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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D7C8 it is the complementary color #672837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D7C8 shade: #9DD7C3, #AEE9D6, #BFFBE9, #D0FFFC and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D7C8 shade: #98D7C8, #87C5B5, #76B3A2, #65A18F and #548F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D7C8 shade: #98D7C8, #98D7B7, #98D7A6, #9BD798 and #ACD798

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D7C8 shade: #98D7C8, #98D5D7, #98C4D7, #98B3D7 and #98A2D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D7C8 shade matches the following richer shades: #98D7C8, #8CE2CE, #81EED4 and #75F9DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D7C8 shade: #98D7C8, #A3CBC2, #AFBFBB, #BAB4B5 and #C6A8AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D7C8 shade: #98D7A5, #98D7B6, #98D7C7, #98D5D7 and #98C5D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D7C8 shade: #5CBFA8, #7ACBB8, #98D7C8, #B5E2D7 and #D3EEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D7C8 shade: #98D7C8, #989BD7 and #D7AE98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D7C8 shade: #98D7C8, #C798D7 and #D7C798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D7C8 shade: #98D7C8, #989BD7, #D798A7 and #D7D398

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D7C8 shade: #98D7C8, #A798D7, #D798A7 and #C7D798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

Complementary color

CMYK 0 / 61 / 47 / 60

HEX #672837

RGB 103 40 55

HSL 345.71, 0.44%, 0.28%

LAB 25.79, 29.85, 4.77

 

CMYK 27 / 0 / 9 / 16

HEX #9DD7C3

RGB 157 215 195

HSL 159.31, 0.42%, 0.73%

LAB 81.68, -22.71, 3.88

 

CMYK 25 / 0 / 8 / 9

HEX #AEE9D6

RGB 174 233 214

HSL 160.68, 0.57%, 0.8%

LAB 88.03, -22.54, 3.17

 

CMYK 24 / 0 / 7 / 2

HEX #BFFBE9

RGB 191 251 233

HSL 162, 0.88%, 0.87%

LAB 94.29, -22.38, 2.49

 

CMYK 18 / 0 / 1 / 0

HEX #D0FFFC

RGB 208 255 252

HSL 176.17, 1%, 0.91%

LAB 96.8, -15.43, -3.52

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 31 / 0 / 8 / 23

HEX #87C5B5

RGB 135 197 181

HSL 164.52, 0.35%, 0.65%

LAB 75.09, -23.32, 1.68

 

CMYK 34 / 0 / 9 / 30

HEX #76B3A2

RGB 118 179 162

HSL 163.28, 0.29%, 0.58%

LAB 68.53, -23.51, 2.43

 

CMYK 37 / 0 / 11 / 37

HEX #65A18F

RGB 101 161 143

HSL 162, 0.24%, 0.51%

LAB 61.86, -23.71, 3.23

 

CMYK 41 / 0 / 13 / 44

HEX #548F7C

RGB 84 143 124

HSL 160.68, 0.26%, 0.45%

LAB 55.06, -23.92, 4.09

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 29 / 0 / 15 / 16

HEX #98D7B7

RGB 152 215 183

HSL 149.52, 0.44%, 0.72%

LAB 81.12, -26.65, 9.42

 

CMYK 29 / 0 / 23 / 16

HEX #98D7A6

RGB 152 215 166

HSL 133.33, 0.44%, 0.72%

LAB 80.76, -29.87, 17.9

 

CMYK 28 / 0 / 29 / 16

HEX #9BD798

RGB 155 215 152

HSL 117.14, 0.44%, 0.72%

LAB 80.65, -31.31, 25.11

 

CMYK 20 / 0 / 29 / 16

HEX #ACD798

RGB 172 215 152

HSL 100.95, 0.44%, 0.72%

LAB 81.64, -25.53, 26.63

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 29 / 1 / 0 / 16

HEX #98D5D7

RGB 152 213 215

HSL 181.9, 0.44%, 0.72%

LAB 81.39, -18.82, -7.24

 

CMYK 29 / 9 / 0 / 16

HEX #98C4D7

RGB 152 196 215

HSL 198.1, 0.44%, 0.72%

LAB 76.72, -10.07, -14.21

 

CMYK 29 / 17 / 0 / 16

HEX #98B3D7

RGB 152 179 215

HSL 214.29, 0.44%, 0.72%

LAB 72.11, -0.96, -21.17

 

CMYK 29 / 25 / 0 / 16

HEX #98A2D7

RGB 152 162 215

HSL 230.48, 0.44%, 0.72%

LAB 67.59, 8.46, -28.08

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 38 / 0 / 9 / 11

HEX #8CE2CE

RGB 140 226 206

HSL 166.05, 0.6%, 0.72%

LAB 84.19, -30.5, 1.58

 

