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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99447F it is the complementary color #66BB80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99447F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99447F shade: #9E447A, #AF568D, #C068A0, #D17AB3 and #E28CC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99447F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99447F shade: #99447F, #88326C, #772059, #660E46 and #550033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99447F shade: #97437D, #974367, #974350 and #974343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99447F shade: #97437D, #974394, #834397, #6D4397 and #564397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99447F shade matches the following richer shades: #97437D, #A93284, #BA208B and #CC0E92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99447F shade: #97437D, #855576, #736770, #627969 and #508A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99447F shade: #834397, #974394, #97437E, #974368 and #974351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99447F shade: #5E2A4E, #7A3766, #97437D, #B15294 and #BE6FA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99447F shade: #99447F, #976D43 and #43978E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99447F shade: #99447F, #7E9743 and #437E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99447F shade: #99447F, #976D43, #43975C and #436D97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99447F shade: #99447F, #978643, #43975C and #435497

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

Complementary color

CMYK 45 / 0 / 32 / 27

HEX #66BB80

RGB 102 187 128

HSL 138.35, 0.38%, 0.57%

LAB 69.42, -38.89, 22.09

 

CMYK 0 / 57 / 23 / 38

HEX #9E447A

RGB 158 68 122

HSL 324, 0.4%, 0.44%

LAB 42.47, 43.76, -12.58

 

CMYK 0 / 51 / 19 / 31

HEX #AF568D

RGB 175 86 141

HSL 322.92, 0.36%, 0.51%

LAB 49.12, 43.11, -13.77

 

CMYK 0 / 46 / 17 / 25

HEX #C068A0

RGB 192 104 160

HSL 321.82, 0.41%, 0.58%

LAB 55.73, 42.36, -14.73

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB3

RGB 209 122 179

HSL 320.69, 0.49%, 0.65%

LAB 62.28, 41.58, -15.54

 

CMYK 0 / 38 / 12 / 11

HEX #E28CC6

RGB 226 140 198

HSL 319.53, 0.6%, 0.72%

LAB 68.75, 40.81, -16.25

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 0 / 63 / 21 / 47

HEX #88326C

RGB 136 50 108

HSL 319.53, 0.46%, 0.36%

LAB 35.2, 43.38, -15.27

 

CMYK 0 / 73 / 25 / 53

HEX #772059

RGB 119 32 89

HSL 320.69, 0.58%, 0.3%

LAB 28.58, 43.31, -13.44

 

CMYK 0 / 86 / 31 / 60

HEX #660E46

RGB 102 14 70

HSL 321.82, 0.76%, 0.23%

LAB 22.24, 42.17, -10.73

 

CMYK 0 / 100 / 40 / 67

HEX #550033

RGB 85 0 51

HSL 324, 1%, 0.17%

LAB 16.36, 39.3, -6.71

 

CMYK 0 / 56 / 17 / 41

HEX #97437D

RGB 151 67 125

HSL 318.57, 0.39%, 0.43%

LAB 41.33, 42.49, -16.26

 

CMYK 0 / 56 / 32 / 41

HEX #974367

RGB 151 67 103

HSL 334.29, 0.39%, 0.43%

LAB 40.53, 39.25, -3.86

 

CMYK 0 / 56 / 47 / 41

HEX #974350

RGB 151 67 80

HSL 350.71, 0.39%, 0.43%

LAB 39.87, 36.5, 9.56

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 56 / 17 / 41

HEX #97437D

RGB 151 67 125

HSL 318.57, 0.39%, 0.43%

LAB 41.33, 42.49, -16.26

 

CMYK 0 / 56 / 2 / 41

HEX #974394

RGB 151 67 148

HSL 302.14, 0.39%, 0.43%

LAB 42.36, 46.43, -28.68

 

CMYK 13 / 56 / 0 / 41

HEX #834397

RGB 131 67 151

HSL 285.71, 0.39%, 0.43%

LAB 39.7, 41.35, -34.85

 

CMYK 28 / 56 / 0 / 41

HEX #6D4397

RGB 109 67 151

HSL 270, 0.39%, 0.43%

LAB 36.93, 35.28, -39.43

 

CMYK 43 / 56 / 0 / 41

HEX #564397

RGB 86 67 151

HSL 253.57, 0.39%, 0.43%

LAB 34.45, 29.34, -43.54

 

CMYK 0 / 56 / 17 / 41

HEX #97437D

RGB 151 67 125

HSL 318.57, 0.39%, 0.43%

LAB 41.33, 42.49, -16.26

 

CMYK 0 / 70 / 22 / 34

HEX #A93284

RGB 169 50 132

HSL 318.66, 0.54%, 0.43%

LAB 41.82, 56.23, -19.56

 

CMYK 0 / 83 / 25 / 27

HEX #BA208B

RGB 186 32 139

HSL 318.31, 0.71%, 0.43%

LAB 43.27, 66.72, -21.35

 

