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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #993ECF it is the complementary color #66C130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #993ECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #993ECF shade: #9E3ECA, #AF50DD, #C062F0, #D174FF and #E286FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #993ECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #993ECF shade: #993ECF, #882CBC, #771AA9, #660896 and #550083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #993ECF shade: #993FCF, #C03FCF, #CF3FB7, #CF3F90 and #CF3F69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #993ECF shade: #993FCF, #723FCF, #4B3FCF and #3F3FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #993ECF shade matches the following richer shades: #993FCF, #9E2BE2 and #A318F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #993ECF shade: #993FCF, #9452BB, #8F66A8, #8A7994 and #858C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #993ECF shade: #4B3FCF, #713FCF, #973FCF, #BE3FCF and #CF3FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #993ECF shade: #6C2596, #842DB7, #993FCF, #AA60D7 and #BC81DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #993ECF shade: #993ECF, #CF3F59 and #3FCF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #993ECF shade: #993ECF, #CF973F and #3FCF97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #993ECF shade: #993ECF, #CF3F59, #76CF3F and #3FCFB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #993ECF shade: #993ECF, #CF503F, #76CF3F and #3FBECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

Complementary color

CMYK 47 / 0 / 75 / 24

HEX #66C130

RGB 102 193 48

HSL 97.66, 0.6%, 0.47%

LAB 70.3, -51.27, 60.33

 

CMYK 22 / 69 / 0 / 21

HEX #9E3ECA

RGB 158 62 202

HSL 281.14, 0.57%, 0.52%

LAB 45.6, 61.04, -55.32

 

CMYK 21 / 64 / 0 / 13

HEX #AF50DD

RGB 175 80 221

HSL 280.43, 0.67%, 0.59%

LAB 51.92, 60.78, -55.93

 

CMYK 20 / 59 / 0 / 6

HEX #C062F0

RGB 192 98 240

HSL 279.72, 0.83%, 0.66%

LAB 58.26, 60.26, -56.34

 

CMYK 18 / 55 / 0 / 0

HEX #D174FF

RGB 209 116 255

HSL 280.14, 1%, 0.73%

LAB 64.38, 58.76, -54.76

 

CMYK 11 / 47 / 0 / 0

HEX #E286FF

RGB 226 134 255

HSL 285.62, 1%, 0.76%

LAB 69.78, 54.2, -46.09

 

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

CMYK 28 / 77 / 0 / 26

HEX #882CBC

RGB 136 44 188

HSL 278.33, 0.62%, 0.45%

LAB 39.01, 60.92, -57.97

 

CMYK 30 / 85 / 0 / 34

HEX #771AA9

RGB 119 26 169

HSL 279.02, 0.73%, 0.38%

LAB 32.97, 59.94, -56.61

 

CMYK 32 / 95 / 0 / 41

HEX #660896

RGB 102 8 150

HSL 279.72, 0.9%, 0.31%

LAB 27.3, 57.56, -54.43

 

CMYK 35 / 100 / 0 / 49

HEX #550083

RGB 85 0 131

HSL 278.93, 1%, 0.26%

LAB 22.2, 53.04, -51.06

 

CMYK 26 / 70 / 0 / 19

HEX #993FCF

RGB 153 63 207

HSL 277.5, 0.6%, 0.53%

LAB 45.4, 60.64, -58.57

 

CMYK 7 / 70 / 0 / 19

HEX #C03FCF

RGB 192 63 207

HSL 293.75, 0.6%, 0.53%

LAB 51, 68.84, -49.29

 

CMYK 0 / 70 / 12 / 19

HEX #CF3FB7

RGB 207 63 183

HSL 310, 0.6%, 0.53%

LAB 52.11, 68.39, -33.52

 

CMYK 0 / 70 / 30 / 19

HEX #CF3F90

RGB 207 63 144

HSL 326.25, 0.6%, 0.53%

LAB 50.49, 63.19, -13

 

CMYK 0 / 70 / 49 / 19

HEX #CF3F69

RGB 207 63 105

HSL 342.5, 0.6%, 0.53%

LAB 49.3, 59.18, 8.78

 

CMYK 26 / 70 / 0 / 19

HEX #993FCF

RGB 153 63 207

HSL 277.5, 0.6%, 0.53%

LAB 45.4, 60.64, -58.57

 

CMYK 45 / 70 / 0 / 19

HEX #723FCF

RGB 114 63 207

HSL 261.25, 0.6%, 0.53%

LAB 40.63, 53.18, -66.53

 

CMYK 64 / 70 / 0 / 19

HEX #4B3FCF

RGB 75 63 207

HSL 245, 0.6%, 0.53%

LAB 37.03, 47.15, -72.56

 

CMYK 70 / 70 / 0 / 19

HEX #3F3FCF

RGB 63 63 207

HSL 240, 0.6%, 0.53%

LAB 36.21, 45.7, -73.95

 

CMYK 26 / 70 / 0 / 19

HEX #993FCF

RGB 153 63 207

HSL 277.5, 0.6%, 0.53%

LAB 45.4, 60.64, -58.57

 

