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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #993CC8 it is the complementary color #66C337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #993CC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #993CC8 shade: #9E3CC3, #AF4ED6, #C060E9, #D172FC and #E284FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #993CC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #993CC8 shade: #993CC8, #882AB5, #7718A2, #66068F and #55007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #993CC8 shade: #993CC8, #BE3CC8, #C83CAB, #C83C85 and #C83C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #993CC8 shade: #993CC8, #733CC8, #4D3CC8 and #3C3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #993CC8 shade matches the following richer shades: #993CC8, #9F27DC and #A613F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #993CC8 shade: #993CC8, #9250B3, #8B649F, #85788B and #7E8C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #993CC8 shade: #4C3CC8, #713CC8, #973CC8, #BC3CC8 and #C83CAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #993CC8 shade: #69278A, #8130AA, #993CC8, #A95CD1 and #BA7CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #993CC8 shade: #993CC8, #C83C51 and #3CC85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #993CC8 shade: #993CC8, #C8973C and #3CC897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #993CC8 shade: #993CC8, #C83C51, #6DC83C and #3CC8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #993CC8 shade: #993CC8, #C8513C, #6DC83C and #3CB3C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

Complementary color

CMYK 48 / 0 / 72 / 24

HEX #66C337

RGB 102 195 55

HSL 99.86, 0.56%, 0.49%

LAB 70.96, -51.58, 58.53

 

CMYK 19 / 69 / 0 / 24

HEX #9E3CC3

RGB 158 60 195

HSL 283.56, 0.53%, 0.5%

LAB 44.86, 60.44, -52.47

 

CMYK 18 / 64 / 0 / 16

HEX #AF4ED6

RGB 175 78 214

HSL 282.79, 0.62%, 0.57%

LAB 51.17, 60.25, -53.15

 

CMYK 18 / 59 / 0 / 9

HEX #C060E9

RGB 192 96 233

HSL 282.04, 0.76%, 0.65%

LAB 57.52, 59.77, -53.61

 

CMYK 17 / 55 / 0 / 1

HEX #D172FC

RGB 209 114 252

HSL 281.3, 0.96%, 0.72%

LAB 63.85, 59.13, -53.95

 

CMYK 11 / 48 / 0 / 0

HEX #E284FF

RGB 226 132 255

HSL 285.85, 1%, 0.76%

LAB 69.39, 55.21, -46.7

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 25 / 77 / 0 / 29

HEX #882AB5

RGB 136 42 181

HSL 280.58, 0.62%, 0.44%

LAB 38.25, 60.18, -55.08

 

CMYK 27 / 85 / 0 / 36

HEX #7718A2

RGB 119 24 162

HSL 281.3, 0.74%, 0.36%

LAB 32.22, 59.04, -53.61

 

CMYK 29 / 96 / 0 / 44

HEX #66068F

RGB 102 6 143

HSL 282.04, 0.92%, 0.29%

LAB 26.56, 56.49, -51.32

 

CMYK 31 / 100 / 0 / 51

HEX #55007C

RGB 85 0 124

HSL 281.13, 1%, 0.24%

LAB 21.53, 51.59, -47.71

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 5 / 70 / 0 / 22

HEX #BE3CC8

RGB 190 60 200

HSL 295.71, 0.56%, 0.51%

LAB 49.92, 68.28, -47

 

CMYK 0 / 70 / 15 / 22

HEX #C83CAB

RGB 200 60 171

HSL 312.43, 0.56%, 0.51%

LAB 50.04, 66.01, -29.81

 

CMYK 0 / 70 / 34 / 22

HEX #C83C85

RGB 200 60 133

HSL 328.71, 0.56%, 0.51%

LAB 48.52, 61.09, -9.49

 

CMYK 0 / 70 / 52 / 22

HEX #C83C60

RGB 200 60 96

HSL 344.57, 0.56%, 0.51%

LAB 47.44, 57.45, 11.47

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 43 / 70 / 0 / 22

HEX #733CC8

RGB 115 60 200

HSL 263.57, 0.56%, 0.51%

LAB 39.66, 53.01, -64.06

 

CMYK 62 / 70 / 0 / 22

HEX #4D3CC8

RGB 77 60 200

HSL 247.29, 0.56%, 0.51%

LAB 35.95, 46.91, -70.28

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 28 / 82 / 0 / 14

HEX #9F27DC

RGB 159 39 220

HSL 279.78, 0.72%, 0.51%

LAB 44.22, 72.9, -67.91

 

