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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9924C4 it is the complementary color #66DB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9924C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9924C4 shade: #9E24BF, #AF36D2, #C048E5, #D15AF8 and #E26CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9924C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9924C4 shade: #9924C4, #8812B1, #77009E, #66008B and #550078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9924C4 shade: #9723C1, #C123C1, #C12397, #C1236C and #C12341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9924C4 shade: #9723C1, #6C23C1, #4123C1 and #2323C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9924C4 shade matches the following richer shades: #9723C1 and #9F11D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9924C4 shade: #9723C1, #8E36AF, #86489C, #7D5B8A and #756D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9924C4 shade: #4023C1, #6A23C1, #9523C1, #BF23C1 and #C1239A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9924C4 shade: #60167C, #7C1D9F, #9723C1, #AD34D9 and #BB57E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9924C4 shade: #9924C4, #C12330 and #23C155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9924C4 shade: #9924C4, #C19523 and #23C195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9924C4 shade: #9924C4, #C12330, #50C123 and #23C1B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9924C4 shade: #9924C4, #C14523, #50C123 and #239FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

Complementary color

CMYK 53 / 0 / 73 / 14

HEX #66DB3B

RGB 102 219 59

HSL 103.88, 0.69%, 0.55%

LAB 78.35, -60.29, 64.55

 

CMYK 17 / 81 / 0 / 25

HEX #9E24BF

RGB 158 36 191

HSL 287.23, 0.68%, 0.45%

LAB 41.68, 68.01, -55.26

 

CMYK 17 / 74 / 0 / 18

HEX #AF36D2

RGB 175 54 210

HSL 286.54, 0.63%, 0.52%

LAB 47.5, 69.09, -56.75

 

CMYK 16 / 69 / 0 / 10

HEX #C048E5

RGB 192 72 229

HSL 285.86, 0.75%, 0.59%

LAB 53.49, 69.45, -57.81

 

CMYK 16 / 64 / 0 / 3

HEX #D15AF8

RGB 209 90 248

HSL 285.19, 0.92%, 0.66%

LAB 59.57, 69.37, -58.56

 

CMYK 11 / 58 / 0 / 0

HEX #E26CFF

RGB 226 108 255

HSL 288.16, 1%, 0.71%

LAB 65.05, 66.73, -53.56

 

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

CMYK 23 / 90 / 0 / 31

HEX #8812B1

RGB 136 18 177

HSL 284.53, 0.82%, 0.38%

LAB 35.68, 66, -56.88

 

CMYK 25 / 100 / 0 / 38

HEX #77009E

RGB 119 0 158

HSL 285.19, 1%, 0.31%

LAB 30.38, 62.76, -54.19

 

CMYK 27 / 100 / 0 / 45

HEX #66008B

RGB 102 0 139

HSL 284.03, 1%, 0.27%

LAB 25.83, 56.84, -50.02

 

CMYK 29 / 100 / 0 / 53

HEX #550078

RGB 85 0 120

HSL 282.5, 1%, 0.24%

LAB 21.16, 50.76, -45.75

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 0 / 82 / 0 / 24

HEX #C123C1

RGB 193 35 193

HSL 300, 0.69%, 0.45%

LAB 47.48, 75, -46.8

 

CMYK 0 / 82 / 22 / 24

HEX #C12397

RGB 193 35 151

HSL 315.95, 0.69%, 0.45%

LAB 45.32, 69.08, -25.34

 

CMYK 0 / 82 / 44 / 24

HEX #C1236C

RGB 193 35 108

HSL 332.28, 0.69%, 0.45%

LAB 43.69, 64.37, -1.48

 

CMYK 0 / 82 / 66 / 24

HEX #C12341

RGB 193 35 65

HSL 348.61, 0.69%, 0.45%

LAB 42.64, 61.25, 23.94

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 44 / 82 / 0 / 24

HEX #6C23C1

RGB 108 35 193

HSL 267.72, 0.69%, 0.45%

LAB 34.48, 60.84, -68.47

 

CMYK 66 / 82 / 0 / 24

HEX #4123C1

RGB 65 35 193

HSL 251.39, 0.69%, 0.45%

LAB 29.85, 55.99, -76.26

 

CMYK 82 / 82 / 0 / 24

HEX #2323C1

RGB 35 35 193

HSL 240, 0.69%, 0.45%

LAB 27.87, 53.97, -79.6

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 25 / 92 / 0 / 17

HEX #9F11D4

RGB 159 17 212

HSL 283.69, 0.85%, 0.45%

LAB 42.04, 75.99, -66.87

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 19 / 69 / 0 / 31

HEX #8E36AF

RGB 142 54 175

HSL 283.64, 0.53%, 0.45%

LAB 40.38, 55.41, -48.04

 