CMYK 30 / 81 / 0 / 11

HEX #9E2BE2

RGB 158 43 226

HSL 277.7, 0.76%, 0.53%

LAB 44.92, 72.8, -70.19

 

CMYK 33 / 90 / 0 / 4

HEX #A318F5

RGB 163 24 245

HSL 277.74, 0.92%, 0.53%

LAB 45.68, 81.66, -79.68

 

CMYK 26 / 70 / 0 / 19

HEX #993FCF

RGB 153 63 207

HSL 277.5, 0.6%, 0.53%

LAB 45.4, 60.64, -58.57

 

CMYK 21 / 56 / 0 / 27

HEX #9452BB

RGB 148 82 187

HSL 277.71, 0.44%, 0.53%

LAB 46.87, 45.92, -44.68

 

CMYK 15 / 39 / 0 / 34

HEX #8F66A8

RGB 143 102 168

HSL 277.27, 0.28%, 0.53%

LAB 49.7, 29.05, -29.16

 

CMYK 7 / 18 / 0 / 42

HEX #8A7994

RGB 138 121 148

HSL 277.78, 0.11%, 0.53%

LAB 53.19, 11.84, -12.17

 

CMYK 5 / 0 / 8 / 45

HEX #858C81

RGB 133 140 129

HSL 98.18, 0.05%, 0.53%

LAB 57.39, -4.71, 4.99

 

CMYK 64 / 70 / 0 / 19

HEX #4B3FCF

RGB 75 63 207

HSL 245, 0.6%, 0.53%

LAB 37.03, 47.15, -72.56

 

CMYK 45 / 70 / 0 / 19

HEX #713FCF

RGB 113 63 207

HSL 260.83, 0.6%, 0.53%

LAB 40.53, 53.01, -66.71

 

CMYK 27 / 70 / 0 / 19

HEX #973FCF

RGB 151 63 207

HSL 276.67, 0.6%, 0.53%

LAB 45.14, 60.23, -59.01

 

CMYK 8 / 70 / 0 / 19

HEX #BE3FCF

RGB 190 63 207

HSL 292.92, 0.6%, 0.53%

LAB 50.7, 68.41, -49.79

 

CMYK 0 / 70 / 11 / 19

HEX #CF3FB9

RGB 207 63 185

HSL 309.17, 0.6%, 0.53%

LAB 52.2, 68.69, -34.53

 

CMYK 28 / 75 / 0 / 41

HEX #6C2596

RGB 108 37 150

HSL 277.7, 0.6%, 0.37%

LAB 31.15, 50.04, -48.13

 

CMYK 28 / 75 / 0 / 28

HEX #842DB7

RGB 132 45 183

HSL 277.83, 0.61%, 0.45%

LAB 38.2, 58.73, -56.37

 

CMYK 26 / 70 / 0 / 19

HEX #993FCF

RGB 153 63 207

HSL 277.5, 0.6%, 0.53%

LAB 45.4, 60.64, -58.57

 

CMYK 21 / 55 / 0 / 16

HEX #AA60D7

RGB 170 96 215

HSL 277.31, 0.6%, 0.61%

LAB 53.83, 50.51, -49.51

 

CMYK 16 / 42 / 0 / 13

HEX #BC81DF

RGB 188 129 223

HSL 277.66, 0.59%, 0.69%

LAB 63.11, 39.57, -39.23

 

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 70 / 0 / 55 / 19

HEX #3FCF5E

RGB 63 207 94

HSL 132.92, 0.6%, 0.53%

LAB 73.86, -61.18, 44.82

 

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

CMYK 0 / 27 / 70 / 19

HEX #CF973F

RGB 207 151 63

HSL 36.67, 0.6%, 0.53%

LAB 66.33, 12.47, 52.89

 

CMYK 70 / 0 / 27 / 19

HEX #3FCF97

RGB 63 207 151

HSL 156.67, 0.6%, 0.53%

LAB 74.77, -51.02, 17

 

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 43 / 0 / 70 / 19

HEX #76CF3F

RGB 118 207 63

HSL 97.08, 0.6%, 0.53%

LAB 75.35, -50.76, 60.26

 

CMYK 70 / 0 / 13 / 19

HEX #3FCFB4

RGB 63 207 180

HSL 168.75, 0.6%, 0.53%

LAB 75.44, -44.13, 2.41

 

CMYK 26 / 70 / 0 / 19

HEX #993ECF

RGB 153 62 207

HSL 277.66, 0.6%, 0.53%

LAB 45.25, 61.07, -58.81

 

CMYK 0 / 61 / 70 / 19

HEX #CF503F

RGB 207 80 63

HSL 7.08, 0.6%, 0.53%

LAB 51.11, 49.27, 36.02

 

CMYK 43 / 0 / 70 / 19

HEX #76CF3F

RGB 118 207 63

HSL 97.08, 0.6%, 0.53%

LAB 75.35, -50.76, 60.26

 

CMYK 70 / 8 / 0 / 19

HEX #3FBECF

RGB 63 190 207

HSL 187.08, 0.6%, 0.53%

LAB 71.14, -28.76, -18.63

 

Description

Color code: HEX #993ECF | qconv.com Color code: HEX #993ECF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 62 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 62 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 70 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 70% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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