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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99321D it is the complementary color #66CDE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99321D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99321D shade: #9E3218, #AF442B, #C0563E, #D16851 and #E27A64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99321D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99321D shade: #99321D, #88200A, #770E00, #660000 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99321D shade: #9A321D and #9A1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99321D shade: #9A321D, #9A541D, #9A751D, #9A971D and #7B9A1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99321D shade matches the following richer shades: #9A321D and #A9280E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99321D shade: #9A321D, #8B3C2C, #7C463B, #6D4F49 and #5E5958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99321D shade: #9A1D4B, #9A1D29, #9A321D, #9A531D and #9A741D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99321D shade: #541B10, #772716, #9A321D, #BC3D23 and #D74E32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99321D shade: #99321D, #6C9A1D and #1D3A9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99321D shade: #99321D, #1D9A32 and #321D9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99321D shade: #99321D, #6C9A1D, #1D859A and #4B1D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99321D shade: #99321D, #469A1D, #1D859A and #701D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

Complementary color

CMYK 55 / 9 / 0 / 11

HEX #66CDE2

RGB 102 205 226

HSL 190.16, 0.68%, 0.64%

LAB 77.27, -24.11, -19.53

 

CMYK 0 / 68 / 85 / 38

HEX #9E3218

RGB 158 50 24

HSL 11.64, 0.74%, 0.36%

LAB 37.14, 43.55, 39.68

 

CMYK 0 / 61 / 75 / 31

HEX #AF442B

RGB 175 68 43

HSL 11.36, 0.61%, 0.43%

LAB 43.39, 42.29, 36.97

 

CMYK 0 / 55 / 68 / 25

HEX #C0563E

RGB 192 86 62

HSL 11.08, 0.51%, 0.5%

LAB 49.75, 40.9, 34.38

 

CMYK 0 / 50 / 61 / 18

HEX #D16851

RGB 209 104 81

HSL 10.78, 0.58%, 0.57%

LAB 56.14, 39.52, 32.08

 

CMYK 0 / 46 / 56 / 11

HEX #E27A64

RGB 226 122 100

HSL 10.48, 0.68%, 0.64%

LAB 62.51, 38.21, 30.05

 

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

CMYK 0 / 76 / 93 / 47

HEX #88200A

RGB 136 32 10

HSL 10.48, 0.86%, 0.29%

LAB 30.13, 42.77, 38.56

 

CMYK 0 / 88 / 100 / 53

HEX #770E00

RGB 119 14 0

HSL 7.06, 1%, 0.23%

LAB 24.44, 42.66, 36.29

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 81 / 81 / 40

HEX #9A1D1D

RGB 154 29 29

HSL 0, 0.68%, 0.36%

LAB 33.64, 50.01, 33.37

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 45 / 81 / 40

HEX #9A541D

RGB 154 84 29

HSL 26.4, 0.68%, 0.36%

LAB 43.21, 24.93, 42.72

 

CMYK 0 / 24 / 81 / 40

HEX #9A751D

RGB 154 117 29

HSL 42.24, 0.68%, 0.36%

LAB 51.47, 6.11, 50.34

 

CMYK 0 / 2 / 81 / 40

HEX #9A971D

RGB 154 151 29

HSL 58.56, 0.68%, 0.36%

LAB 60.86, -12.6, 58.68

 

CMYK 20 / 0 / 81 / 40

HEX #7B9A1D

RGB 123 154 29

HSL 74.88, 0.68%, 0.36%

LAB 59.35, -27.67, 56.43

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 76 / 92 / 34

HEX #A9280E

RGB 169 40 14

HSL 10.06, 0.85%, 0.36%

LAB 37.81, 50.86, 45.53

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 57 / 68 / 45

HEX #8B3C2C

RGB 139 60 44

HSL 10.11, 0.52%, 0.36%

LAB 35.8, 32.48, 26.13

 

CMYK 0 / 44 / 52 / 51

HEX #7C463B

RGB 124 70 59

HSL 10.15, 0.36%, 0.36%

LAB 35.95, 21.88, 16.65

 

CMYK 0 / 28 / 33 / 57

HEX #6D4F49

RGB 109 79 73

HSL 10, 0.2%, 0.36%

LAB 36.6, 11.69, 8.49

 

