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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98EA14 it is the complementary color #6715EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98EA14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98EA14 shade: #9DEA0F, #AEFC22, #BFFF35, #D0FF48 and #E1FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98EA14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98EA14 shade: #98EA14, #87D801, #76C600, #65B400 and #54A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98EA14 shade: #98EA14, #D2EA14, #EAC914, #EA8F14 and #EA5514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98EA14 shade: #98EA14, #5EEA14, #25EA14, #14EA3D and #14EA77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98EA14 shade matches the following richer shades: #98EA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98EA14 shade: #98EA14, #93D529, #8EC13D, #8AAC52 and #859866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98EA14 shade: #EAC614, #D5EA14, #9CEA14, #62EA14 and #29EA14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98EA14 shade: #679E0D, #7FC411, #98EA14, #A9ED3A and #B9F160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98EA14 shade: #98EA14, #14EA8D and #E314EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98EA14 shade: #98EA14, #149CEA and #EA149C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98EA14 shade: #98EA14, #14EA8D, #6214EA and #EA1471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98EA14 shade: #98EA14, #14EACE, #6214EA and #EA1430

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

Complementary color

CMYK 56 / 91 / 0 / 8

HEX #6715EB

RGB 103 21 235

HSL 262.99, 0.84%, 0.5%

LAB 36.78, 74.1, -88.96

 

CMYK 33 / 0 / 94 / 8

HEX #9DEA0F

RGB 157 234 15

HSL 81.1, 0.88%, 0.49%

LAB 85.02, -50.37, 81.27

 

CMYK 31 / 0 / 87 / 1

HEX #AEFC22

RGB 174 252 34

HSL 81.47, 0.97%, 0.56%

LAB 91.11, -51.31, 83.88

 

CMYK 25 / 0 / 79 / 0

HEX #BFFF35

RGB 191 255 53

HSL 79.01, 1%, 0.6%

LAB 92.95, -45.79, 81.63

 

CMYK 18 / 0 / 72 / 0

HEX #D0FF48

RGB 208 255 72

HSL 75.41, 1%, 0.64%

LAB 94.05, -38.55, 77.41

 

CMYK 12 / 0 / 64 / 0

HEX #E1FF5B

RGB 225 255 91

HSL 70.98, 1%, 0.68%

LAB 95.28, -30.93, 72.21

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 38 / 0 / 100 / 15

HEX #87D801

RGB 135 216 1

HSL 82.6, 0.99%, 0.43%

LAB 78.62, -50.98, 77.05

 

CMYK 40 / 0 / 100 / 22

HEX #76C600

RGB 118 198 0

HSL 84.24, 1%, 0.39%

LAB 72.39, -49.62, 71.97

 

CMYK 44 / 0 / 100 / 29

HEX #65B400

RGB 101 180 0

HSL 86.33, 1%, 0.35%

LAB 66.07, -48.2, 66.71

 

CMYK 48 / 0 / 100 / 36

HEX #54A200

RGB 84 162 0

HSL 88.89, 1%, 0.32%

LAB 59.64, -46.68, 61.38

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 10 / 0 / 91 / 8

HEX #D2EA14

RGB 210 234 20

HSL 66.73, 0.84%, 0.5%

LAB 88.26, -29.89, 84.62

 

CMYK 0 / 14 / 91 / 8

HEX #EAC914

RGB 234 201 20

HSL 50.75, 0.84%, 0.5%

LAB 81.47, -3.59, 80.23

 

CMYK 0 / 39 / 91 / 8

HEX #EA8F14

RGB 234 143 20

HSL 34.49, 0.84%, 0.5%

LAB 67.42, 26.88, 69.77

 

CMYK 0 / 64 / 91 / 8

HEX #EA5514

RGB 234 85 20

HSL 18.22, 0.84%, 0.5%

LAB 56.13, 55.19, 61.78

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 60 / 0 / 91 / 8

HEX #5EEA14

RGB 94 234 20

HSL 99.25, 0.84%, 0.5%

LAB 82.53, -69.17, 77.61

 

CMYK 84 / 0 / 91 / 8

HEX #25EA14

RGB 37 234 20

HSL 115.23, 0.84%, 0.5%

LAB 81.45, -78.44, 76.28

 

CMYK 91 / 0 / 74 / 8

HEX #14EA3D

RGB 20 234 61

HSL 131.5, 0.84%, 0.5%

LAB 81.47, -77.63, 66.5

 

CMYK 91 / 0 / 49 / 8

HEX #14EA77

RGB 20 234 119

HSL 147.76, 0.84%, 0.5%

LAB 82.02, -70.91, 42.79

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 31 / 0 / 81 / 16

HEX #93D529

RGB 147 213 41

HSL 83.02, 0.68%, 0.5%

LAB 78.43, -44.52, 70.81

 

