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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D038 it is the complementary color #672FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D038 shade: #9DD033, #AEE246, #BFF459, #D0FF6C and #E1FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D038 shade: #98D038, #87BE25, #76AC12, #659A00 and #548800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D038 shade: #98D038, #C1D038, #D0B638, #D08D38 and #D06438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D038 shade: #98D038, #6FD038, #46D038, #38D053 and #38D07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D038 shade matches the following richer shades: #98D038, #9DE424 and #A2F811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D038 shade: #98D038, #93BC4C, #8EA860, #889574 and #838187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D038 shade: #D0B738, #C1D038, #98D038, #70D038 and #47D038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D038 shade: #6A9322, #82B52A, #98D038, #A9D85A and #BBE07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D038 shade: #98D038, #38D08E and #CB38D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D038 shade: #98D038, #3898D0 and #D03898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D038 shade: #98D038, #38D08E, #7038D0 and #D0387A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D038 shade: #98D038, #38D0BC, #7038D0 and #D0384C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

Complementary color

CMYK 48 / 76 / 0 / 22

HEX #672FC7

RGB 103 47 199

HSL 262.11, 0.62%, 0.48%

LAB 36.06, 56.86, -69.41

 

CMYK 25 / 0 / 75 / 18

HEX #9DD033

RGB 157 208 51

HSL 79.49, 0.63%, 0.51%

LAB 77.59, -38.13, 67.33

 

CMYK 23 / 0 / 69 / 11

HEX #AEE246

RGB 174 226 70

HSL 80, 0.73%, 0.58%

LAB 83.88, -38.64, 67.32

 

CMYK 22 / 0 / 64 / 4

HEX #BFF459

RGB 191 244 89

HSL 80.52, 0.88%, 0.65%

LAB 90.09, -39.02, 66.84

 

CMYK 18 / 0 / 58 / 0

HEX #D0FF6C

RGB 208 255 108

HSL 79.18, 1%, 0.71%

LAB 94.32, -36.17, 63.95

 

CMYK 12 / 0 / 50 / 0

HEX #E1FF7F

RGB 225 255 127

HSL 74.06, 1%, 0.75%

LAB 95.61, -28.15, 57.34

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 29 / 0 / 81 / 25

HEX #87BE25

RGB 135 190 37

HSL 81.57, 0.67%, 0.45%

LAB 70.95, -39.18, 64.89

 

CMYK 31 / 0 / 90 / 33

HEX #76AC12

RGB 118 172 18

HSL 81.04, 0.81%, 0.37%

LAB 64.48, -38.38, 63.33

 

CMYK 34 / 0 / 100 / 40

HEX #659A00

RGB 101 154 0

HSL 80.65, 1%, 0.3%

LAB 57.92, -37.34, 60.4

 

CMYK 38 / 0 / 100 / 47

HEX #548800

RGB 84 136 0

HSL 82.94, 1%, 0.27%

LAB 51.26, -35.91, 54.86

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 7 / 0 / 73 / 18

HEX #C1D038

RGB 193 208 56

HSL 65.92, 0.62%, 0.52%

LAB 80.03, -23.47, 68.87

 

CMYK 0 / 13 / 73 / 18

HEX #D0B638

RGB 208 182 56

HSL 49.74, 0.62%, 0.52%

LAB 74.29, -3.98, 63.8

 

CMYK 0 / 32 / 73 / 18

HEX #D08D38

RGB 208 141 56

HSL 33.55, 0.62%, 0.52%

LAB 63.95, 17.97, 53.56

 

CMYK 0 / 52 / 73 / 18

HEX #D06438

RGB 208 100 56

HSL 17.37, 0.62%, 0.52%

LAB 54.88, 39.72, 44.05

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 47 / 0 / 73 / 18

HEX #6FD038

RGB 111 208 56

HSL 98.29, 0.62%, 0.52%

LAB 75.31, -53.82, 62.67

 

CMYK 66 / 0 / 73 / 18

HEX #46D038

RGB 70 208 56

HSL 114.47, 0.62%, 0.52%

LAB 74, -64.2, 60.92

 

CMYK 73 / 0 / 60 / 18

HEX #38D053

RGB 56 208 83

HSL 130.66, 0.62%, 0.52%

LAB 73.92, -64.06, 49.9

 

CMYK 73 / 0 / 40 / 18

HEX #38D07C

RGB 56 208 124

HSL 146.84, 0.62%, 0.52%

LAB 74.45, -57.87, 30.68

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 31 / 0 / 84 / 11

HEX #9DE424

RGB 157 228 36

HSL 82.19, 0.78%, 0.52%

LAB 83.33, -47.4, 76.51

 

