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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9900E5 it is the complementary color #66FF1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9900E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9900E5 shade: #9E00E0, #AF12F3, #C024FF, #D136FF and #E248FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9900E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9900E5 shade: #9900E5, #8800D2, #7700BF, #6600AC and #550099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9900E5 shade: #9900E5, #D700E5, #E500B5, #E50077 and #E5003A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9900E5 shade: #9900E5, #5B00E5, #1D00E5 and #0000E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9900E5 shade matches the following richer shades: #9900E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9900E5 shade: #9900E5, #9312D2, #8C25C0, #8637AD and #804A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9900E5 shade: #1E00E5, #5B00E5, #9900E5, #D600E5 and #E500B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9900E5 shade: #620092, #7D00BC, #9900E5, #AF0FFF and #BD39FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9900E5 shade: #9900E5, #E5001E and #00E53D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9900E5 shade: #9900E5, #E59900 and #00E598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9900E5 shade: #9900E5, #E5001E, #4CE500 and #00E5C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9900E5 shade: #9900E5, #E52600, #4CE500 and #00BFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

Complementary color

CMYK 60 / 0 / 90 / 0

HEX #66FF1A

RGB 102 255 26

HSL 100.09, 1%, 0.55%

LAB 89.12, -74.01, 82.36

 

CMYK 29 / 100 / 0 / 12

HEX #9E00E0

RGB 158 0 224

HSL 282.32, 1%, 0.44%

LAB 42.23, 79.92, -73.45

 

CMYK 28 / 93 / 0 / 5

HEX #AF12F3

RGB 175 18 243

HSL 281.87, 0.9%, 0.51%

LAB 47, 83.65, -76.32

 

CMYK 25 / 86 / 0 / 0

HEX #C024FF

RGB 192 36 255

HSL 282.74, 1%, 0.57%

LAB 51.48, 85.12, -75.61

 

CMYK 18 / 79 / 0 / 0

HEX #D136FF

RGB 209 54 255

HSL 286.27, 1%, 0.61%

LAB 55.5, 83.43, -68.99

 

CMYK 11 / 72 / 0 / 0

HEX #E248FF

RGB 226 72 255

HSL 290.49, 1%, 0.64%

LAB 59.91, 81.04, -61.75

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 35 / 100 / 0 / 18

HEX #8800D2

RGB 136 0 210

HSL 278.86, 1%, 0.41%

LAB 37.64, 74.79, -73.05

 

CMYK 38 / 100 / 0 / 25

HEX #7700BF

RGB 119 0 191

HSL 277.38, 1%, 0.37%

LAB 33.31, 69.21, -69.15

 

CMYK 41 / 100 / 0 / 33

HEX #6600AC

RGB 102 0 172

HSL 275.58, 1%, 0.34%

LAB 28.91, 63.54, -65.17

 

CMYK 44 / 100 / 0 / 40

HEX #550099

RGB 85 0 153

HSL 273.33, 1%, 0.3%

LAB 24.42, 57.78, -61.1

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 6 / 100 / 0 / 10

HEX #D700E5

RGB 215 0 229

HSL 296.33, 1%, 0.45%

LAB 51.95, 88.43, -60.08

 

CMYK 0 / 100 / 21 / 10

HEX #E500B5

RGB 229 0 181

HSL 312.58, 1%, 0.45%

LAB 51.83, 84.35, -32.5

 

CMYK 0 / 100 / 48 / 10

HEX #E50077

RGB 229 0 119

HSL 328.82, 1%, 0.45%

LAB 49.48, 78.31, 1.05

 

CMYK 0 / 100 / 75 / 10

HEX #E5003A

RGB 229 0 58

HSL 344.8, 1%, 0.45%

LAB 48.21, 74.91, 36.63

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 60 / 100 / 0 / 10

HEX #5B00E5

RGB 91 0 229

HSL 263.84, 1%, 0.45%

LAB 33.73, 75.17, -90.63

 

CMYK 87 / 100 / 0 / 10

HEX #1D00E5

RGB 29 0 229

HSL 247.6, 1%, 0.45%

LAB 29.21, 73.23, -98.29

 

CMYK 100 / 100 / 0 / 10

HEX #0000E5

RGB 0 0 229

HSL 240, 1%, 0.45%

LAB 28.53, 73.01, -99.44

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 30 / 91 / 0 / 18

HEX #9312D2

RGB 147 18 210

HSL 280.31, 0.84%, 0.45%

LAB 40.06, 73.86, -69.02

 

