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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992DCB it is the complementary color #66D234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992DCB shade: #9E2DC6, #AF3FD9, #C051EC, #D163FF and #E275FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992DCB shade: #992DCB, #881BB8, #7709A5, #660092 and #55007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992DCB shade: #9A2CCC, #C52CCC, #CC2CA9, #CC2C7E and #CC2C53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992DCB shade: #9A2CCC, #6F2CCC, #442CCC and #2C2CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992DCB shade matches the following richer shades: #9A2CCC, #A118E1 and #A904F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992DCB shade: #9A2CCC, #9241B8, #8B55A4, #846990 and #7C7D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992DCB shade: #442CCC, #6F2CCC, #9A2CCC, #C42CCC and #CC2CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992DCB shade: #671E89, #8025AB, #9A2CCC, #AB4BD7 and #BB6DDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992DCB shade: #992DCB, #CC2C3F and #2CCC5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992DCB shade: #992DCB, #CC9A2C and #2CCC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992DCB shade: #992DCB, #CC2C3F, #5FCC2C and #2CCCBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992DCB shade: #992DCB, #CC4A2C, #5FCC2C and #2CAFCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

Complementary color

CMYK 51 / 0 / 75 / 18

HEX #66D234

RGB 102 210 52

HSL 101.01, 0.64%, 0.51%

LAB 75.55, -57.46, 64.14

 

CMYK 20 / 77 / 0 / 22

HEX #9E2DC6

RGB 158 45 198

HSL 284.31, 0.63%, 0.48%

LAB 43.1, 66.62, -57.05

 

CMYK 19 / 71 / 0 / 15

HEX #AF3FD9

RGB 175 63 217

HSL 283.64, 0.67%, 0.55%

LAB 49.1, 67.15, -58.18

 

CMYK 19 / 66 / 0 / 7

HEX #C051EC

RGB 192 81 236

HSL 282.97, 0.8%, 0.62%

LAB 55.22, 67.14, -58.96

 

CMYK 18 / 61 / 0 / 0

HEX #D163FF

RGB 209 99 255

HSL 282.31, 1%, 0.69%

LAB 61.39, 66.8, -59.51

 

CMYK 11 / 54 / 0 / 0

HEX #E275FF

RGB 226 117 255

HSL 287.39, 1%, 0.73%

LAB 66.6, 62.55, -51.1

 

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

CMYK 26 / 85 / 0 / 28

HEX #881BB8

RGB 136 27 184

HSL 281.66, 0.74%, 0.41%

LAB 36.89, 65.39, -59.06

 

CMYK 28 / 95 / 0 / 35

HEX #7709A5

RGB 119 9 165

HSL 282.31, 0.9%, 0.34%

LAB 31.43, 62.72, -56.72

 

CMYK 30 / 100 / 0 / 43

HEX #660092

RGB 102 0 146

HSL 281.92, 1%, 0.29%

LAB 26.45, 58.22, -53.35

 

CMYK 33 / 100 / 0 / 50

HEX #55007F

RGB 85 0 127

HSL 280.16, 1%, 0.25%

LAB 21.81, 52.21, -49.15

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 3 / 78 / 0 / 20

HEX #C52CCC

RGB 197 44 204

HSL 297.38, 0.65%, 0.49%

LAB 49.53, 75.31, -49.85

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 0 / 78 / 38 / 20

HEX #CC2C7E

RGB 204 44 126

HSL 329.25, 0.65%, 0.49%

LAB 47.16, 66.53, -7.19

 

CMYK 0 / 78 / 59 / 20

HEX #CC2C53

RGB 204 44 83

HSL 345.38, 0.65%, 0.49%

LAB 45.99, 62.94, 17.6

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 46 / 78 / 0 / 20

HEX #6F2CCC

RGB 111 44 204

HSL 265.13, 0.65%, 0.49%

LAB 37, 60.54, -70.74

 

CMYK 67 / 78 / 0 / 20

HEX #442CCC

RGB 68 44 204

HSL 249, 0.65%, 0.49%

LAB 32.68, 55.39, -78.02

 

CMYK 78 / 78 / 0 / 20

HEX #2C2CCC

RGB 44 44 204

HSL 240, 0.65%, 0.49%

LAB 31.11, 53.5, -80.67

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 28 / 89 / 0 / 12

HEX #A118E1

RGB 161 24 225

HSL 280.9, 0.81%, 0.49%

LAB 43.75, 77.56, -71.52

 

