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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994665 it is the complementary color #66B99A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994665. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994665 shade: #9E4660, #AF5873, #C06A86, #D17C99 and #E28EAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994665. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994665 shade: #994665, #883452, #77223F, #66102C and #550019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994665 shade: #994665, #99464F and #994646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994665 shade: #994665, #99467C, #994692, #8A4699 and #744699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994665 shade matches the following richer shades: #994665, #AB3461, #BE225C and #D01057

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994665 shade: #994665, #87586A, #756A6E, #637D73 and #518F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994665 shade: #994692, #99467C, #994666, #994650 and #995346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994665 shade: #612C40, #7D3952, #994665, #B25779 and #BF738F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994665 shade: #994665, #998A46 and #468799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994665 shade: #994665, #669946 and #466699

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994665 shade: #994665, #998A46, #469979 and #465599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994665 shade: #994665, #909946, #469979 and #504699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

Complementary color

CMYK 45 / 0 / 17 / 27

HEX #66B99A

RGB 102 185 154

HSL 157.59, 0.37%, 0.56%

LAB 69.37, -32.67, 7.93

 

CMYK 0 / 56 / 39 / 38

HEX #9E4660

RGB 158 70 96

HSL 342.27, 0.39%, 0.45%

LAB 41.99, 39.29, 2.76

 

CMYK 0 / 50 / 34 / 31

HEX #AF5873

RGB 175 88 115

HSL 341.38, 0.35%, 0.52%

LAB 48.67, 38.41, 1.16

 

CMYK 0 / 45 / 30 / 25

HEX #C06A86

RGB 192 106 134

HSL 340.47, 0.41%, 0.58%

LAB 55.31, 37.51, -0.15

 

CMYK 0 / 41 / 27 / 18

HEX #D17C99

RGB 209 124 153

HSL 339.53, 0.48%, 0.65%

LAB 61.89, 36.62, -1.28

 

CMYK 0 / 37 / 24 / 11

HEX #E28EAC

RGB 226 142 172

HSL 338.57, 0.59%, 0.72%

LAB 68.38, 35.79, -2.27

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 62 / 40 / 47

HEX #883452

RGB 136 52 82

HSL 338.57, 0.45%, 0.37%

LAB 34.6, 38.88, 0.43

 

CMYK 0 / 71 / 47 / 53

HEX #77223F

RGB 119 34 63

HSL 339.53, 0.56%, 0.3%

LAB 27.91, 39.27, 2.82

 

CMYK 0 / 84 / 57 / 60

HEX #66102C

RGB 102 16 44

HSL 340.47, 0.73%, 0.23%

LAB 21.5, 38.78, 6.24

 

CMYK 0 / 100 / 71 / 67

HEX #550019

RGB 85 0 25

HSL 342.35, 1%, 0.17%

LAB 15.5, 37.02, 11.08

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 54 / 48 / 40

HEX #99464F

RGB 153 70 79

HSL 353.49, 0.37%, 0.44%

LAB 40.76, 35.59, 11.47

 

CMYK 0 / 54 / 54 / 40

HEX #994646

RGB 153 70 70

HSL 0, 0.37%, 0.44%

LAB 40.56, 34.73, 16.78

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 54 / 19 / 40

HEX #99467C

RGB 153 70 124

HSL 320.96, 0.37%, 0.44%

LAB 42.17, 41.46, -14.35

 

CMYK 0 / 54 / 5 / 40

HEX #994692

RGB 153 70 146

HSL 305.06, 0.37%, 0.44%

LAB 43.1, 45.17, -26.28

 

CMYK 10 / 54 / 0 / 40

HEX #8A4699

RGB 138 70 153

HSL 289.16, 0.37%, 0.44%

LAB 41.35, 42.16, -33.4

 

CMYK 24 / 54 / 0 / 40

HEX #744699

RGB 116 70 153

HSL 273.25, 0.37%, 0.44%

LAB 38.54, 35.97, -38.03

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 70 / 43 / 33

HEX #AB3461

RGB 171 52 97

HSL 337.31, 0.53%, 0.44%

LAB 41.18, 51.82, 1.23

 

CMYK 0 / 82 / 52 / 25

HEX #BE225C

RGB 190 34 92

HSL 337.69, 0.7%, 0.44%

LAB 42.56, 62.48, 6.82

 

CMYK 0 / 92 / 58 / 18

HEX #D01057

RGB 208 16 87

HSL 337.81, 0.86%, 0.44%

LAB 44.9, 69.88, 13.75

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 35 / 21 / 47

HEX #87586A

RGB 135 88 106

HSL 337.02, 0.21%, 0.44%

LAB 43.02, 22.16, -2.29

 

