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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9940C9 it is the complementary color #66BF36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9940C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9940C9 shade: #9E40C4, #AF52D7, #C064EA, #D176FD and #E288FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9940C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9940C9 shade: #9940C9, #882EB6, #771CA3, #660A90 and #55007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9940C9 shade: #9940C9, #BE40C9, #C940AF, #C9408A and #C94065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9940C9 shade: #9940C9, #7440C9, #4F40C9 and #4040C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9940C9 shade matches the following richer shades: #9940C9, #9F2CDC and #A418F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9940C9 shade: #9940C9, #9353B5, #8D67A1, #877B8D and #818F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9940C9 shade: #4D40C9, #7240C9, #9640C9, #BB40C9 and #C940B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9940C9 shade: #6A288E, #8231AE, #9940C9, #AA60D2 and #BB80DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9940C9 shade: #9940C9, #C94056 and #40C960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9940C9 shade: #9940C9, #C99640 and #40C996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9940C9 shade: #9940C9, #C94056, #72C940 and #40C9B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9940C9 shade: #9940C9, #C95240, #72C940 and #40B6C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

Complementary color

CMYK 47 / 0 / 72 / 25

HEX #66BF36

RGB 102 191 54

HSL 98.98, 0.56%, 0.48%

LAB 69.72, -50.08, 57.64

 

CMYK 19 / 67 / 0 / 23

HEX #9E40C4

RGB 158 64 196

HSL 282.73, 0.53%, 0.51%

LAB 45.53, 58.95, -51.98

 

CMYK 19 / 62 / 0 / 16

HEX #AF52D7

RGB 175 82 215

HSL 281.95, 0.62%, 0.58%

LAB 51.9, 58.62, -52.56

 

CMYK 18 / 57 / 0 / 8

HEX #C064EA

RGB 192 100 234

HSL 281.19, 0.76%, 0.65%

LAB 58.28, 58.05, -52.95

 

CMYK 17 / 53 / 0 / 1

HEX #D176FD

RGB 209 118 253

HSL 280.44, 0.97%, 0.73%

LAB 64.65, 57.36, -53.23

 

CMYK 11 / 47 / 0 / 0

HEX #E288FF

RGB 226 136 255

HSL 285.38, 1%, 0.77%

LAB 70.17, 53.19, -45.48

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 25 / 75 / 0 / 29

HEX #882EB6

RGB 136 46 182

HSL 279.71, 0.6%, 0.45%

LAB 38.84, 58.89, -54.72

 

CMYK 27 / 83 / 0 / 36

HEX #771CA3

RGB 119 28 163

HSL 280.44, 0.71%, 0.37%

LAB 32.69, 58.1, -53.45

 

CMYK 29 / 93 / 0 / 44

HEX #660A90

RGB 102 10 144

HSL 281.19, 0.87%, 0.3%

LAB 26.89, 55.96, -51.39

 

CMYK 32 / 100 / 0 / 51

HEX #55007D

RGB 85 0 125

HSL 280.8, 1%, 0.25%

LAB 21.62, 51.79, -48.19

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 5 / 68 / 0 / 21

HEX #BE40C9

RGB 190 64 201

HSL 295.18, 0.56%, 0.52%

LAB 50.49, 66.99, -46.67

 

CMYK 0 / 68 / 13 / 21

HEX #C940AF

RGB 201 64 175

HSL 311.39, 0.56%, 0.52%

LAB 50.9, 65.4, -30.81

 

CMYK 0 / 68 / 31 / 21

HEX #C9408A

RGB 201 64 138

HSL 327.59, 0.56%, 0.52%

LAB 49.4, 60.46, -11.16

 

CMYK 0 / 68 / 50 / 21

HEX #C94065

RGB 201 64 101

HSL 343.8, 0.56%, 0.52%

LAB 48.29, 56.65, 9.64

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 42 / 68 / 0 / 21

HEX #7440C9

RGB 116 64 201

HSL 262.77, 0.56%, 0.52%

LAB 40.57, 51.46, -63.15

 

CMYK 61 / 68 / 0 / 21

HEX #4F40C9

RGB 79 64 201

HSL 246.57, 0.56%, 0.52%

LAB 37.02, 45.25, -69.1

 

CMYK 68 / 68 / 0 / 21

HEX #4040C9

RGB 64 64 201

HSL 240, 0.56%, 0.52%

LAB 35.93, 43.25, -70.92

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 28 / 80 / 0 / 14

HEX #9F2CDC

RGB 159 44 220

HSL 279.2, 0.72%, 0.52%

LAB 44.72, 71.45, -67.1

 