CMYK 31 / 98 / 0 / 4

HEX #A904F5

RGB 169 4 245

HSL 281.08, 0.97%, 0.49%

LAB 45.79, 84.68, -79.46

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 21 / 65 / 0 / 28

HEX #9241B8

RGB 146 65 184

HSL 280.84, 0.48%, 0.49%

LAB 43.29, 53.27, -48.65

 

CMYK 15 / 48 / 0 / 36

HEX #8B55A4

RGB 139 85 164

HSL 281.01, 0.32%, 0.49%

LAB 45.17, 36.64, -33.93

 

CMYK 8 / 27 / 0 / 44

HEX #846990

RGB 132 105 144

HSL 281.54, 0.16%, 0.49%

LAB 48.29, 18.3, -17.3

 

CMYK 1 / 0 / 1 / 51

HEX #7C7D7C

RGB 124 125 124

HSL 120, 0%, 0.49%

LAB 52.29, -0.57, 0.41

 

CMYK 67 / 78 / 0 / 20

HEX #442CCC

RGB 68 44 204

HSL 249, 0.65%, 0.49%

LAB 32.68, 55.39, -78.02

 

CMYK 46 / 78 / 0 / 20

HEX #6F2CCC

RGB 111 44 204

HSL 265.13, 0.65%, 0.49%

LAB 37, 60.54, -70.74

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 4 / 78 / 0 / 20

HEX #C42CCC

RGB 196 44 204

HSL 297, 0.65%, 0.49%

LAB 49.37, 75.12, -50.12

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CAA

RGB 204 44 170

HSL 312.75, 0.65%, 0.49%

LAB 48.93, 71.74, -30.89

 

CMYK 25 / 78 / 0 / 46

HEX #671E89

RGB 103 30 137

HSL 280.93, 0.64%, 0.33%

LAB 28.43, 48.97, -44.54

 

CMYK 25 / 78 / 0 / 33

HEX #8025AB

RGB 128 37 171

HSL 280.75, 0.64%, 0.41%

LAB 35.7, 58.4, -53.32

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 20 / 65 / 0 / 16

HEX #AB4BD7

RGB 171 75 215

HSL 281.14, 0.64%, 0.57%

LAB 50.21, 60.9, -55.29

 

CMYK 16 / 51 / 0 / 13

HEX #BB6DDF

RGB 187 109 223

HSL 281.05, 0.64%, 0.65%

LAB 58.82, 49.95, -45.99

 

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

CMYK 0 / 78 / 69 / 20

HEX #CC2C3F

RGB 204 44 63

HSL 352.88, 0.65%, 0.49%

LAB 45.63, 61.81, 29.36

 

CMYK 78 / 0 / 56 / 20

HEX #2CCC5A

RGB 44 204 90

HSL 137.25, 0.65%, 0.49%

LAB 72.53, -63.5, 45.03

 

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

CMYK 0 / 25 / 78 / 20

HEX #CC9A2C

RGB 204 154 44

HSL 41.25, 0.65%, 0.49%

LAB 66.62, 8.67, 60.79

 

CMYK 78 / 0 / 25 / 20

HEX #2CCC9A

RGB 44 204 154

HSL 161.25, 0.65%, 0.49%

LAB 73.58, -51.6, 13.69

 

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

CMYK 0 / 78 / 69 / 20

HEX #CC2C3F

RGB 204 44 63

HSL 352.88, 0.65%, 0.49%

LAB 45.63, 61.81, 29.36

 

CMYK 53 / 0 / 78 / 20

HEX #5FCC2C

RGB 95 204 44

HSL 100.88, 0.65%, 0.49%

LAB 73.42, -57.68, 64.5

 

CMYK 78 / 0 / 9 / 20

HEX #2CCCBA

RGB 44 204 186

HSL 173.25, 0.65%, 0.49%

LAB 74.36, -43.49, -2.44

 

CMYK 25 / 78 / 0 / 20

HEX #992DCB

RGB 153 45 203

HSL 281.01, 0.64%, 0.49%

LAB 42.7, 66.7, -60.62

 

CMYK 0 / 64 / 78 / 20

HEX #CC4A2C

RGB 204 74 44

HSL 11.25, 0.65%, 0.49%

LAB 49.4, 50.04, 44.24

 

CMYK 53 / 0 / 78 / 20

HEX #5FCC2C

RGB 95 204 44

HSL 100.88, 0.65%, 0.49%

LAB 73.42, -57.68, 64.5

 

CMYK 78 / 14 / 0 / 20

HEX #2CAFCC

RGB 44 175 204

HSL 190.88, 0.65%, 0.49%

LAB 66.18, -24.45, -24.57

 

Description

Color code: HEX #992DCB | qconv.com Color code: HEX #992DCB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 45 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 45 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 78 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 78% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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