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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D198 it is the complementary color #672E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D198 shade: #9DD193, #AEE3A6, #BFF5B9, #D0FFCC and #E1FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D198 shade: #98D198, #87BF85, #76AD72, #659B5F and #54894C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D198 shade: #98D198, #A8D198, #B7D198, #C6D198 and #D1CC98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D198 shade: #98D198, #98D1A8, #98D1B7, #98D1C6 and #98CCD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D198 shade matches the following richer shades: #98D198, #8CDD8C, #81E981 and #75F575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D198 shade: #98D198, #A4C5A4, #B0B9B0, #BCADBC and #C8A1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D198 shade: #B6D198, #A7D198, #98D198, #98D1A7 and #98D1B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D198 shade: #60B760, #7CC47C, #98D198, #B5DDB5 and #D1EAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D198 shade: #98D198, #98C5D1 and #D198AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D198 shade: #98D198, #9898D1 and #D19898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D198 shade: #98D198, #98C5D1, #D198D1 and #D1A498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D198 shade: #98D198, #98B5D1, #D198D1 and #D1B598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

Complementary color

CMYK 0 / 55 / 0 / 60

HEX #672E67

RGB 103 46 103

HSL 300, 0.38%, 0.29%

LAB 28.95, 34.32, -22.19

 

CMYK 25 / 0 / 30 / 18

HEX #9DD193

RGB 157 209 147

HSL 110.32, 0.4%, 0.7%

LAB 78.97, -28.6, 25.47

 

CMYK 23 / 0 / 27 / 11

HEX #AEE3A6

RGB 174 227 166

HSL 112.13, 0.52%, 0.77%

LAB 85.35, -28.41, 24.43

 

CMYK 22 / 0 / 24 / 4

HEX #BFF5B9

RGB 191 245 185

HSL 114, 0.75%, 0.84%

LAB 91.63, -28.23, 23.44

 

CMYK 18 / 0 / 20 / 0

HEX #D0FFCC

RGB 208 255 204

HSL 115.29, 1%, 0.9%

LAB 95.7, -24.27, 19.54

 

CMYK 12 / 0 / 13 / 0

HEX #E1FFDF

RGB 225 255 223

HSL 116.25, 1%, 0.94%

LAB 97.17, -15.45, 12.05

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 29 / 0 / 30 / 25

HEX #87BF85

RGB 135 191 133

HSL 117.93, 0.31%, 0.64%

LAB 72.3, -29.69, 23.6

 

CMYK 32 / 0 / 34 / 32

HEX #76AD72

RGB 118 173 114

HSL 115.93, 0.26%, 0.56%

LAB 65.71, -29.93, 24.74

 

CMYK 35 / 0 / 39 / 39

HEX #659B5F

RGB 101 155 95

HSL 114, 0.24%, 0.49%

LAB 59.01, -30.17, 25.95

 

CMYK 39 / 0 / 45 / 46

HEX #54894C

RGB 84 137 76

HSL 112.13, 0.29%, 0.42%

LAB 52.17, -30.38, 27.24

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 20 / 0 / 27 / 18

HEX #A8D198

RGB 168 209 152

HSL 103.16, 0.38%, 0.71%

LAB 79.72, -24.01, 23.98

 

CMYK 12 / 0 / 27 / 18

HEX #B7D198

RGB 183 209 152

HSL 87.37, 0.38%, 0.71%

LAB 80.7, -18.66, 25.48

 

CMYK 5 / 0 / 27 / 18

HEX #C6D198

RGB 198 209 152

HSL 71.58, 0.38%, 0.71%

LAB 81.77, -13.12, 27.1

 

CMYK 0 / 2 / 27 / 18

HEX #D1CC98

RGB 209 204 152

HSL 54.74, 0.38%, 0.71%

LAB 81.3, -6.4, 26.6

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 0 / 20 / 18

HEX #98D1A8

RGB 152 209 168

HSL 136.84, 0.38%, 0.71%

LAB 79.1, -26.63, 14.52

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B7

RGB 152 209 183

HSL 152.63, 0.38%, 0.71%

LAB 79.44, -23.72, 7.01

 

CMYK 27 / 0 / 5 / 18

HEX #98D1C6

RGB 152 209 198

HSL 168.42, 0.38%, 0.71%

LAB 79.81, -20.59, -0.47

 

CMYK 27 / 2 / 0 / 18

HEX #98CCD1

RGB 152 204 209

HSL 185.26, 0.38%, 0.71%

LAB 78.73, -15.62, -7.96

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 37 / 0 / 37 / 13

HEX #8CDD8C

RGB 140 221 140

HSL 120, 0.54%, 0.71%

LAB 81.39, -40.76, 32.16

 