CMYK 32 / 90 / 0 / 6

HEX #A418F0

RGB 164 24 240

HSL 278.89, 0.88%, 0.52%

LAB 45.41, 80.82, -77.29

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 19 / 54 / 0 / 29

HEX #9353B5

RGB 147 83 181

HSL 279.18, 0.4%, 0.52%

LAB 46.61, 43.79, -41.59

 

CMYK 12 / 36 / 0 / 37

HEX #8D67A1

RGB 141 103 161

HSL 279.31, 0.24%, 0.52%

LAB 49.42, 26.26, -25.51

 

CMYK 4 / 13 / 0 / 45

HEX #877B8D

RGB 135 123 141

HSL 280, 0.07%, 0.52%

LAB 53.21, 8.12, -8.07

 

CMYK 10 / 0 / 15 / 44

HEX #818F79

RGB 129 143 121

HSL 98.18, 0.09%, 0.52%

LAB 57.74, -9.35, 10.01

 

CMYK 62 / 68 / 0 / 21

HEX #4D40C9

RGB 77 64 201

HSL 245.69, 0.56%, 0.52%

LAB 36.86, 44.96, -69.36

 

CMYK 43 / 68 / 0 / 21

HEX #7240C9

RGB 114 64 201

HSL 261.9, 0.56%, 0.52%

LAB 40.35, 51.09, -63.52

 

CMYK 25 / 68 / 0 / 21

HEX #9640C9

RGB 150 64 201

HSL 277.66, 0.56%, 0.52%

LAB 44.76, 58.28, -56.17

 

CMYK 7 / 68 / 0 / 21

HEX #BB40C9

RGB 187 64 201

HSL 293.87, 0.56%, 0.52%

LAB 50.04, 66.32, -47.42

 

CMYK 0 / 68 / 11 / 21

HEX #C940B2

RGB 201 64 178

HSL 310.07, 0.56%, 0.52%

LAB 51.03, 65.84, -32.35

 

CMYK 25 / 72 / 0 / 44

HEX #6A288E

RGB 106 40 142

HSL 278.82, 0.56%, 0.36%

LAB 30.72, 46.51, -43.91

 

CMYK 25 / 72 / 0 / 32

HEX #8231AE

RGB 130 49 174

HSL 278.88, 0.56%, 0.44%

LAB 37.84, 54.77, -51.63

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 19 / 54 / 0 / 18

HEX #AA60D2

RGB 170 96 210

HSL 278.95, 0.56%, 0.6%

LAB 53.56, 49.42, -47.1

 

CMYK 15 / 42 / 0 / 14

HEX #BB80DB

RGB 187 128 219

HSL 278.9, 0.56%, 0.68%

LAB 62.61, 38.97, -37.79

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 0 / 68 / 57 / 21

HEX #C94056

RGB 201 64 86

HSL 350.36, 0.56%, 0.52%

LAB 47.95, 55.45, 18.3

 

CMYK 68 / 0 / 52 / 21

HEX #40C960

RGB 64 201 96

HSL 134.01, 0.56%, 0.52%

LAB 72.03, -58.61, 41.65

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 0 / 25 / 68 / 21

HEX #C99640

RGB 201 150 64

HSL 37.66, 0.56%, 0.52%

LAB 65.44, 10.47, 51.28

 

CMYK 68 / 0 / 25 / 21

HEX #40C996

RGB 64 201 150

HSL 157.66, 0.56%, 0.52%

LAB 72.93, -48.66, 14.98

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 0 / 68 / 57 / 21

HEX #C94056

RGB 201 64 86

HSL 350.36, 0.56%, 0.52%

LAB 47.95, 55.45, 18.3

 

CMYK 43 / 0 / 68 / 21

HEX #72C940

RGB 114 201 64

HSL 98.1, 0.56%, 0.52%

LAB 73.36, -49.55, 57.76

 

CMYK 68 / 0 / 11 / 21

HEX #40C9B2

RGB 64 201 178

HSL 169.93, 0.56%, 0.52%

LAB 73.6, -41.88, 0.82

 

CMYK 24 / 68 / 0 / 21

HEX #9940C9

RGB 153 64 201

HSL 278.98, 0.56%, 0.52%

LAB 45.16, 58.92, -55.5

 

CMYK 0 / 59 / 68 / 21

HEX #C95240

RGB 201 82 64

HSL 7.88, 0.56%, 0.52%

LAB 50.48, 46.27, 34.47

 

CMYK 43 / 0 / 68 / 21

HEX #72C940

RGB 114 201 64

HSL 98.1, 0.56%, 0.52%

LAB 73.36, -49.55, 57.76

 

CMYK 68 / 9 / 0 / 21

HEX #40B6C9

RGB 64 182 201

HSL 188.32, 0.56%, 0.52%

LAB 68.58, -26.48, -19.22

 

Description

Color code: HEX #9940C9 | qconv.com Color code: HEX #9940C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 64 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 64 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 68 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 68% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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