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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D0E6 it is the complementary color #672F19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D0E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D0E6 shade: #9DD0E1, #AEE2F4, #BFF4FF, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D0E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D0E6 shade: #98D0E6, #87BED3, #76ACC0, #659AAD and #54889A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D0E6 shade: #98D0E6, #98BBE6, #98A6E6, #9F98E6 and #B498E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D0E6 shade: #98D0E6, #98BBE6, #98A6E6 and #9898E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D0E6 shade matches the following richer shades: #98D0E6, #8ED4F0 and #83D9FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D0E6 shade: #98D0E6, #A2CBDB, #ACC7D1, #B7C2C7 and #C1BEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D0E6 shade: #98E6D1, #98E6E6, #98D1E6, #98BCE6 and #98A7E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D0E6 shade: #55B1D6, #77C1DE, #98D0E6, #B9DFEE and #DAEEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D0E6 shade: #98D0E6, #BC98E6 and #E6DB98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D0E6 shade: #98D0E6, #E698D1 and #D1E698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D0E6 shade: #98D0E6, #BC98E6, #E6AD98 and #C1E698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D0E6 shade: #98D0E6, #D398E6, #E6AD98 and #AAE698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

Complementary color

CMYK 0 / 54 / 76 / 60

HEX #672F19

RGB 103 47 25

HSL 16.92, 0.61%, 0.25%

LAB 26.7, 23.38, 25.41

 

CMYK 30 / 8 / 0 / 12

HEX #9DD0E1

RGB 157 208 225

HSL 195, 0.53%, 0.75%

LAB 80.58, -12.53, -13.75

 

CMYK 29 / 7 / 0 / 4

HEX #AEE2F4

RGB 174 226 244

HSL 195.43, 0.76%, 0.82%

LAB 86.96, -12.55, -14.18

 

CMYK 25 / 4 / 0 / 0

HEX #BFF4FF

RGB 191 244 255

HSL 190.31, 1%, 0.87%

LAB 93.01, -14.33, -10.79

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 36 / 10 / 0 / 17

HEX #87BED3

RGB 135 190 211

HSL 196.58, 0.46%, 0.68%

LAB 73.99, -12.66, -16.24

 

CMYK 39 / 10 / 0 / 25

HEX #76ACC0

RGB 118 172 192

HSL 196.22, 0.37%, 0.61%

LAB 67.4, -12.59, -15.85

 

CMYK 42 / 11 / 0 / 32

HEX #659AAD

RGB 101 154 173

HSL 195.83, 0.31%, 0.54%

LAB 60.69, -12.5, -15.44

 

CMYK 45 / 12 / 0 / 40

HEX #54889A

RGB 84 136 154

HSL 195.43, 0.29%, 0.47%

LAB 53.84, -12.36, -15.03

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 34 / 19 / 0 / 10

HEX #98BBE6

RGB 152 187 230

HSL 213.08, 0.61%, 0.75%

LAB 74.78, -1.59, -25.25

 

CMYK 34 / 28 / 0 / 10

HEX #98A6E6

RGB 152 166 230

HSL 229.23, 0.61%, 0.75%

LAB 69.23, 10.03, -33.8

 

CMYK 31 / 34 / 0 / 10

HEX #9F98E6

RGB 159 152 230

HSL 245.38, 0.61%, 0.75%

LAB 66.17, 19.93, -38.52

 

CMYK 22 / 34 / 0 / 10

HEX #B498E6

RGB 180 152 230

HSL 261.54, 0.61%, 0.75%

LAB 67.93, 26.01, -35.65

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 34 / 19 / 0 / 10

HEX #98BBE6

RGB 152 187 230

HSL 213.08, 0.61%, 0.75%

LAB 74.78, -1.59, -25.25

 

CMYK 34 / 28 / 0 / 10

HEX #98A6E6

RGB 152 166 230

HSL 229.23, 0.61%, 0.75%

LAB 69.23, 10.03, -33.8

 

CMYK 34 / 34 / 0 / 10

HEX #9898E6

RGB 152 152 230

HSL 240, 0.61%, 0.75%

LAB 65.63, 17.98, -39.4

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 41 / 12 / 0 / 6

HEX #8ED4F0

RGB 142 212 240

HSL 197.14, 0.77%, 0.75%

LAB 81.36, -14.89, -20.66

 

CMYK 48 / 13 / 0 / 2

HEX #83D9FA

RGB 131 217 250

HSL 196.64, 0.92%, 0.75%

LAB 82.57, -17.43, -24.18

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 26 / 7 / 0 / 14

HEX #A2CBDB

RGB 162 203 219

HSL 196.84, 0.44%, 0.75%

LAB 79.33, -9.88, -12.38

 

