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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #990F8E it is the complementary color #66F071. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #990F8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #990F8E shade: #9E0F89, #AF219C, #C033AF, #D145C2 and #E257D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #990F8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #990F8E shade: #990F8E, #88007B, #770068, #660055 and #550042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #990F8E shade: #990F8E, #990F68, #990F43, #990F1E and #990F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #990F8E shade: #990F8E, #7E0F99, #590F99, #340F99 and #0F0F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #990F8E shade matches the following richer shades: #990F8E and #A60199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #990F8E shade: #990F8E, #8B1C82, #7D2A77, #70376B and #624560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #990F8E shade: #580F99, #7D0F99, #990F8F, #990F6B and #990F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #990F8E shade: #4E0748, #730B6B, #990F8E, #BE12B1 and #E416D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #990F8E shade: #990F8E, #99330F and #0F996B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #990F8E shade: #990F8E, #8F990F and #0F8F99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #990F8E shade: #990F8E, #99330F, #0F9918 and #0F7499

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #990F8E shade: #990F8E, #995D0F, #0F9918 and #0F4A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

Complementary color

CMYK 58 / 0 / 53 / 6

HEX #66F071

RGB 102 240 113

HSL 124.78, 0.82%, 0.67%

LAB 85.17, -62.56, 49.81

 

CMYK 0 / 91 / 13 / 38

HEX #9E0F89

RGB 158 15 137

HSL 308.81, 0.83%, 0.34%

LAB 36.77, 63.78, -30.65

 

CMYK 0 / 81 / 11 / 31

HEX #AF219C

RGB 175 33 156

HSL 308.03, 0.68%, 0.41%

LAB 42.16, 66.33, -33.54

 

CMYK 0 / 73 / 9 / 25

HEX #C033AF

RGB 192 51 175

HSL 307.23, 0.58%, 0.48%

LAB 47.84, 67.74, -35.7

 

CMYK 0 / 67 / 7 / 18

HEX #D145C2

RGB 209 69 194

HSL 306.43, 0.6%, 0.55%

LAB 53.71, 68.37, -37.34

 

CMYK 0 / 62 / 6 / 11

HEX #E257D5

RGB 226 87 213

HSL 305.61, 0.71%, 0.61%

LAB 59.7, 68.49, -38.62

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 100 / 10 / 47

HEX #88007B

RGB 136 0 123

HSL 305.74, 1%, 0.27%

LAB 31.03, 59.62, -31.26

 

CMYK 0 / 100 / 13 / 53

HEX #770068

RGB 119 0 104

HSL 307.56, 1%, 0.23%

LAB 26.51, 53.65, -26.47

 

CMYK 0 / 100 / 17 / 60

HEX #660055

RGB 102 0 85

HSL 310, 1%, 0.2%

LAB 21.87, 47.51, -21.47

 

CMYK 0 / 100 / 22 / 67

HEX #550042

RGB 85 0 66

HSL 313.41, 1%, 0.17%

LAB 17.11, 41.21, -16.19

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 90 / 32 / 40

HEX #990F68

RGB 153 15 104

HSL 321.3, 0.82%, 0.33%

LAB 34.22, 58.5, -13.95

 

CMYK 0 / 90 / 56 / 40

HEX #990F43

RGB 153 15 67

HSL 337.39, 0.82%, 0.33%

LAB 32.96, 55.02, 8.28

 

CMYK 0 / 90 / 80 / 40

HEX #990F1E

RGB 153 15 30

HSL 353.48, 0.82%, 0.33%

LAB 32.28, 53.06, 31.31

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 18 / 90 / 0 / 40

HEX #7E0F99

RGB 126 15 153

HSL 288.26, 0.82%, 0.33%

LAB 31.98, 60.5, -48.47

 

CMYK 42 / 90 / 0 / 40

HEX #590F99

RGB 89 15 153

HSL 272.17, 0.82%, 0.33%

LAB 26.06, 55.09, -58.39

 

CMYK 66 / 90 / 0 / 40

HEX #340F99

RGB 52 15 153

HSL 256.09, 0.82%, 0.33%

LAB 21.47, 51.36, -66.11

 

CMYK 90 / 90 / 0 / 40

HEX #0F0F99

RGB 15 15 153

HSL 240, 0.82%, 0.33%

LAB 18.98, 49.58, -70.32

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 99 / 8 / 35

HEX #A60199

RGB 166 1 153

HSL 304.73, 0.99%, 0.33%

LAB 38.6, 69.24, -37.46

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 80 / 6 / 45

HEX #8B1C82

RGB 139 28 130

HSL 304.86, 0.66%, 0.33%

LAB 33.84, 55.93, -31.17

 

