 / 7

HEX #A7ED11

RGB 167 237 17

HSL 79.09, 0.87%, 0.5%

LAB 86.42, -47.98, 82.39

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 18 / 0 / 55 / 31

HEX #90AF4F

RGB 144 175 79

HSL 79.38, 0.38%, 0.5%

LAB 67.39, -25.8, 45.1

 

CMYK 12 / 0 / 36 / 39

HEX #899B63

RGB 137 155 99

HSL 79.29, 0.22%, 0.5%

LAB 61.36, -16.16, 27.3

 

CMYK 3 / 0 / 10 / 47

HEX #828678

RGB 130 134 120

HSL 77.14, 0.06%, 0.5%

LAB 55.23, -4.17, 7.03

 

CMYK 13 / 20 / 0 / 45

HEX #7A718D

RGB 122 113 141

HSL 259.29, 0.11%, 0.5%

LAB 49.34, 9.37, -14.01

 

CMYK 0 / 15 / 70 / 23

HEX #C4A63A

RGB 196 166 58

HSL 46.96, 0.54%, 0.5%

LAB 68.98, -0.66, 57.4

 

CMYK 4 / 0 / 70 / 23

HEX #BDC43A

RGB 189 196 58

HSL 63.04, 0.54%, 0.5%

LAB 76.44, -19.15, 64.61

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 41 / 0 / 70 / 23

HEX #74C43A

RGB 116 196 58

HSL 94.78, 0.54%, 0.5%

LAB 71.89, -47.32, 58.56

 

CMYK 60 / 0 / 70 / 23

HEX #4FC43A

RGB 79 196 58

HSL 110.87, 0.54%, 0.5%

LAB 70.49, -57.96, 56.67

 

CMYK 22 / 0 / 70 / 48

HEX #678427

RGB 103 132 39

HSL 78.71, 0.54%, 0.34%

LAB 51.3, -24.73, 44.71

 

CMYK 23 / 0 / 70 / 36

HEX #7FA431

RGB 127 164 49

HSL 79.3, 0.54%, 0.42%

LAB 62.75, -29.75, 52.87

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 18 / 0 / 56 / 20

HEX #A9CD5A

RGB 169 205 90

HSL 78.78, 0.53%, 0.58%

LAB 77.78, -29.4, 52.41

 

CMYK 14 / 0 / 43 / 16

HEX #B9D77A

RGB 185 215 122

HSL 79.35, 0.54%, 0.66%

LAB 82.01, -24.79, 42.51

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 70 / 0 / 34 / 23

HEX #3AC481

RGB 58 196 129

HSL 150.87, 0.54%, 0.5%

LAB 70.85, -52.08, 23.27

 

CMYK 6 / 70 / 0 / 23

HEX #B83AC4

RGB 184 58 196

HSL 294.78, 0.54%, 0.5%

LAB 48.51, 67, -46.98

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 70 / 22 / 0 / 23

HEX #3A98C4

RGB 58 152 196

HSL 199.13, 0.54%, 0.5%

LAB 59.29, -13.23, -30.71

 

CMYK 0 / 70 / 22 / 23

HEX #C43A98

RGB 196 58 152

HSL 319.13, 0.54%, 0.5%

LAB 48.3, 63.09, -21.3

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 70 / 0 / 34 / 23

HEX #3AC481

RGB 58 196 129

HSL 150.87, 0.54%, 0.5%

LAB 70.85, -52.08, 23.27

 

CMYK 48 / 70 / 0 / 23

HEX #663AC4

RGB 102 58 196

HSL 259.13, 0.54%, 0.5%

LAB 37.55, 50.66, -65.23

 

CMYK 0 / 70 / 36 / 23

HEX #C43A7D

RGB 196 58 125

HSL 330.87, 0.54%, 0.5%

LAB 47.29, 59.81, -6.55

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 70 / 0 / 13 / 23

HEX #3AC4AB

RGB 58 196 171

HSL 169.13, 0.54%, 0.5%

LAB 71.77, -42.36, 1.95

 

CMYK 48 / 70 / 0 / 23

HEX #663AC4

RGB 102 58 196

HSL 259.13, 0.54%, 0.5%

LAB 37.55, 50.66, -65.23

 

CMYK 0 / 70 / 58 / 23

HEX #C43A53

RGB 196 58 83

HSL 349.13, 0.54%, 0.5%

LAB 46.16, 55.98, 17.57

 

Description

Color code: HEX #98C43A | qconv.com Color code: HEX #98C43A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 196 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 196 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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