CMYK 18 / 5 / 0 / 18

HEX #ACC7D1

RGB 172 199 209

HSL 196.22, 0.29%, 0.75%

LAB 78.59, -6.95, -8.04

 

CMYK 8 / 3 / 0 / 22

HEX #B7C2C7

RGB 183 194 199

HSL 198.75, 0.13%, 0.75%

LAB 77.74, -2.79, -3.82

 

CMYK 0 / 2 / 3 / 24

HEX #C1BEBC

RGB 193 190 188

HSL 24, 0.04%, 0.75%

LAB 77.16, 0.69, 1.37

 

CMYK 34 / 0 / 9 / 10

HEX #98E6D1

RGB 152 230 209

HSL 163.85, 0.61%, 0.75%

LAB 85.94, -28.5, 2.62

 

CMYK 34 / 0 / 0 / 10

HEX #98E6E6

RGB 152 230 230

HSL 180, 0.61%, 0.75%

LAB 86.5, -23.8, -7.62

 

CMYK 34 / 9 / 0 / 10

HEX #98D1E6

RGB 152 209 230

HSL 196.15, 0.61%, 0.75%

LAB 80.73, -13.24, -16.22

 

CMYK 34 / 18 / 0 / 10

HEX #98BCE6

RGB 152 188 230

HSL 212.31, 0.61%, 0.75%

LAB 75.05, -2.13, -24.84

 

CMYK 34 / 27 / 0 / 10

HEX #98A7E6

RGB 152 167 230

HSL 228.46, 0.61%, 0.75%

LAB 69.49, 9.46, -33.4

 

CMYK 60 / 17 / 0 / 16

HEX #55B1D6

RGB 85 177 214

HSL 197.21, 0.61%, 0.59%

LAB 68.19, -16.49, -26.91

 

CMYK 46 / 13 / 0 / 13

HEX #77C1DE

RGB 119 193 222

HSL 196.89, 0.61%, 0.67%

LAB 74.4, -15.41, -21.65

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 22 / 6 / 0 / 7

HEX #B9DFEE

RGB 185 223 238

HSL 196.98, 0.61%, 0.83%

LAB 86.63, -9.16, -11.43

 

CMYK 11 / 3 / 0 / 4

HEX #DAEEF6

RGB 218 238 246

HSL 197.14, 0.61%, 0.91%

LAB 92.89, -5.01, -6.11

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 18 / 34 / 0 / 10

HEX #BC98E6

RGB 188 152 230

HSL 267.69, 0.61%, 0.75%

LAB 68.65, 28.4, -34.47

 

CMYK 0 / 5 / 34 / 10

HEX #E6DB98

RGB 230 219 152

HSL 51.54, 0.61%, 0.75%

LAB 86.88, -6.03, 34.35

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 0 / 34 / 9 / 10

HEX #E698D1

RGB 230 152 209

HSL 316.15, 0.61%, 0.75%

LAB 72.15, 37.63, -17.17

 

CMYK 9 / 0 / 34 / 10

HEX #D1E698

RGB 209 230 152

HSL 76.15, 0.61%, 0.75%

LAB 88.17, -19.47, 35.76

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 18 / 34 / 0 / 10

HEX #BC98E6

RGB 188 152 230

HSL 267.69, 0.61%, 0.75%

LAB 68.65, 28.4, -34.47

 

CMYK 0 / 25 / 34 / 10

HEX #E6AD98

RGB 230 173 152

HSL 16.15, 0.61%, 0.75%

LAB 75.44, 18.05, 18.9

 

CMYK 16 / 0 / 34 / 10

HEX #C1E698

RGB 193 230 152

HSL 88.46, 0.61%, 0.75%

LAB 87.09, -25.31, 34.14

 

CMYK 34 / 10 / 0 / 10

HEX #98D0E6

RGB 152 208 230

HSL 196.92, 0.61%, 0.75%

LAB 80.46, -12.72, -16.64

 

CMYK 8 / 34 / 0 / 10

HEX #D398E6

RGB 211 152 230

HSL 285.38, 0.61%, 0.75%

LAB 70.88, 35.42, -30.83

 

CMYK 0 / 25 / 34 / 10

HEX #E6AD98

RGB 230 173 152

HSL 16.15, 0.61%, 0.75%

LAB 75.44, 18.05, 18.9

 

CMYK 26 / 0 / 34 / 10

HEX #AAE698

RGB 170 230 152

HSL 106.15, 0.61%, 0.75%

LAB 85.71, -33.32, 32.06

 

Description

Color code: HEX #98D0E6 | qconv.com Color code: HEX #98D0E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 208 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 208 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 10 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 10% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - ituto | web design t...
Link: http://www.ituto.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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