CMYK 0 / 93 / 28 / 20

HEX #CC0E92

RGB 204 14 146

HSL 318.32, 0.87%, 0.43%

LAB 45.94, 74.37, -21.2

 

CMYK 0 / 56 / 17 / 41

HEX #97437D

RGB 151 67 125

HSL 318.57, 0.39%, 0.43%

LAB 41.33, 42.49, -16.26

 

CMYK 0 / 36 / 11 / 48

HEX #855576

RGB 133 85 118

HSL 318.75, 0.22%, 0.43%

LAB 42.45, 25.24, -10.51

 

CMYK 0 / 10 / 3 / 55

HEX #736770

RGB 115 103 112

HSL 315, 0.06%, 0.43%

LAB 44.96, 6.5, -3.32

 

CMYK 19 / 0 / 13 / 53

HEX #627969

RGB 98 121 105

HSL 138.26, 0.11%, 0.43%

LAB 48.63, -11.86, 6.01

 

CMYK 42 / 0 / 29 / 46

HEX #508A62

RGB 80 138 98

HSL 138.62, 0.27%, 0.43%

LAB 52.69, -28.29, 15.61

 

CMYK 13 / 56 / 0 / 41

HEX #834397

RGB 131 67 151

HSL 285.71, 0.39%, 0.43%

LAB 39.7, 41.35, -34.85

 

CMYK 0 / 56 / 2 / 41

HEX #974394

RGB 151 67 148

HSL 302.14, 0.39%, 0.43%

LAB 42.36, 46.43, -28.68

 

CMYK 0 / 56 / 17 / 41

HEX #97437E

RGB 151 67 126

HSL 317.86, 0.39%, 0.43%

LAB 41.37, 42.65, -16.81

 

CMYK 0 / 56 / 31 / 41

HEX #974368

RGB 151 67 104

HSL 333.57, 0.39%, 0.43%

LAB 40.56, 39.39, -4.43

 

CMYK 0 / 56 / 46 / 41

HEX #974351

RGB 151 67 81

HSL 350, 0.39%, 0.43%

LAB 39.89, 36.61, 8.97

 

CMYK 0 / 55 / 17 / 63

HEX #5E2A4E

RGB 94 42 78

HSL 318.46, 0.38%, 0.27%

LAB 25.52, 28.8, -11.24

 

CMYK 0 / 55 / 16 / 52

HEX #7A3766

RGB 122 55 102

HSL 317.91, 0.38%, 0.35%

LAB 33.62, 35.46, -14.07

 

CMYK 0 / 56 / 17 / 41

HEX #97437D

RGB 151 67 125

HSL 318.57, 0.39%, 0.43%

LAB 41.33, 42.49, -16.26

 

CMYK 0 / 54 / 16 / 31

HEX #B15294

RGB 177 82 148

HSL 318.32, 0.38%, 0.51%

LAB 48.91, 46.84, -18.23

 

CMYK 0 / 42 / 13 / 25

HEX #BE6FA6

RGB 190 111 166

HSL 318.23, 0.38%, 0.59%

LAB 57.14, 38.98, -16.09

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 0 / 28 / 56 / 41

HEX #976D43

RGB 151 109 67

HSL 30, 0.39%, 0.43%

LAB 49.4, 11.7, 29.86

 

CMYK 56 / 0 / 6 / 41

HEX #43978E

RGB 67 151 142

HSL 173.57, 0.39%, 0.43%

LAB 57.35, -27.62, -2.97

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 17 / 0 / 56 / 41

HEX #7E9743

RGB 126 151 67

HSL 77.86, 0.39%, 0.43%

LAB 58.95, -22.31, 40.75

 

CMYK 56 / 17 / 0 / 41

HEX #437E97

RGB 67 126 151

HSL 197.86, 0.39%, 0.43%

LAB 49.92, -11.77, -19.34

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 0 / 28 / 56 / 41

HEX #976D43

RGB 151 109 67

HSL 30, 0.39%, 0.43%

LAB 49.4, 11.7, 29.86

 

CMYK 56 / 0 / 39 / 41

HEX #43975C

RGB 67 151 92

HSL 137.86, 0.39%, 0.43%

LAB 56.19, -39.08, 23.59

 

CMYK 56 / 28 / 0 / 41

HEX #436D97

RGB 67 109 151

HSL 210, 0.39%, 0.43%

LAB 44.75, -1.83, -27.32

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 0 / 11 / 56 / 41

HEX #978643

RGB 151 134 67

HSL 47.86, 0.39%, 0.43%

LAB 56.12, -2.49, 37.96

 

CMYK 56 / 0 / 39 / 41

HEX #43975C

RGB 67 151 92

HSL 137.86, 0.39%, 0.43%

LAB 56.19, -39.08, 23.59

 

CMYK 56 / 44 / 0 / 41

HEX #435497

RGB 67 84 151

HSL 227.86, 0.39%, 0.43%

LAB 37.42, 13.91, -38.87

 

Description

Color code: HEX #99447F | qconv.com Color code: HEX #99447F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 68 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 68 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 17 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 17% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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