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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991E65 it is the complementary color #66E19A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991E65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991E65 shade: #9E1E60, #AF3073, #C04286, #D15499 and #E266AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991E65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991E65 shade: #991E65, #880C52, #77003F, #66002C and #550019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991E65 shade: #991E65, #991E44, #991E22 and #991E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991E65 shade: #991E65, #991E86, #8A1E99, #691E99 and #481E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991E65 shade matches the following richer shades: #991E65, #A80F67 and #B70069

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991E65 shade: #991E65, #8A2D63, #7B3C60, #6C4A5E and #5D595C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991E65 shade: #8A1E99, #991E86, #991E66, #991E45 and #991E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991E65 shade: #541037, #76174E, #991E65, #BB257C and #D63391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991E65 shade: #991E65, #996A1E and #1E9799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991E65 shade: #991E65, #66991E and #1E6699

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991E65 shade: #991E65, #996A1E, #1E9951 and #1E4D99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991E65 shade: #991E65, #998F1E, #1E9951 and #1E2899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

Complementary color

CMYK 55 / 0 / 32 / 12

HEX #66E19A

RGB 102 225 154

HSL 145.37, 0.67%, 0.64%

LAB 81.3, -50.27, 24.58

 

CMYK 0 / 81 / 39 / 38

HEX #9E1E60

RGB 158 30 96

HSL 329.06, 0.68%, 0.37%

LAB 36.07, 55.49, -5.94

 

CMYK 0 / 73 / 34 / 31

HEX #AF3073

RGB 175 48 115

HSL 328.35, 0.57%, 0.44%

LAB 41.95, 56.43, -8.78

 

CMYK 0 / 66 / 30 / 25

HEX #C04286

RGB 192 66 134

HSL 327.62, 0.5%, 0.51%

LAB 48.04, 56.63, -10.95

 

CMYK 0 / 60 / 27 / 18

HEX #D15499

RGB 209 84 153

HSL 326.88, 0.58%, 0.57%

LAB 54.23, 56.38, -12.66

 

CMYK 0 / 55 / 24 / 11

HEX #E266AC

RGB 226 102 172

HSL 326.13, 0.68%, 0.64%

LAB 60.47, 55.88, -14.04

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 91 / 40 / 47

HEX #880C52

RGB 136 12 82

HSL 326.13, 0.84%, 0.29%

LAB 29.68, 52.59, -6.85

 

CMYK 0 / 100 / 47 / 53

HEX #77003F

RGB 119 0 63

HSL 328.24, 1%, 0.23%

LAB 24.58, 48.73, -2.04

 

CMYK 0 / 100 / 57 / 60

HEX #66002C

RGB 102 0 44

HSL 334.12, 1%, 0.2%

LAB 20.07, 42.88, 4.23

 

CMYK 0 / 100 / 71 / 67

HEX #550019

RGB 85 0 25

HSL 342.35, 1%, 0.17%

LAB 15.5, 37.02, 11.08

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 80 / 56 / 40

HEX #991E44

RGB 153 30 68

HSL 341.46, 0.67%, 0.36%

LAB 34.23, 51.55, 9.39

 

CMYK 0 / 80 / 78 / 40

HEX #991E22

RGB 153 30 34

HSL 358.05, 0.67%, 0.36%

LAB 33.6, 49.58, 30.31

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 80 / 12 / 40

HEX #991E86

RGB 153 30 134

HSL 309.27, 0.67%, 0.36%

LAB 36.78, 59.1, -28.84

 

CMYK 10 / 80 / 0 / 40

HEX #8A1E99

RGB 138 30 153

HSL 292.68, 0.67%, 0.36%

LAB 35.27, 59.05, -43.07

 

CMYK 31 / 80 / 0 / 40

HEX #691E99

RGB 105 30 153

HSL 276.59, 0.67%, 0.36%

LAB 29.99, 52.88, -51.86

 

CMYK 53 / 80 / 0 / 40

HEX #481E99

RGB 72 30 153

HSL 260.49, 0.67%, 0.36%

LAB 25.58, 47.7, -59.25

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 91 / 39 / 34

HEX #A80F67

RGB 168 15 103

HSL 325.49, 0.84%, 0.36%

LAB 37.2, 61.85, -8.51

 

CMYK 0 / 100 / 43 / 28

HEX #B70069

RGB 183 0 105

HSL 325.57, 1%, 0.36%

LAB 39.73, 67.16, -5.68

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 67 / 28 / 46

HEX #8A2D63

RGB 138 45 99

HSL 325.16, 0.51%, 0.36%

LAB 34.36, 44.92, -10.8

 