CMYK 27 / 81 / 0 / 25

HEX #8C25C0

RGB 140 37 192

HSL 279.87, 0.68%, 0.45%

LAB 39.08, 64.82, -60.19

 

CMYK 23 / 68 / 0 / 32

HEX #8637AD

RGB 134 55 173

HSL 280.17, 0.52%, 0.45%

LAB 39.27, 52.78, -48.7

 

CMYK 17 / 52 / 0 / 39

HEX #804A9B

RGB 128 74 155

HSL 280, 0.35%, 0.45%

LAB 40.98, 37.57, -35.26

 

CMYK 87 / 100 / 0 / 10

HEX #1E00E5

RGB 30 0 229

HSL 247.86, 1%, 0.45%

LAB 29.24, 73.24, -98.23

 

CMYK 60 / 100 / 0 / 10

HEX #5B00E5

RGB 91 0 229

HSL 263.84, 1%, 0.45%

LAB 33.73, 75.17, -90.63

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 7 / 100 / 0 / 10

HEX #D600E5

RGB 214 0 229

HSL 296.07, 1%, 0.45%

LAB 51.78, 88.28, -60.36

 

CMYK 0 / 100 / 20 / 10

HEX #E500B7

RGB 229 0 183

HSL 312.05, 1%, 0.45%

LAB 51.92, 84.59, -33.53

 

CMYK 33 / 100 / 0 / 43

HEX #620092

RGB 98 0 146

HSL 280.27, 1%, 0.29%

LAB 25.78, 57.72, -54.48

 

CMYK 34 / 100 / 0 / 26

HEX #7D00BC

RGB 125 0 188

HSL 279.89, 1%, 0.37%

LAB 33.96, 69.27, -66.28

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 31 / 94 / 0 / 0

HEX #AF0FFF

RGB 175 15 255

HSL 280, 1%, 0.53%

LAB 47.85, 86.22, -81.65

 

CMYK 26 / 78 / 0 / 0

HEX #BD39FF

RGB 189 57 255

HSL 280, 1%, 0.61%

LAB 52.91, 79.22, -73.31

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 0 / 100 / 87 / 10

HEX #E5001E

RGB 229 0 30

HSL 352.14, 1%, 0.45%

LAB 47.95, 74.18, 51.6

 

CMYK 100 / 0 / 73 / 10

HEX #00E53D

RGB 0 229 61

HSL 135.98, 1%, 0.45%

LAB 79.83, -76.98, 64.82

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 0 / 33 / 100 / 10

HEX #E59900

RGB 229 153 0

HSL 40.09, 1%, 0.45%

LAB 69.07, 19.24, 73.6

 

CMYK 100 / 0 / 34 / 10

HEX #00E598

RGB 0 229 152

HSL 159.83, 1%, 0.45%

LAB 80.91, -63.87, 24.82

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 0 / 100 / 87 / 10

HEX #E5001E

RGB 229 0 30

HSL 352.14, 1%, 0.45%

LAB 47.95, 74.18, 51.6

 

CMYK 67 / 0 / 100 / 10

HEX #4CE500

RGB 76 229 0

HSL 100.09, 1%, 0.45%

LAB 80.5, -71.78, 77.74

 

CMYK 100 / 0 / 14 / 10

HEX #00E5C6

RGB 0 229 198

HSL 171.88, 1%, 0.45%

LAB 81.9, -52.96, 2.12

 

CMYK 33 / 100 / 0 / 10

HEX #9900E5

RGB 153 0 229

HSL 280.09, 1%, 0.45%

LAB 41.89, 80.29, -76.89

 

CMYK 0 / 83 / 100 / 10

HEX #E52600

RGB 229 38 0

HSL 9.96, 1%, 0.45%

LAB 49.55, 68.9, 62.61

 

CMYK 67 / 0 / 100 / 10

HEX #4CE500

RGB 76 229 0

HSL 100.09, 1%, 0.45%

LAB 80.5, -71.78, 77.74

 

CMYK 100 / 17 / 0 / 10

HEX #00BFE5

RGB 0 191 229

HSL 189.96, 1%, 0.45%

LAB 71.5, -26.54, -30.12

 

Description

Color code: HEX #9900E5 | qconv.com Color code: HEX #9900E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, none green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 0 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 100 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 100% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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