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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D453 it is the complementary color #672BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D453 shade: #9DD44E, #AEE661, #BFF874, #D0FF87 and #E1FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D453 shade: #98D453, #87C240, #76B02D, #659E1A and #548C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D453 shade: #98D453, #BBD453, #D4CA53, #D4A753 and #D48553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D453 shade: #98D453, #75D453, #53D454, #53D476 and #53D499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D453 shade matches the following richer shades: #98D453, #99E542 and #9AF630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D453 shade: #98D453, #97C264, #95B176, #94A087 and #938E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D453 shade: #D4C953, #BCD453, #9AD453, #78D453 and #55D453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D453 shade: #6FAA2A, #84CB32, #98D453, #ACDC74 and #BFE495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D453 shade: #98D453, #53D4A7 and #D453CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D453 shade: #98D453, #539AD4 and #D4539A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D453 shade: #98D453, #53D4A7, #8D53D4 and #D45380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D453 shade: #98D453, #53D4CD, #8D53D4 and #D4535A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

Complementary color

CMYK 40 / 75 / 0 / 33

HEX #672BAC

RGB 103 43 172

HSL 267.91, 0.6%, 0.42%

LAB 33.11, 51.75, -58.28

 

CMYK 26 / 0 / 63 / 17

HEX #9DD44E

RGB 157 212 78

HSL 84.63, 0.61%, 0.57%

LAB 78.93, -38.19, 58.71

 

CMYK 24 / 0 / 58 / 10

HEX #AEE661

RGB 174 230 97

HSL 85.26, 0.73%, 0.64%

LAB 85.23, -38.4, 57.87

 

CMYK 23 / 0 / 53 / 3

HEX #BFF874

RGB 191 248 116

HSL 85.91, 0.9%, 0.71%

LAB 91.45, -38.54, 56.88

 

CMYK 18 / 0 / 47 / 0

HEX #D0FF87

RGB 208 255 135

HSL 83.5, 1%, 0.76%

LAB 94.6, -33.64, 52.18

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF9A

RGB 225 255 154

HSL 77.82, 1%, 0.8%

LAB 95.94, -25.35, 45.04

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 30 / 0 / 67 / 24

HEX #87C240

RGB 135 194 64

HSL 87.23, 0.52%, 0.51%

LAB 72.3, -39.38, 56.96

 

CMYK 33 / 0 / 74 / 31

HEX #76B02D

RGB 118 176 45

HSL 86.56, 0.59%, 0.43%

LAB 65.82, -38.99, 57.24

 

CMYK 36 / 0 / 84 / 38

HEX #659E1A

RGB 101 158 26

HSL 85.91, 0.72%, 0.36%

LAB 59.25, -38.38, 56.67

 

CMYK 40 / 0 / 95 / 45

HEX #548C07

RGB 84 140 7

HSL 85.26, 0.9%, 0.29%

LAB 52.57, -37.47, 54.64

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 12 / 0 / 61 / 17

HEX #BBD453

RGB 187 212 83

HSL 71.63, 0.6%, 0.58%

LAB 80.89, -26.22, 59.3

 

CMYK 0 / 5 / 61 / 17

HEX #D4CA53

RGB 212 202 83

HSL 55.35, 0.6%, 0.58%

LAB 80.1, -11.06, 59

 

CMYK 0 / 21 / 61 / 17

HEX #D4A753

RGB 212 167 83

HSL 39.07, 0.6%, 0.58%

LAB 71.05, 7.23, 48.9

 

CMYK 0 / 37 / 61 / 17

HEX #D48553

RGB 212 133 83

HSL 23.26, 0.6%, 0.58%

LAB 62.84, 25.58, 39.28

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 45 / 0 / 61 / 17

HEX #75D453

RGB 117 212 83

HSL 104.19, 0.6%, 0.58%

LAB 76.98, -51.34, 53.86

 

CMYK 61 / 0 / 60 / 17

HEX #53D454

RGB 83 212 84

HSL 120.47, 0.6%, 0.58%

LAB 75.8, -60.21, 51.78

 

CMYK 61 / 0 / 44 / 17

HEX #53D476

RGB 83 212 118

HSL 136.28, 0.6%, 0.58%

LAB 76.21, -55.6, 36.14

 

CMYK 61 / 0 / 28 / 17

HEX #53D499

RGB 83 212 153

HSL 152.56, 0.6%, 0.58%

LAB 76.82, -49.14, 18.85

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 33 / 0 / 71 / 10

HEX #99E542

RGB 153 229 66

HSL 87.98, 0.76%, 0.58%

LAB 83.55, -47.83, 68.04

 