CMYK 31 / 92 / 0 / 6

HEX #A613F0

RGB 166 19 240

HSL 279.91, 0.88%, 0.51%

LAB 45.45, 81.84, -77.22

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 18 / 55 / 0 / 30

HEX #9250B3

RGB 146 80 179

HSL 280, 0.39%, 0.51%

LAB 45.77, 44.67, -41.76

 

CMYK 13 / 37 / 0 / 38

HEX #8B649F

RGB 139 100 159

HSL 279.66, 0.24%, 0.51%

LAB 48.39, 26.91, -25.94

 

CMYK 4 / 14 / 0 / 45

HEX #85788B

RGB 133 120 139

HSL 281.05, 0.08%, 0.51%

LAB 52.16, 8.73, -8.5

 

CMYK 10 / 0 / 15 / 45

HEX #7E8C77

RGB 126 140 119

HSL 100, 0.08%, 0.51%

LAB 56.61, -9.21, 9.52

 

CMYK 62 / 70 / 0 / 22

HEX #4C3CC8

RGB 76 60 200

HSL 246.86, 0.56%, 0.51%

LAB 35.87, 46.77, -70.41

 

CMYK 44 / 70 / 0 / 22

HEX #713CC8

RGB 113 60 200

HSL 262.71, 0.56%, 0.51%

LAB 39.43, 52.65, -64.43

 

CMYK 25 / 70 / 0 / 22

HEX #973CC8

RGB 151 60 200

HSL 279, 0.56%, 0.51%

LAB 44.21, 60.01, -56.47

 

CMYK 6 / 70 / 0 / 22

HEX #BC3CC8

RGB 188 60 200

HSL 294.86, 0.56%, 0.51%

LAB 49.61, 67.84, -47.51

 

CMYK 0 / 70 / 13 / 22

HEX #C83CAE

RGB 200 60 174

HSL 311.14, 0.56%, 0.51%

LAB 50.18, 66.44, -31.36

 

CMYK 24 / 72 / 0 / 46

HEX #69278A

RGB 105 39 138

HSL 280, 0.56%, 0.35%

LAB 30.13, 45.84, -42.39

 

CMYK 24 / 72 / 0 / 33

HEX #8130AA

RGB 129 48 170

HSL 279.84, 0.56%, 0.43%

LAB 37.27, 54.12, -50.18

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 19 / 56 / 0 / 18

HEX #A95CD1

RGB 169 92 209

HSL 279.49, 0.56%, 0.59%

LAB 52.61, 51, -48.05

 

CMYK 15 / 43 / 0 / 15

HEX #BA7CDA

RGB 186 124 218

HSL 279.57, 0.56%, 0.67%

LAB 61.58, 40.64, -38.84

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 0 / 70 / 60 / 22

HEX #C83C51

RGB 200 60 81

HSL 351, 0.56%, 0.51%

LAB 47.11, 56.33, 20.19

 

CMYK 70 / 0 / 53 / 22

HEX #3CC85F

RGB 60 200 95

HSL 135, 0.56%, 0.51%

LAB 71.62, -59.1, 41.61

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 0 / 25 / 70 / 22

HEX #C8973C

RGB 200 151 60

HSL 39, 0.56%, 0.51%

LAB 65.54, 9.28, 53.16

 

CMYK 70 / 0 / 25 / 22

HEX #3CC897

RGB 60 200 151

HSL 159, 0.56%, 0.51%

LAB 72.56, -48.64, 13.91

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 0 / 70 / 60 / 22

HEX #C83C51

RGB 200 60 81

HSL 351, 0.56%, 0.51%

LAB 47.11, 56.33, 20.19

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 70 / 0 / 11 / 22

HEX #3CC8B3

RGB 60 200 179

HSL 171, 0.56%, 0.51%

LAB 73.24, -41.75, -0.26

 

CMYK 24 / 70 / 0 / 22

HEX #993CC8

RGB 153 60 200

HSL 279.86, 0.56%, 0.51%

LAB 44.48, 60.42, -56.01

 

CMYK 0 / 60 / 70 / 22

HEX #C8513C

RGB 200 81 60

HSL 9, 0.56%, 0.51%

LAB 50.09, 46.16, 36.22

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 70 / 11 / 0 / 22

HEX #3CB3C8

RGB 60 179 200

HSL 189, 0.56%, 0.51%

LAB 67.55, -25.84, -20.24

 

Description

Color code: HEX #993CC8 | qconv.com Color code: HEX #993CC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 60 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 60 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 70 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 70% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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