CMYK 0 / 51 / 22 / 52

HEX #7B3C60

RGB 123 60 96

HSL 325.71, 0.34%, 0.36%

LAB 34.57, 32.11, -8.8

 

CMYK 0 / 31 / 13 / 58

HEX #6C4A5E

RGB 108 74 94

HSL 324.71, 0.19%, 0.36%

LAB 35.78, 17.89, -5.93

 

CMYK 0 / 4 / 1 / 64

HEX #5D595C

RGB 93 89 92

HSL 315, 0.02%, 0.36%

LAB 38.28, 2.23, -1.16

 

CMYK 10 / 80 / 0 / 40

HEX #8A1E99

RGB 138 30 153

HSL 292.68, 0.67%, 0.36%

LAB 35.27, 59.05, -43.07

 

CMYK 0 / 80 / 12 / 40

HEX #991E86

RGB 153 30 134

HSL 309.27, 0.67%, 0.36%

LAB 36.78, 59.1, -28.84

 

CMYK 0 / 80 / 33 / 40

HEX #991E66

RGB 153 30 102

HSL 324.88, 0.67%, 0.36%

LAB 35.32, 54.86, -10.99

HEX #991E66

CMYK 0 / 80 / 55 / 40

HEX #991E45

RGB 153 30 69

HSL 340.98, 0.67%, 0.36%

LAB 34.25, 51.63, 8.78

HEX #991E45

CMYK 0 / 80 / 76 / 40

HEX #991E24

RGB 153 30 36

HSL 357.07, 0.67%, 0.36%

LAB 33.62, 49.66, 29.12

HEX #991E24

CMYK 0 / 81 / 35 / 67

HEX #541037

RGB 84 16 55

HSL 325.59, 0.68%, 0.2%

LAB 18.06, 34.49, -7

 

CMYK 0 / 81 / 34 / 54

HEX #76174E

RGB 118 23 78

HSL 325.26, 0.67%, 0.28%

LAB 26.78, 44.8, -8.93

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 80 / 34 / 27

HEX #BB257C

RGB 187 37 124

HSL 325.2, 0.67%, 0.44%

LAB 43.28, 63.97, -12.13

 

CMYK 0 / 76 / 32 / 16

HEX #D63391

RGB 214 51 145

HSL 325.4, 0.67%, 0.52%

LAB 50.34, 69.06, -13.71

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 31 / 80 / 40

HEX #996A1E

RGB 153 106 30

HSL 37.07, 0.67%, 0.36%

LAB 48.48, 11.97, 47.18

 

CMYK 80 / 1 / 0 / 40

HEX #1E9799

RGB 30 151 153

HSL 180.98, 0.67%, 0.36%

LAB 56.79, -30.11, -10.17

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 33 / 0 / 80 / 40

HEX #66991E

RGB 102 153 30

HSL 84.88, 0.67%, 0.36%

LAB 57.75, -35.6, 54.19

 

CMYK 80 / 33 / 0 / 40

HEX #1E6699

RGB 30 102 153

HSL 204.88, 0.67%, 0.36%

LAB 41.34, -3.23, -33.95

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 31 / 80 / 40

HEX #996A1E

RGB 153 106 30

HSL 37.07, 0.67%, 0.36%

LAB 48.48, 11.97, 47.18

 

CMYK 80 / 0 / 47 / 40

HEX #1E9951

RGB 30 153 81

HSL 144.88, 0.67%, 0.36%

LAB 55.74, -48.91, 28.76

 

CMYK 80 / 50 / 0 / 40

HEX #1E4D99

RGB 30 77 153

HSL 217.07, 0.67%, 0.36%

LAB 33.74, 12.99, -46.08

 

CMYK 0 / 80 / 34 / 40

HEX #991E65

RGB 153 30 101

HSL 325.37, 0.67%, 0.36%

LAB 35.28, 54.74, -10.41

 

CMYK 0 / 7 / 80 / 40

HEX #998F1E

RGB 153 143 30

HSL 55.12, 0.67%, 0.36%

LAB 58.52, -8.75, 56.28

 

CMYK 80 / 0 / 47 / 40

HEX #1E9951

RGB 30 153 81

HSL 144.88, 0.67%, 0.36%

LAB 55.74, -48.91, 28.76

 

CMYK 80 / 74 / 0 / 40

HEX #1E2899

RGB 30 40 153

HSL 235.12, 0.67%, 0.36%

LAB 23.98, 37.7, -62.01

 

Description

Color code: HEX #991E65 | qconv.com Color code: HEX #991E65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 30 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 30 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 34 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 34% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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