CMYK 14 / 54 / 0 / 39

HEX #86489C

RGB 134 72 156

HSL 284.29, 0.37%, 0.45%

LAB 41.38, 40.6, -35.18

 

CMYK 9 / 34 / 0 / 46

HEX #7D5B8A

RGB 125 91 138

HSL 283.4, 0.21%, 0.45%

LAB 43.77, 22.91, -20.72

 

CMYK 2 / 8 / 0 / 53

HEX #756D77

RGB 117 109 119

HSL 288, 0.04%, 0.45%

LAB 47.04, 5.12, -4.43

 

CMYK 67 / 82 / 0 / 24

HEX #4023C1

RGB 64 35 193

HSL 251.01, 0.69%, 0.45%

LAB 29.77, 55.91, -76.4

 

CMYK 45 / 82 / 0 / 24

HEX #6A23C1

RGB 106 35 193

HSL 266.96, 0.69%, 0.45%

LAB 34.22, 60.57, -68.9

 

CMYK 23 / 82 / 0 / 24

HEX #9523C1

RGB 149 35 193

HSL 283.29, 0.69%, 0.45%

LAB 40.31, 67.12, -58.7

 

CMYK 1 / 82 / 0 / 24

HEX #BF23C1

RGB 191 35 193

HSL 299.24, 0.69%, 0.45%

LAB 47.14, 74.62, -47.36

 

CMYK 0 / 82 / 20 / 24

HEX #C1239A

RGB 193 35 154

HSL 314.81, 0.69%, 0.45%

LAB 45.46, 69.46, -26.93

 

CMYK 23 / 82 / 0 / 51

HEX #60167C

RGB 96 22 124

HSL 283.53, 0.7%, 0.29%

LAB 25.31, 47.7, -41.47

 

CMYK 22 / 82 / 0 / 38

HEX #7C1D9F

RGB 124 29 159

HSL 283.85, 0.69%, 0.37%

LAB 33.28, 57.85, -50.04

 

CMYK 22 / 82 / 0 / 24

HEX #9723C1

RGB 151 35 193

HSL 284.05, 0.69%, 0.45%

LAB 40.62, 67.46, -58.18

 

CMYK 20 / 76 / 0 / 15

HEX #AD34D9

RGB 173 52 217

HSL 284, 0.68%, 0.53%

LAB 47.43, 70.72, -60.89

 

CMYK 17 / 61 / 0 / 12

HEX #BB57E0

RGB 187 87 224

HSL 283.8, 0.69%, 0.61%

LAB 54.83, 60.96, -52.89

 

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

CMYK 0 / 82 / 75 / 24

HEX #C12330

RGB 193 35 48

HSL 355.06, 0.69%, 0.45%

LAB 42.39, 60.47, 33.97

 

CMYK 82 / 0 / 56 / 24

HEX #23C155

RGB 35 193 85

HSL 138.99, 0.69%, 0.45%

LAB 68.86, -61.59, 42.97

 

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

CMYK 0 / 23 / 82 / 24

HEX #C19523

RGB 193 149 35

HSL 43.29, 0.69%, 0.45%

LAB 64.12, 6.22, 61.16

 

CMYK 82 / 0 / 23 / 24

HEX #23C195

RGB 35 193 149

HSL 163.29, 0.69%, 0.45%

LAB 69.94, -49.28, 11.23

 

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

CMYK 0 / 82 / 75 / 24

HEX #C12330

RGB 193 35 48

HSL 355.06, 0.69%, 0.45%

LAB 42.39, 60.47, 33.97

 

CMYK 59 / 0 / 82 / 24

HEX #50C123

RGB 80 193 35

HSL 102.91, 0.69%, 0.45%

LAB 69.45, -58.17, 63.17

 

CMYK 82 / 0 / 7 / 24

HEX #23C1B4

RGB 35 193 180

HSL 175.06, 0.69%, 0.45%

LAB 70.73, -41.13, -4.53

 

CMYK 22 / 82 / 0 / 23

HEX #9924C4

RGB 153 36 196

HSL 283.88, 0.69%, 0.45%

LAB 41.25, 68.09, -58.91

 

CMYK 0 / 64 / 82 / 24

HEX #C14523

RGB 193 69 35

HSL 12.91, 0.69%, 0.45%

LAB 46.6, 48.06, 45.35

 

CMYK 59 / 0 / 82 / 24

HEX #50C123

RGB 80 193 35

HSL 102.91, 0.69%, 0.45%

LAB 69.45, -58.17, 63.17

 

CMYK 82 / 18 / 0 / 24

HEX #239FC1

RGB 35 159 193

HSL 192.91, 0.69%, 0.45%

LAB 60.79, -20.68, -26.75

 

Description

Color code: HEX #9924C4 | qconv.com Color code: HEX #9924C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 36 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 36 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 82 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 82% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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