CMYK 46 / 0 / 11 / 7

HEX #81EED4

RGB 129 238 212

HSL 165.69, 0.76%, 0.72%

LAB 87.28, -37.5, 2.86

 

CMYK 53 / 0 / 12 / 2

HEX #75F9DA

RGB 117 249 218

HSL 165.91, 0.92%, 0.72%

LAB 90.13, -43.7, 3.83

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 20 / 0 / 4 / 20

HEX #A3CBC2

RGB 163 203 194

HSL 166.5, 0.28%, 0.72%

LAB 78.69, -15.02, 0.11

 

CMYK 8 / 0 / 2 / 25

HEX #AFBFBB

RGB 175 191 187

HSL 165, 0.11%, 0.72%

LAB 76.05, -6.25, 0.13

 

CMYK 0 / 3 / 3 / 27

HEX #BAB4B5

RGB 186 180 181

HSL 350, 0.04%, 0.72%

LAB 73.82, 2.3, 0.24

 

CMYK 0 / 15 / 12 / 22

HEX #C6A8AF

RGB 198 168 175

HSL 346, 0.21%, 0.72%

LAB 71.63, 12.08, 0.46

 

CMYK 29 / 0 / 23 / 16

HEX #98D7A5

RGB 152 215 165

HSL 132.38, 0.44%, 0.72%

LAB 80.73, -30.05, 18.4

 

CMYK 29 / 0 / 15 / 16

HEX #98D7B6

RGB 152 215 182

HSL 148.57, 0.44%, 0.72%

LAB 81.1, -26.85, 9.92

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C7

RGB 152 215 199

HSL 164.76, 0.44%, 0.72%

LAB 81.51, -23.36, 1.47

 

CMYK 29 / 1 / 0 / 16

HEX #98D5D7

RGB 152 213 215

HSL 181.9, 0.44%, 0.72%

LAB 81.39, -18.82, -7.24

 

CMYK 29 / 8 / 0 / 16

HEX #98C5D7

RGB 152 197 215

HSL 197.14, 0.44%, 0.72%

LAB 76.99, -10.6, -13.8

 

CMYK 52 / 0 / 12 / 25

HEX #5CBFA8

RGB 92 191 168

HSL 166.06, 0.44%, 0.55%

LAB 71.12, -34.67, 2.75

 

CMYK 40 / 0 / 9 / 20

HEX #7ACBB8

RGB 122 203 184

HSL 165.93, 0.44%, 0.64%

LAB 76.26, -29.22, 1.69

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 20 / 0 / 5 / 11

HEX #B5E2D7

RGB 181 226 215

HSL 165.33, 0.44%, 0.8%

LAB 86.56, -16.73, 0.56

 

CMYK 11 / 0 / 3 / 7

HEX #D3EEE7

RGB 211 238 231

HSL 164.44, 0.44%, 0.88%

LAB 92.03, -10.14, 0.38

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 29 / 28 / 0 / 16

HEX #989BD7

RGB 152 155 215

HSL 237.14, 0.44%, 0.72%

LAB 65.77, 12.43, -30.9

 

CMYK 0 / 19 / 29 / 16

HEX #D7AE98

RGB 215 174 152

HSL 20.95, 0.44%, 0.72%

LAB 74.18, 11.74, 16.93

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 7 / 29 / 0 / 16

HEX #C798D7

RGB 199 152 215

HSL 284.76, 0.44%, 0.72%

LAB 69.12, 28.64, -25.4

 

CMYK 0 / 7 / 29 / 16

HEX #D7C798

RGB 215 199 152

HSL 44.76, 0.44%, 0.72%

LAB 80.49, -1.51, 25.6

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 29 / 28 / 0 / 16

HEX #989BD7

RGB 152 155 215

HSL 237.14, 0.44%, 0.72%

LAB 65.77, 12.43, -30.9

 

CMYK 0 / 29 / 22 / 16

HEX #D798A7

RGB 215 152 167

HSL 345.71, 0.44%, 0.72%

LAB 69.25, 25.75, 1.65

 

CMYK 0 / 2 / 29 / 16

HEX #D7D398

RGB 215 211 152

HSL 56.19, 0.44%, 0.72%

LAB 83.6, -7.7, 29.79

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 22 / 29 / 0 / 16

HEX #A798D7

RGB 167 152 215

HSL 254.29, 0.44%, 0.72%

LAB 66.2, 18.61, -30.14

 

CMYK 0 / 29 / 22 / 16

HEX #D798A7

RGB 215 152 167

HSL 345.71, 0.44%, 0.72%

LAB 69.25, 25.75, 1.65

 

CMYK 7 / 0 / 29 / 16

HEX #C7D798

RGB 199 215 152

HSL 75.24, 0.44%, 0.72%

LAB 83.45, -15.77, 29.37

 

Description

Color code: HEX #98D7C8 | qconv.com Color code: HEX #98D7C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 215 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 215 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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