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Color name
HEX #992882

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992882 it is the complementary color #66D77D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992882 shade: #9E287D, #AF3A90, #C04CA3, #D15EB6 and #E270C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992882 shade: #992882, #88166F, #77045C, #660049 and #550036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992882 shade: #9A2782, #9A2763, #9A2745 and #9A2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992882 shade: #9A2782, #92279A, #73279A, #54279A and #36279A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992882 shade matches the following richer shades: #9A2782, #A9188C and #B90895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992882 shade: #9A2782, #8A3779, #7A4770, #6B5666 and #5B665D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992882 shade: #73279A, #92279A, #9A2783, #9A2764 and #9A2746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992882 shade: #58164B, #791F66, #9A2782, #BA309E and #CF45B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992882 shade: #992882, #9A5527 and #279A83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992882 shade: #992882, #839A27 and #27839A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992882 shade: #992882, #9A5527, #279A3E and #276C9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992882 shade: #992882, #9A7727, #279A3E and #274A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

Complementary color

CMYK 53 / 0 / 42 / 16

HEX #66D77D

RGB 102 215 125

HSL 132.21, 0.59%, 0.62%

LAB 77.82, -51.27, 34.8

 

CMYK 0 / 75 / 21 / 38

HEX #9E287D

RGB 158 40 125

HSL 316.78, 0.6%, 0.39%

LAB 38.32, 55.95, -20.8

 

CMYK 0 / 67 / 18 / 31

HEX #AF3A90

RGB 175 58 144

HSL 315.9, 0.5%, 0.46%

LAB 44.45, 56.45, -22.71

 

CMYK 0 / 60 / 15 / 25

HEX #C04CA3

RGB 192 76 163

HSL 315, 0.48%, 0.53%

LAB 50.71, 56.38, -24.16

 

CMYK 0 / 55 / 13 / 18

HEX #D15EB6

RGB 209 94 182

HSL 314.09, 0.56%, 0.59%

LAB 57.02, 56, -25.29

 

CMYK 0 / 50 / 11 / 11

HEX #E270C9

RGB 226 112 201

HSL 313.16, 0.66%, 0.66%

LAB 63.32, 55.44, -26.21

 

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

CMYK 0 / 84 / 18 / 47

HEX #88166F

RGB 136 22 111

HSL 313.16, 0.72%, 0.31%

LAB 31.71, 54.01, -22.58

 

CMYK 0 / 97 / 23 / 53

HEX #77045C

RGB 119 4 92

HSL 314.09, 0.93%, 0.24%

LAB 26.1, 51.24, -19.25

 

CMYK 0 / 100 / 28 / 60

HEX #660049

RGB 102 0 73

HSL 317.06, 1%, 0.2%

LAB 21.23, 45.89, -14.33

 

CMYK 0 / 100 / 36 / 67

HEX #550036

RGB 85 0 54

HSL 321.88, 1%, 0.17%

LAB 16.49, 39.65, -8.65

 

CMYK 0 / 75 / 16 / 40

HEX #9A2782

RGB 154 39 130

HSL 312.52, 0.6%, 0.38%

LAB 37.72, 56, -24.88

 

CMYK 0 / 75 / 36 / 40

HEX #9A2763

RGB 154 39 99

HSL 328.7, 0.6%, 0.38%

LAB 36.41, 51.92, -7.42

 

CMYK 0 / 75 / 55 / 40

HEX #9A2745

RGB 154 39 69

HSL 344.35, 0.6%, 0.38%

LAB 35.5, 48.97, 10.54

 

CMYK 0 / 75 / 75 / 40

HEX #9A2727

RGB 154 39 39

HSL 0, 0.6%, 0.38%

LAB 34.94, 47.1, 28.83

 

CMYK 0 / 75 / 16 / 40

HEX #9A2782

RGB 154 39 130

HSL 312.52, 0.6%, 0.38%

LAB 37.72, 56, -24.88

 

CMYK 5 / 75 / 0 / 40

HEX #92279A

RGB 146 39 154

HSL 295.83, 0.6%, 0.38%

LAB 37.65, 58.04, -39.79

 

CMYK 25 / 75 / 0 / 40

HEX #73279A

RGB 115 39 154

HSL 279.65, 0.6%, 0.38%

LAB 32.76, 51.51, -47.9

 

CMYK 45 / 75 / 0 / 40

HEX #54279A

RGB 84 39 154

HSL 263.48, 0.6%, 0.38%

LAB 28.56, 45.64, -54.92

 

CMYK 65 / 75 / 0 / 40

HEX #36279A

RGB 54 39 154

HSL 247.83, 0.6%, 0.38%

LAB 25.47, 41.11, -60.11

 

CMYK 0 / 75 / 16 / 40

HEX #9A2782

RGB 154 39 130

HSL 312.52, 0.6%, 0.38%

LAB 37.72, 56, -24.88

 

CMYK 0 / 86 / 17 / 34

HEX #A9188C

RGB 169 24 140

HSL 312, 0.75%, 0.38%

LAB 39.55, 64.85, -27.99

 

CMYK 0 / 96 / 19 / 27

HEX #B90895

RGB 185 8 149

HSL 312.2, 0.92%, 0.38%

LAB 42.24, 71.51, -29.04

 