CMYK 0 / 5 / 6 / 63

HEX #5E5958

RGB 94 89 88

HSL 10, 0.03%, 0.36%

LAB 38.25, 1.81, 1.29

 

CMYK 0 / 81 / 51 / 40

HEX #9A1D4B

RGB 154 29 75

HSL 337.92, 0.68%, 0.36%

LAB 34.51, 52.69, 5.26

 

CMYK 0 / 81 / 73 / 40

HEX #9A1D29

RGB 154 29 41

HSL 354.24, 0.68%, 0.36%

LAB 33.79, 50.48, 26.27

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 46 / 81 / 40

HEX #9A531D

RGB 154 83 29

HSL 25.92, 0.68%, 0.36%

LAB 42.98, 25.49, 42.5

 

CMYK 0 / 25 / 81 / 40

HEX #9A741D

RGB 154 116 29

HSL 41.76, 0.68%, 0.36%

LAB 51.21, 6.67, 50.1

 

CMYK 0 / 68 / 81 / 67

HEX #541B10

RGB 84 27 16

HSL 9.71, 0.68%, 0.2%

LAB 18.83, 25.83, 21.1

 

CMYK 0 / 67 / 82 / 53

HEX #772716

RGB 119 39 22

HSL 10.52, 0.69%, 0.28%

LAB 27.93, 34.06, 29.33

 

CMYK 0 / 68 / 81 / 40

HEX #9A321D

RGB 154 50 29

HSL 10.08, 0.68%, 0.36%

LAB 36.44, 42.28, 36.18

 

CMYK 0 / 68 / 81 / 26

HEX #BC3D23

RGB 188 61 35

HSL 10.2, 0.69%, 0.44%

LAB 44.45, 49.72, 42.99

 

CMYK 0 / 64 / 77 / 16

HEX #D74E32

RGB 215 78 50

HSL 10.18, 0.67%, 0.52%

LAB 51.98, 52.36, 44.41

 

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

CMYK 30 / 0 / 81 / 40

HEX #6C9A1D

RGB 108 154 29

HSL 82.08, 0.68%, 0.36%

LAB 58.4, -33.78, 55.22

 

CMYK 81 / 62 / 0 / 40

HEX #1D3A9A

RGB 29 58 154

HSL 226.08, 0.68%, 0.36%

LAB 28.43, 26.24, -55.3

 

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

CMYK 81 / 0 / 68 / 40

HEX #1D9A32

RGB 29 154 50

HSL 130.08, 0.68%, 0.36%

LAB 55.69, -53.8, 43.83

 

CMYK 68 / 81 / 0 / 40

HEX #321D9A

RGB 50 29 154

HSL 250.08, 0.68%, 0.36%

LAB 23.3, 45.88, -63.7

 

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

CMYK 30 / 0 / 81 / 40

HEX #6C9A1D

RGB 108 154 29

HSL 82.08, 0.68%, 0.36%

LAB 58.4, -33.78, 55.22

 

CMYK 81 / 14 / 0 / 40

HEX #1D859A

RGB 29 133 154

HSL 190.08, 0.68%, 0.36%

LAB 51.12, -20.74, -19.35

 

CMYK 51 / 81 / 0 / 40

HEX #4B1D9A

RGB 75 29 154

HSL 262.08, 0.68%, 0.36%

LAB 25.89, 48.81, -59.35

 

CMYK 0 / 67 / 81 / 40

HEX #99321D

RGB 153 50 29

HSL 10.16, 0.68%, 0.36%

LAB 36.26, 41.92, 35.93

 

CMYK 55 / 0 / 81 / 40

HEX #469A1D

RGB 70 154 29

HSL 100.32, 0.68%, 0.36%

LAB 56.59, -46.92, 52.88

 

CMYK 81 / 14 / 0 / 40

HEX #1D859A

RGB 29 133 154

HSL 190.08, 0.68%, 0.36%

LAB 51.12, -20.74, -19.35

 

CMYK 27 / 81 / 0 / 40

HEX #701D9A

RGB 112 29 154

HSL 279.84, 0.68%, 0.36%

LAB 31.01, 54.67, -50.76

 

Description

Color code: HEX #99321D | qconv.com Color code: HEX #99321D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 50 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 50 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 81 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 81% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Wargaming.net
Link: http://ru.wargaming.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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