CMYK 37 / 0 / 80 / 4

HEX #9AF630

RGB 154 246 48

HSL 87.88, 0.92%, 0.58%

LAB 88.45, -55.33, 78.14

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 22 / 0 / 48 / 24

HEX #97C264

RGB 151 194 100

HSL 87.45, 0.44%, 0.58%

LAB 73.6, -30.04, 42.44

 

CMYK 16 / 0 / 33 / 31

HEX #95B176

RGB 149 177 118

HSL 88.47, 0.27%, 0.58%

LAB 68.85, -20.15, 27.12

 

CMYK 7 / 0 / 16 / 37

HEX #94A087

RGB 148 160 135

HSL 88.8, 0.12%, 0.58%

LAB 64.31, -8.96, 11.6

 

CMYK 3 / 7 / 0 / 40

HEX #938E98

RGB 147 142 152

HSL 270, 0.05%, 0.58%

LAB 59.72, 3.8, -4.64

 

CMYK 0 / 5 / 61 / 17

HEX #D4C953

RGB 212 201 83

HSL 54.88, 0.6%, 0.58%

LAB 79.84, -10.55, 58.71

 

CMYK 11 / 0 / 61 / 17

HEX #BCD453

RGB 188 212 83

HSL 71.16, 0.6%, 0.58%

LAB 80.96, -25.82, 59.4

 

CMYK 27 / 0 / 61 / 17

HEX #9AD453

RGB 154 212 83

HSL 86.98, 0.6%, 0.58%

LAB 78.8, -38.89, 56.4

 

CMYK 43 / 0 / 61 / 17

HEX #78D453

RGB 120 212 83

HSL 102.79, 0.6%, 0.58%

LAB 77.1, -50.42, 54.04

 

CMYK 60 / 0 / 61 / 17

HEX #55D453

RGB 85 212 83

HSL 119.07, 0.6%, 0.58%

LAB 75.85, -59.87, 52.29

 

CMYK 35 / 0 / 75 / 33

HEX #6FAA2A

RGB 111 170 42

HSL 87.66, 0.6%, 0.42%

LAB 63.59, -39.11, 55.97

 

CMYK 35 / 0 / 75 / 20

HEX #84CB32

RGB 132 203 50

HSL 87.84, 0.6%, 0.5%

LAB 74.73, -45.25, 64.44

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 22 / 0 / 47 / 14

HEX #ACDC74

RGB 172 220 116

HSL 87.69, 0.6%, 0.66%

LAB 82.5, -32.67, 45.86

 

CMYK 16 / 0 / 35 / 11

HEX #BFE495

RGB 191 228 149

HSL 88.1, 0.59%, 0.74%

LAB 86.37, -25.48, 34.69

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 61 / 0 / 21 / 17

HEX #53D4A7

RGB 83 212 167

HSL 159.07, 0.6%, 0.58%

LAB 77.11, -46.1, 11.84

 

CMYK 0 / 61 / 3 / 17

HEX #D453CD

RGB 212 83 205

HSL 303.26, 0.6%, 0.58%

LAB 56.68, 65.35, -38.97

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 61 / 27 / 0 / 17

HEX #539AD4

RGB 83 154 212

HSL 206.98, 0.6%, 0.58%

LAB 61.4, -4.9, -36.33

 

CMYK 0 / 61 / 27 / 17

HEX #D4539A

RGB 212 83 154

HSL 326.98, 0.6%, 0.58%

LAB 54.57, 57.84, -12.69

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 61 / 0 / 21 / 17

HEX #53D4A7

RGB 83 212 167

HSL 159.07, 0.6%, 0.58%

LAB 77.11, -46.1, 11.84

 

CMYK 33 / 61 / 0 / 17

HEX #8D53D4

RGB 141 83 212

HSL 266.98, 0.6%, 0.58%

LAB 47.76, 49.61, -57.72

 

CMYK 0 / 61 / 40 / 17

HEX #D45380

RGB 212 83 128

HSL 339.07, 0.6%, 0.58%

LAB 53.75, 54.77, 1.46

 

CMYK 28 / 0 / 61 / 17

HEX #98D453

RGB 152 212 83

HSL 87.91, 0.6%, 0.58%

LAB 78.69, -39.62, 56.25

 

CMYK 61 / 0 / 3 / 17

HEX #53D4CD

RGB 83 212 205

HSL 176.74, 0.6%, 0.58%

LAB 78.07, -36.72, -7.11

 

CMYK 33 / 61 / 0 / 17

HEX #8D53D4

RGB 141 83 212

HSL 266.98, 0.6%, 0.58%

LAB 47.76, 49.61, -57.72

 

CMYK 0 / 61 / 58 / 17

HEX #D4535A

RGB 212 83 90

HSL 356.74, 0.6%, 0.58%

LAB 52.86, 51.34, 22.79

 

Description

Color code: HEX #98D453 | qconv.com Color code: HEX #98D453 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 212 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 212 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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