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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991387 it is the complementary color #66EC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991387 shade: #9E1382, #AF2595, #C037A8, #D149BB and #E25BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991387 shade: #991387, #880174, #770061, #66004E and #55003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991387 shade: #9A1388, #9A1363, #9A133F, #9A131A and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991387 shade: #9A1388, #88139A, #63139A, #3F139A and #1A139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991387 shade matches the following richer shades: #9A1388 and #A80592

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991387 shade: #9A1388, #8C217D, #7E2F73, #703D69 and #624B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991387 shade: #64139A, #88139A, #9A1388, #9A1364 and #9A1340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991387 shade: #500947, #750E67, #9A1388, #BF17A8 and #E31CC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991387 shade: #991387, #9A4013 and #139A76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991387 shade: #991387, #889A13 and #13889A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991387 shade: #991387, #9A4013, #139A25 and #136D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991387 shade: #991387, #9A6813, #139A25 and #13449A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

Complementary color

CMYK 57 / 0 / 49 / 7

HEX #66EC78

RGB 102 236 120

HSL 128.06, 0.78%, 0.66%

LAB 84.06, -60.16, 45.16

 

CMYK 0 / 88 / 18 / 38

HEX #9E1382

RGB 158 19 130

HSL 312.09, 0.79%, 0.35%

LAB 36.64, 62.14, -26.52

 

CMYK 0 / 79 / 15 / 31

HEX #AF2595

RGB 175 37 149

HSL 311.3, 0.65%, 0.42%

LAB 42.17, 64.29, -29.3

 

CMYK 0 / 71 / 13 / 25

HEX #C037A8

RGB 192 55 168

HSL 310.51, 0.55%, 0.48%

LAB 47.96, 65.38, -31.38

 

CMYK 0 / 65 / 11 / 18

HEX #D149BB

RGB 209 73 187

HSL 309.71, 0.6%, 0.55%

LAB 53.93, 65.78, -32.97

 

CMYK 0 / 60 / 9 / 11

HEX #E25BCE

RGB 226 91 206

HSL 308.89, 0.7%, 0.62%

LAB 59.99, 65.74, -34.21

 

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

CMYK 0 / 99 / 15 / 47

HEX #880174

RGB 136 1 116

HSL 308.89, 0.99%, 0.27%

LAB 30.68, 58.48, -27.38

 

CMYK 0 / 100 / 18 / 53

HEX #770061

RGB 119 0 97

HSL 311.09, 1%, 0.23%

LAB 26.11, 52.66, -22.52

 

CMYK 0 / 100 / 24 / 60

HEX #66004E

RGB 102 0 78

HSL 314.12, 1%, 0.2%

LAB 21.49, 46.54, -17.34

 

CMYK 0 / 100 / 31 / 67

HEX #55003B

RGB 85 0 59

HSL 318.35, 1%, 0.17%

LAB 16.73, 40.27, -11.84

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 0 / 88 / 36 / 40

HEX #9A1363

RGB 154 19 99

HSL 324.44, 0.78%, 0.34%

LAB 34.47, 57.44, -10.34

 

CMYK 0 / 88 / 59 / 40

HEX #9A133F

RGB 154 19 63

HSL 340.44, 0.78%, 0.34%

LAB 33.34, 54.23, 11.47

 

CMYK 0 / 88 / 83 / 40

HEX #9A131A

RGB 154 19 26

HSL 356.89, 0.78%, 0.34%

LAB 32.72, 52.44, 34.18

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 12 / 88 / 0 / 40

HEX #88139A

RGB 136 19 154

HSL 292, 0.78%, 0.34%

LAB 34.05, 61.59, -45.65

 

CMYK 36 / 88 / 0 / 40

HEX #63139A

RGB 99 19 154

HSL 275.56, 0.78%, 0.34%

LAB 27.98, 55.62, -55.78

 

CMYK 59 / 88 / 0 / 40

HEX #3F139A

RGB 63 19 154

HSL 259.56, 0.78%, 0.34%

LAB 23.19, 51.26, -63.85

 

CMYK 83 / 88 / 0 / 40

HEX #1A139A

RGB 26 19 154

HSL 243.11, 0.78%, 0.34%

LAB 20.12, 48.7, -69.03

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 0 / 97 / 13 / 34

HEX #A80592

RGB 168 5 146

HSL 308.1, 0.94%, 0.34%

LAB 38.74, 68.19, -32.95

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 0 / 76 / 11 / 45

HEX #8C217D

RGB 140 33 125

HSL 308.41, 0.62%, 0.34%

LAB 34.28, 53.84, -27.34

 