CMYK 0 / 75 / 16 / 40

HEX #9A2782

RGB 154 39 130

HSL 312.52, 0.6%, 0.38%

LAB 37.72, 56, -24.88

 

CMYK 0 / 60 / 12 / 46

HEX #8A3779

RGB 138 55 121

HSL 312.29, 0.43%, 0.38%

LAB 36.96, 43.71, -20.69

 

CMYK 0 / 42 / 8 / 52

HEX #7A4770

RGB 122 71 112

HSL 311.76, 0.26%, 0.38%

LAB 37.51, 28.32, -14.44

 

CMYK 0 / 20 / 5 / 58

HEX #6B5666

RGB 107 86 102

HSL 314.29, 0.11%, 0.38%

LAB 39.14, 11.68, -5.93

 

CMYK 11 / 0 / 9 / 60

HEX #5B665D

RGB 91 102 93

HSL 130.91, 0.06%, 0.38%

LAB 42.03, -6.15, 3.65

 

CMYK 25 / 75 / 0 / 40

HEX #73279A

RGB 115 39 154

HSL 279.65, 0.6%, 0.38%

LAB 32.76, 51.51, -47.9

 

CMYK 5 / 75 / 0 / 40

HEX #92279A

RGB 146 39 154

HSL 295.83, 0.6%, 0.38%

LAB 37.65, 58.04, -39.79

 

CMYK 0 / 75 / 15 / 40

HEX #9A2783

RGB 154 39 131

HSL 312, 0.6%, 0.38%

LAB 37.77, 56.15, -25.43

 

CMYK 0 / 75 / 35 / 40

HEX #9A2764

RGB 154 39 100

HSL 328.17, 0.6%, 0.38%

LAB 36.44, 52.03, -8.01

 

CMYK 0 / 75 / 55 / 40

HEX #9A2746

RGB 154 39 70

HSL 343.83, 0.6%, 0.38%

LAB 35.52, 49.06, 9.93

 

CMYK 0 / 75 / 15 / 65

HEX #58164B

RGB 88 22 75

HSL 311.82, 0.6%, 0.22%

LAB 20.66, 36.33, -16.81

 

CMYK 0 / 74 / 16 / 53

HEX #791F66

RGB 121 31 102

HSL 312.67, 0.59%, 0.3%

LAB 29.42, 46.19, -20.57

 

CMYK 0 / 75 / 16 / 40

HEX #9A2782

RGB 154 39 130

HSL 312.52, 0.6%, 0.38%

LAB 37.72, 56, -24.88

 

CMYK 0 / 74 / 15 / 27

HEX #BA309E

RGB 186 48 158

HSL 312.17, 0.59%, 0.46%

LAB 45.66, 64.82, -29.1

 

CMYK 0 / 67 / 14 / 19

HEX #CF45B3

RGB 207 69 179

HSL 312.17, 0.59%, 0.54%

LAB 52.7, 65.62, -30.26

 

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

CMYK 0 / 45 / 75 / 40

HEX #9A5527

RGB 154 85 39

HSL 24, 0.6%, 0.38%

LAB 43.53, 24.81, 38.23

 

CMYK 75 / 0 / 15 / 40

HEX #279A83

RGB 39 154 131

HSL 168, 0.6%, 0.38%

LAB 57.25, -36.88, 3.07

 

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

CMYK 15 / 0 / 75 / 40

HEX #839A27

RGB 131 154 39

HSL 72, 0.6%, 0.38%

LAB 59.96, -23.81, 53.95

 

CMYK 75 / 15 / 0 / 40

HEX #27839A

RGB 39 131 154

HSL 192, 0.6%, 0.38%

LAB 50.68, -18.52, -19.99

 

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

CMYK 0 / 45 / 75 / 40

HEX #9A5527

RGB 154 85 39

HSL 24, 0.6%, 0.38%

LAB 43.53, 24.81, 38.23

 

CMYK 75 / 0 / 60 / 40

HEX #279A3E

RGB 39 154 62

HSL 132, 0.6%, 0.38%

LAB 55.98, -50.92, 38.72

 

CMYK 75 / 30 / 0 / 40

HEX #276C9A

RGB 39 108 154

HSL 204, 0.6%, 0.38%

LAB 43.49, -5.37, -31.15

 

CMYK 0 / 74 / 15 / 40

HEX #992882

RGB 153 40 130

HSL 312.21, 0.59%, 0.38%

LAB 37.67, 55.42, -24.98

 

CMYK 0 / 23 / 75 / 40

HEX #9A7727

RGB 154 119 39

HSL 41.74, 0.6%, 0.38%

LAB 52.07, 5.4, 46.96

 

CMYK 75 / 0 / 60 / 40

HEX #279A3E

RGB 39 154 62

HSL 132, 0.6%, 0.38%

LAB 55.98, -50.92, 38.72

 

CMYK 75 / 52 / 0 / 40

HEX #274A9A

RGB 39 74 154

HSL 221.74, 0.6%, 0.38%

LAB 33.27, 16.52, -47.43

 

Description

Color code: HEX #992882 | qconv.com Color code: HEX #992882 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 40 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 40 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 15 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 15% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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