CMYK 26 / 0 / 68 / 24

HEX #8EC13D

RGB 142 193 61

HSL 83.18, 0.52%, 0.5%

LAB 72.38, -36.53, 58.35

 

CMYK 20 / 0 / 52 / 33

HEX #8AAC52

RGB 138 172 82

HSL 82.67, 0.35%, 0.5%

LAB 66.15, -26.4, 42.09

 

CMYK 13 / 0 / 33 / 40

HEX #859866

RGB 133 152 102

HSL 82.8, 0.2%, 0.5%

LAB 60.25, -15.74, 24.14

 

CMYK 0 / 15 / 91 / 8

HEX #EAC614

RGB 234 198 20

HSL 49.91, 0.84%, 0.5%

LAB 80.7, -2.05, 79.65

 

CMYK 9 / 0 / 91 / 8

HEX #D5EA14

RGB 213 234 20

HSL 65.89, 0.84%, 0.5%

LAB 88.47, -28.67, 84.88

 

CMYK 33 / 0 / 91 / 8

HEX #9CEA14

RGB 156 234 20

HSL 81.87, 0.84%, 0.5%

LAB 84.98, -50.64, 80.63

 

CMYK 58 / 0 / 91 / 8

HEX #62EA14

RGB 98 234 20

HSL 98.13, 0.84%, 0.5%

LAB 82.64, -68.22, 77.76

 

CMYK 82 / 0 / 91 / 8

HEX #29EA14

RGB 41 234 20

HSL 114.11, 0.84%, 0.5%

LAB 81.49, -78.05, 76.33

 

CMYK 35 / 0 / 92 / 38

HEX #679E0D

RGB 103 158 13

HSL 82.76, 0.85%, 0.34%

LAB 59.31, -38.06, 59.59

 

CMYK 35 / 0 / 91 / 23

HEX #7FC411

RGB 127 196 17

HSL 83.13, 0.84%, 0.42%

LAB 72.25, -45.36, 70.09

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 29 / 0 / 76 / 7

HEX #A9ED3A

RGB 169 237 58

HSL 82.79, 0.83%, 0.58%

LAB 86.66, -45.95, 73.97

 

CMYK 23 / 0 / 60 / 5

HEX #B9F160

RGB 185 241 96

HSL 83.17, 0.84%, 0.66%

LAB 88.96, -39.37, 62.65

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 91 / 0 / 40 / 8

HEX #14EA8D

RGB 20 234 141

HSL 153.93, 0.84%, 0.5%

LAB 82.33, -67.12, 32.36

 

CMYK 3 / 91 / 0 / 8

HEX #E314EA

RGB 227 20 234

HSL 298.04, 0.84%, 0.5%

LAB 54.84, 89.44, -58.17

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 91 / 33 / 0 / 8

HEX #149CEA

RGB 20 156 234

HSL 201.87, 0.84%, 0.5%

LAB 61.54, -5.42, -48.41

 

CMYK 0 / 91 / 33 / 8

HEX #EA149C

RGB 234 20 156

HSL 321.87, 0.84%, 0.5%

LAB 52.28, 80.96, -16.99

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 91 / 0 / 40 / 8

HEX #14EA8D

RGB 20 234 141

HSL 153.93, 0.84%, 0.5%

LAB 82.33, -67.12, 32.36

 

CMYK 58 / 91 / 0 / 8

HEX #6214EA

RGB 98 20 234

HSL 261.87, 0.84%, 0.5%

LAB 36.06, 73.7, -89.6

 

CMYK 0 / 91 / 52 / 8

HEX #EA1471

RGB 234 20 113

HSL 333.93, 0.84%, 0.5%

LAB 50.9, 77.24, 6.89

 

CMYK 35 / 0 / 91 / 8

HEX #98EA14

RGB 152 234 20

HSL 82.99, 0.84%, 0.5%

LAB 84.78, -52.05, 80.38

 

CMYK 91 / 0 / 12 / 8

HEX #14EACE

RGB 20 234 206

HSL 172.15, 0.84%, 0.5%

LAB 83.68, -52.31, 0.5

 

CMYK 58 / 91 / 0 / 8

HEX #6214EA

RGB 98 20 234

HSL 261.87, 0.84%, 0.5%

LAB 36.06, 73.7, -89.6

 

CMYK 0 / 91 / 79 / 8

HEX #EA1430

RGB 234 20 48

HSL 352.15, 0.84%, 0.5%

LAB 49.75, 74.02, 44.3

 

Description

Color code: HEX #98EA14 | qconv.com Color code: HEX #98EA14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 234 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 234 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 91 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 91% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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