CMYK 0 / 63 / 9 / 51

HEX #7E2F73

RGB 126 47 115

HSL 308.35, 0.46%, 0.34%

LAB 33.36, 42.94, -22.66

 

CMYK 0 / 46 / 6 / 56

HEX #703D69

RGB 112 61 105

HSL 308.24, 0.29%, 0.34%

LAB 33.57, 29.27, -16.19

 

CMYK 0 / 23 / 3 / 62

HEX #624B5F

RGB 98 75 95

HSL 307.83, 0.13%, 0.34%

LAB 34.91, 13.55, -7.98

 

CMYK 35 / 88 / 0 / 40

HEX #64139A

RGB 100 19 154

HSL 276, 0.78%, 0.34%

LAB 28.14, 55.77, -55.53

 

CMYK 12 / 88 / 0 / 40

HEX #88139A

RGB 136 19 154

HSL 292, 0.78%, 0.34%

LAB 34.05, 61.59, -45.65

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 0 / 88 / 35 / 40

HEX #9A1364

RGB 154 19 100

HSL 324, 0.78%, 0.34%

LAB 34.51, 57.55, -10.92

 

CMYK 0 / 88 / 58 / 40

HEX #9A1340

RGB 154 19 64

HSL 340, 0.78%, 0.34%

LAB 33.36, 54.3, 10.84

 

CMYK 0 / 89 / 11 / 69

HEX #500947

RGB 80 9 71

HSL 307.61, 0.8%, 0.17%

LAB 17.25, 38.13, -19.51

 

CMYK 0 / 88 / 12 / 54

HEX #750E67

RGB 117 14 103

HSL 308.16, 0.79%, 0.26%

LAB 26.95, 50.46, -25.15

 

CMYK 0 / 88 / 12 / 40

HEX #9A1388

RGB 154 19 136

HSL 308, 0.78%, 0.34%

LAB 36.2, 62.14, -30.98

 

CMYK 0 / 88 / 12 / 25

HEX #BF17A8

RGB 191 23 168

HSL 308.21, 0.79%, 0.42%

LAB 44.96, 73.29, -36.1

 

CMYK 0 / 88 / 12 / 11

HEX #E31CC8

RGB 227 28 200

HSL 308.14, 0.78%, 0.5%

LAB 53.31, 83.65, -41.23

 

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

CMYK 0 / 58 / 88 / 40

HEX #9A4013

RGB 154 64 19

HSL 20, 0.78%, 0.34%

LAB 38.87, 35.35, 43.15

 

CMYK 88 / 0 / 23 / 40

HEX #139A76

RGB 19 154 118

HSL 164, 0.78%, 0.34%

LAB 56.64, -42.35, 9.54

 

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

CMYK 12 / 0 / 88 / 40

HEX #889A13

RGB 136 154 19

HSL 68, 0.78%, 0.34%

LAB 60.24, -22.44, 60.09

 

CMYK 88 / 12 / 0 / 40

HEX #13889A

RGB 19 136 154

HSL 188, 0.78%, 0.34%

LAB 51.93, -23.16, -18.12

 

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

CMYK 0 / 58 / 88 / 40

HEX #9A4013

RGB 154 64 19

HSL 20, 0.78%, 0.34%

LAB 38.87, 35.35, 43.15

 

CMYK 88 / 0 / 76 / 40

HEX #139A25

RGB 19 154 37

HSL 128, 0.78%, 0.34%

LAB 55.46, -56.11, 48.74

 

CMYK 88 / 29 / 0 / 40

HEX #136D9A

RGB 19 109 154

HSL 200, 0.78%, 0.34%

LAB 43.37, -8.12, -31.36

 

CMYK 0 / 88 / 12 / 40

HEX #991387

RGB 153 19 135

HSL 308.06, 0.78%, 0.34%

LAB 35.96, 61.79, -30.76

 

CMYK 0 / 32 / 88 / 40

HEX #9A6813

RGB 154 104 19

HSL 37.78, 0.78%, 0.34%

LAB 48.03, 13.22, 50.72

 

CMYK 88 / 0 / 76 / 40

HEX #139A25

RGB 19 154 37

HSL 128, 0.78%, 0.34%

LAB 55.46, -56.11, 48.74

 

CMYK 88 / 56 / 0 / 40

HEX #13449A

RGB 19 68 154

HSL 218.22, 0.78%, 0.34%

LAB 30.89, 18.53, -51.31

 

Description

Color code: HEX #991387 | qconv.com Color code: HEX #991387 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 19 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 19 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 12 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 12% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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