CMYK 0 / 9 / 6 / 54

HEX #756A6E

RGB 117 106 110

HSL 338.18, 0.05%, 0.44%

LAB 45.93, 5.09, -0.67

 

CMYK 21 / 0 / 8 / 51

HEX #637D73

RGB 99 125 115

HSL 156.92, 0.12%, 0.44%

LAB 50.17, -11.59, 2.35

 

CMYK 43 / 0 / 16 / 44

HEX #518F78

RGB 81 143 120

HSL 157.74, 0.28%, 0.44%

LAB 54.81, -25.71, 6.02

 

CMYK 0 / 54 / 5 / 40

HEX #994692

RGB 153 70 146

HSL 305.06, 0.37%, 0.44%

LAB 43.1, 45.17, -26.28

 

CMYK 0 / 54 / 19 / 40

HEX #99467C

RGB 153 70 124

HSL 320.96, 0.37%, 0.44%

LAB 42.17, 41.46, -14.35

 

CMYK 0 / 54 / 33 / 40

HEX #994666

RGB 153 70 102

HSL 336.87, 0.37%, 0.44%

LAB 41.39, 38.28, -1.93

 

CMYK 0 / 54 / 48 / 40

HEX #994650

RGB 153 70 80

HSL 352.77, 0.37%, 0.44%

LAB 40.79, 35.69, 10.88

 

CMYK 0 / 46 / 54 / 40

HEX #995346

RGB 153 83 70

HSL 9.4, 0.37%, 0.44%

LAB 43.36, 27.69, 20.48

 

CMYK 0 / 55 / 34 / 62

HEX #612C40

RGB 97 44 64

HSL 337.36, 0.38%, 0.28%

LAB 25.9, 26.51, -1.26

 

CMYK 0 / 54 / 34 / 51

HEX #7D3952

RGB 125 57 82

HSL 337.94, 0.37%, 0.36%

LAB 33.76, 32.39, -1.01

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 51 / 32 / 30

HEX #B25779

RGB 178 87 121

HSL 337.58, 0.37%, 0.52%

LAB 49.08, 40.76, -1.8

 

CMYK 0 / 40 / 25 / 25

HEX #BF738F

RGB 191 115 143

HSL 337.89, 0.37%, 0.6%

LAB 57.39, 33.58, -2.38

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 10 / 54 / 40

HEX #998A46

RGB 153 138 70

HSL 49.16, 0.37%, 0.44%

LAB 57.45, -3.55, 38.05

 

CMYK 54 / 12 / 0 / 40

HEX #468799

RGB 70 135 153

HSL 193.01, 0.37%, 0.44%

LAB 52.87, -15.49, -15.98

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 33 / 0 / 54 / 40

HEX #669946

RGB 102 153 70

HSL 96.87, 0.37%, 0.44%

LAB 58.08, -32.32, 37.87

 

CMYK 54 / 33 / 0 / 40

HEX #466699

RGB 70 102 153

HSL 216.87, 0.37%, 0.44%

LAB 42.92, 3.82, -31.36

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 0 / 10 / 54 / 40

HEX #998A46

RGB 153 138 70

HSL 49.16, 0.37%, 0.44%

LAB 57.45, -3.55, 38.05

 

CMYK 54 / 0 / 21 / 40

HEX #469979

RGB 70 153 121

HSL 156.87, 0.37%, 0.44%

LAB 57.53, -33.19, 9.25

 

CMYK 54 / 44 / 0 / 40

HEX #465599

RGB 70 85 153

HSL 229.16, 0.37%, 0.44%

LAB 38.02, 14.63, -39.11

 

CMYK 0 / 54 / 34 / 40

HEX #994665

RGB 153 70 101

HSL 337.59, 0.37%, 0.44%

LAB 41.36, 38.15, -1.35

 

CMYK 6 / 0 / 54 / 40

HEX #909946

RGB 144 153 70

HSL 66.51, 0.37%, 0.44%

LAB 60.92, -15.52, 41.91

 

CMYK 54 / 0 / 21 / 40

HEX #469979

RGB 70 153 121

HSL 156.87, 0.37%, 0.44%

LAB 57.53, -33.19, 9.25

 

CMYK 48 / 54 / 0 / 40

HEX #504699

RGB 80 70 153

HSL 247.23, 0.37%, 0.44%

LAB 34.77, 26.63, -44.26

 

Description

Color code: HEX #994665 | qconv.com Color code: HEX #994665 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 70 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 70 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 34 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 34% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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