CMYK 45 / 0 / 45 / 9

HEX #81E981

RGB 129 233 129

HSL 120, 0.7%, 0.71%

LAB 84.24, -50.77, 41.25

 

CMYK 52 / 0 / 52 / 4

HEX #75F575

RGB 117 245 117

HSL 120, 0.86%, 0.71%

LAB 87.18, -60.31, 50.51

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 17 / 0 / 17 / 23

HEX #A4C5A4

RGB 164 197 164

HSL 120, 0.22%, 0.71%

LAB 76.38, -17.41, 12.93

 

CMYK 5 / 0 / 5 / 27

HEX #B0B9B0

RGB 176 185 176

HSL 120, 0.06%, 0.71%

LAB 74.23, -4.82, 3.47

 

CMYK 0 / 8 / 0 / 26

HEX #BCADBC

RGB 188 173 188

HSL 300, 0.1%, 0.71%

LAB 72.37, 8.11, -5.71

 

CMYK 0 / 20 / 0 / 22

HEX #C8A1C8

RGB 200 161 200

HSL 300, 0.26%, 0.71%

LAB 70.83, 21.1, -14.5

 

CMYK 13 / 0 / 27 / 18

HEX #B6D198

RGB 182 209 152

HSL 88.42, 0.38%, 0.71%

LAB 80.63, -19.02, 25.37

 

CMYK 20 / 0 / 27 / 18

HEX #A7D198

RGB 167 209 152

HSL 104.21, 0.38%, 0.71%

LAB 79.66, -24.36, 23.89

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 0 / 20 / 18

HEX #98D1A7

RGB 152 209 167

HSL 135.79, 0.38%, 0.71%

LAB 79.08, -26.81, 15.03

 

CMYK 27 / 0 / 13 / 18

HEX #98D1B6

RGB 152 209 182

HSL 151.58, 0.38%, 0.71%

LAB 79.42, -23.92, 7.51

 

CMYK 48 / 0 / 48 / 28

HEX #60B760

RGB 96 183 96

HSL 120, 0.38%, 0.55%

LAB 67.43, -44.14, 36.17

 

CMYK 37 / 0 / 37 / 23

HEX #7CC47C

RGB 124 196 124

HSL 120, 0.38%, 0.63%

LAB 73.04, -37.07, 29.23

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 18 / 0 / 18 / 13

HEX #B5DDB5

RGB 181 221 181

HSL 120, 0.37%, 0.79%

LAB 84.42, -20.64, 15.38

 

CMYK 11 / 0 / 11 / 8

HEX #D1EAD1

RGB 209 234 209

HSL 120, 0.37%, 0.87%

LAB 90.32, -12.8, 9.36

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 6 / 0 / 18

HEX #98C5D1

RGB 152 197 209

HSL 192.63, 0.38%, 0.71%

LAB 76.81, -12, -10.83

 

CMYK 0 / 27 / 16 / 18

HEX #D198AF

RGB 209 152 175

HSL 335.79, 0.38%, 0.71%

LAB 68.83, 24.81, -3.51

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 27 / 0 / 18

HEX #9898D1

RGB 152 152 209

HSL 240, 0.38%, 0.71%

LAB 64.75, 12.64, -29.13

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 6 / 0 / 18

HEX #98C5D1

RGB 152 197 209

HSL 192.63, 0.38%, 0.71%

LAB 76.81, -12, -10.83

 

CMYK 0 / 27 / 0 / 18

HEX #D198D1

RGB 209 152 209

HSL 300, 0.38%, 0.71%

LAB 69.91, 30.72, -20.79

 

CMYK 0 / 22 / 27 / 18

HEX #D1A498

RGB 209 164 152

HSL 12.63, 0.38%, 0.71%

LAB 71.13, 14.83, 12.57

 

CMYK 27 / 0 / 27 / 18

HEX #98D198

RGB 152 209 152

HSL 120, 0.38%, 0.71%

LAB 78.78, -29.46, 22.54

 

CMYK 27 / 13 / 0 / 18

HEX #98B5D1

RGB 152 181 209

HSL 209.47, 0.38%, 0.71%

LAB 72.45, -3.5, -17.38

 

CMYK 0 / 27 / 0 / 18

HEX #D198D1

RGB 209 152 209

HSL 300, 0.38%, 0.71%

LAB 69.91, 30.72, -20.79

 

CMYK 0 / 13 / 27 / 18

HEX #D1B598

RGB 209 181 152

HSL 30.53, 0.38%, 0.71%

LAB 75.37, 5.67, 18.5

 

Description

Color code: HEX #98D198 | qconv.com Color code: HEX #98D198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 209 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 209 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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