CMYK 35 / 0 / 93 / 3

HEX #A2F811

RGB 162 248 17

HSL 82.34, 0.94%, 0.52%

LAB 89.33, -54.25, 84.6

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 22 / 0 / 60 / 26

HEX #93BC4C

RGB 147 188 76

HSL 81.96, 0.46%, 0.52%

LAB 71.34, -31.13, 51.05

 

CMYK 15 / 0 / 43 / 34

HEX #8EA860

RGB 142 168 96

HSL 81.67, 0.29%, 0.52%

LAB 65.44, -21.25, 34.2

 

CMYK 9 / 0 / 22 / 42

HEX #889574

RGB 136 149 116

HSL 83.64, 0.13%, 0.52%

LAB 59.88, -10.81, 15.9

 

CMYK 3 / 4 / 0 / 47

HEX #838187

RGB 131 129 135

HSL 260, 0.02%, 0.52%

LAB 54.32, 1.95, -2.98

 

CMYK 0 / 12 / 73 / 18

HEX #D0B738

RGB 208 183 56

HSL 50.13, 0.62%, 0.52%

LAB 74.55, -4.5, 64.05

 

CMYK 7 / 0 / 73 / 18

HEX #C1D038

RGB 193 208 56

HSL 65.92, 0.62%, 0.52%

LAB 80.03, -23.47, 68.87

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 46 / 0 / 73 / 18

HEX #70D038

RGB 112 208 56

HSL 97.89, 0.62%, 0.52%

LAB 75.35, -53.51, 62.72

 

CMYK 66 / 0 / 73 / 18

HEX #47D038

RGB 71 208 56

HSL 114.08, 0.62%, 0.52%

LAB 74.02, -64, 60.95

 

CMYK 28 / 0 / 77 / 42

HEX #6A9322

RGB 106 147 34

HSL 81.77, 0.62%, 0.35%

LAB 56.13, -31.07, 51.45

 

CMYK 28 / 0 / 77 / 29

HEX #82B52A

RGB 130 181 42

HSL 82.01, 0.62%, 0.44%

LAB 67.99, -36.84, 60.56

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 22 / 0 / 58 / 15

HEX #A9D85A

RGB 169 216 90

HSL 82.38, 0.62%, 0.6%

LAB 80.9, -34.53, 55.95

 

CMYK 17 / 0 / 45 / 12

HEX #BBE07B

RGB 187 224 123

HSL 81.98, 0.62%, 0.68%

LAB 84.64, -28.23, 45.33

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 73 / 0 / 32 / 18

HEX #38D08E

RGB 56 208 142

HSL 153.95, 0.62%, 0.52%

LAB 74.77, -54.35, 21.74

 

CMYK 2 / 73 / 0 / 18

HEX #CB38D0

RGB 203 56 208

HSL 298.03, 0.62%, 0.52%

LAB 51.93, 73.7, -48.28

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 73 / 27 / 0 / 18

HEX #3898D0

RGB 56 152 208

HSL 202.11, 0.62%, 0.52%

LAB 59.75, -9.43, -36.72

 

CMYK 0 / 73 / 27 / 18

HEX #D03898

RGB 208 56 152

HSL 322.11, 0.62%, 0.52%

LAB 50.1, 66.83, -18.35

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 73 / 0 / 32 / 18

HEX #38D08E

RGB 56 208 142

HSL 153.95, 0.62%, 0.52%

LAB 74.77, -54.35, 21.74

 

CMYK 46 / 73 / 0 / 18

HEX #7038D0

RGB 112 56 208

HSL 262.11, 0.62%, 0.52%

LAB 39.29, 56.49, -69.31

 

CMYK 0 / 73 / 41 / 18

HEX #D0387A

RGB 208 56 122

HSL 333.95, 0.62%, 0.52%

LAB 49.06, 63.52, -1.87

 

CMYK 27 / 0 / 73 / 18

HEX #98D038

RGB 152 208 56

HSL 82.11, 0.62%, 0.52%

LAB 77.32, -39.77, 65.33

 

CMYK 73 / 0 / 10 / 18

HEX #38D0BC

RGB 56 208 188

HSL 172.11, 0.62%, 0.52%

LAB 75.81, -43.39, -1.36

 

CMYK 46 / 73 / 0 / 18

HEX #7038D0

RGB 112 56 208

HSL 262.11, 0.62%, 0.52%

LAB 39.29, 56.49, -69.31

 

CMYK 0 / 73 / 63 / 18

HEX #D0384C

RGB 208 56 76

HSL 352.11, 0.62%, 0.52%

LAB 47.96, 59.89, 24.6

 

Description

Color code: HEX #98D038 | qconv.com Color code: HEX #98D038 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 208 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 208 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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