CMYK 0 / 66 / 5 / 51

HEX #7D2A77

RGB 125 42 119

HSL 304.34, 0.5%, 0.33%

LAB 32.59, 45.63, -26.41

 

CMYK 0 / 51 / 4 / 56

HEX #70376B

RGB 112 55 107

HSL 305.26, 0.34%, 0.33%

LAB 32.34, 33.06, -19.35

 

CMYK 0 / 30 / 2 / 62

HEX #624560

RGB 98 69 96

HSL 304.14, 0.17%, 0.33%

LAB 33.34, 17.51, -10.98

 

CMYK 42 / 90 / 0 / 40

HEX #580F99

RGB 88 15 153

HSL 271.74, 0.82%, 0.33%

LAB 25.91, 54.96, -58.63

 

CMYK 18 / 90 / 0 / 40

HEX #7D0F99

RGB 125 15 153

HSL 287.83, 0.82%, 0.33%

LAB 31.81, 60.33, -48.76

 

CMYK 0 / 90 / 7 / 40

HEX #990F8F

RGB 153 15 143

HSL 304.35, 0.82%, 0.33%

LAB 36.17, 63.66, -35.36

 

CMYK 0 / 90 / 30 / 40

HEX #990F6B

RGB 153 15 107

HSL 320, 0.82%, 0.33%

LAB 34.35, 58.85, -15.67

 

CMYK 0 / 90 / 54 / 40

HEX #990F46

RGB 153 15 70

HSL 336.09, 0.82%, 0.33%

LAB 33.04, 55.25, 6.42

 

CMYK 0 / 91 / 8 / 69

HEX #4E0748

RGB 78 7 72

HSL 305.07, 0.84%, 0.17%

LAB 16.7, 38.43, -21.11

 

CMYK 0 / 90 / 7 / 55

HEX #730B6B

RGB 115 11 107

HSL 304.62, 0.83%, 0.25%

LAB 26.58, 51.27, -28.36

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 91 / 7 / 25

HEX #BE12B1

RGB 190 18 177

HSL 304.53, 0.83%, 0.41%

LAB 45.02, 75.09, -41.37

 

CMYK 0 / 90 / 7 / 11

HEX #E416D3

RGB 228 22 211

HSL 304.95, 0.82%, 0.49%

LAB 53.78, 86.12, -46.79

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 67 / 90 / 40

HEX #99330F

RGB 153 51 15

HSL 15.65, 0.82%, 0.33%

LAB 36.32, 41.08, 42.65

 

CMYK 90 / 0 / 30 / 40

HEX #0F996B

RGB 15 153 107

HSL 160, 0.82%, 0.33%

LAB 56.03, -44.92, 14.88

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 7 / 0 / 90 / 40

HEX #8F990F

RGB 143 153 15

HSL 64.35, 0.82%, 0.33%

LAB 60.48, -18.95, 61.3

 

CMYK 90 / 7 / 0 / 40

HEX #0F8F99

RGB 15 143 153

HSL 184.35, 0.82%, 0.33%

LAB 54.08, -27.31, -14.28

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 67 / 90 / 40

HEX #99330F

RGB 153 51 15

HSL 15.65, 0.82%, 0.33%

LAB 36.32, 41.08, 42.65

 

CMYK 90 / 0 / 84 / 40

HEX #0F9918

RGB 15 153 24

HSL 123.91, 0.82%, 0.33%

LAB 55.02, -57.02, 52.42

 

CMYK 90 / 24 / 0 / 40

HEX #0F7499

RGB 15 116 153

HSL 196.09, 0.82%, 0.33%

LAB 45.49, -12.86, -27.47

 

CMYK 0 / 90 / 7 / 40

HEX #990F8E

RGB 153 15 142

HSL 304.78, 0.82%, 0.33%

LAB 36.11, 63.52, -34.84

 

CMYK 0 / 39 / 90 / 40

HEX #995D0F

RGB 153 93 15

HSL 33.91, 0.82%, 0.33%

LAB 45.13, 18.98, 49.53

 

CMYK 90 / 0 / 84 / 40

HEX #0F9918

RGB 15 153 24

HSL 123.91, 0.82%, 0.33%

LAB 55.02, -57.02, 52.42

 

CMYK 90 / 52 / 0 / 40

HEX #0F4A99

RGB 15 74 153

HSL 214.35, 0.82%, 0.33%

LAB 32.48, 13.72, -48.14

 

Description

Color code: HEX #990F8E | qconv.com Color code: HEX #990F8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 15 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 15 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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