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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9940D0 it is the complementary color #66BF2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9940D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9940D0 shade: #9E40CB, #AF52DE, #C064F1, #D176FF and #E288FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9940D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9940D0 shade: #9940D0, #882EBD, #771CAA, #660A97 and #550084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9940D0 shade: #983ED0, #BF3ED0, #D03EB9, #D03E91 and #D03E6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9940D0 shade: #983ED0, #703ED0, #493ED0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9940D0 shade matches the following richer shades: #983ED0, #9C2AE3 and #A117F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9940D0 shade: #983ED0, #9351BC, #8F64A9, #8A7896 and #868B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9940D0 shade: #4A3ED0, #713ED0, #983ED0, #BF3ED0 and #D03EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9940D0 shade: #6B2497, #832CB8, #983ED0, #AA5FD8 and #BB80E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9940D0 shade: #9940D0, #D03E58 and #3ED05D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9940D0 shade: #9940D0, #D0983E and #3ED098

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9940D0 shade: #9940D0, #D03E58, #76D03E and #3ED0B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9940D0 shade: #9940D0, #D04F3E, #76D03E and #3EBFD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

Complementary color

CMYK 47 / 0 / 75 / 25

HEX #66BF2F

RGB 102 191 47

HSL 97.08, 0.61%, 0.47%

LAB 69.68, -50.55, 60.06

 

CMYK 22 / 68 / 0 / 20

HEX #9E40CB

RGB 158 64 203

HSL 280.58, 0.57%, 0.52%

LAB 45.97, 60.4, -55.31

 

CMYK 21 / 63 / 0 / 13

HEX #AF52DE

RGB 175 82 222

HSL 279.86, 0.68%, 0.6%

LAB 52.31, 60.08, -55.87

 

CMYK 20 / 59 / 0 / 5

HEX #C064F1

RGB 192 100 241

HSL 279.15, 0.83%, 0.67%

LAB 58.67, 59.51, -56.24

 

CMYK 18 / 54 / 0 / 0

HEX #D176FF

RGB 209 118 255

HSL 279.85, 1%, 0.73%

LAB 64.75, 57.77, -54.17

 

CMYK 11 / 47 / 0 / 0

HEX #E288FF

RGB 226 136 255

HSL 285.38, 1%, 0.77%

LAB 70.17, 53.19, -45.48

 

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

CMYK 28 / 76 / 0 / 26

HEX #882EBD

RGB 136 46 189

HSL 277.76, 0.61%, 0.46%

LAB 39.35, 60.38, -58.01

 

CMYK 30 / 84 / 0 / 33

HEX #771CAA

RGB 119 28 170

HSL 278.45, 0.72%, 0.39%

LAB 33.25, 59.57, -56.75

 

CMYK 32 / 93 / 0 / 41

HEX #660A97

RGB 102 10 151

HSL 279.15, 0.88%, 0.32%

LAB 27.51, 57.41, -54.7

 

CMYK 36 / 100 / 0 / 48

HEX #550084

RGB 85 0 132

HSL 278.64, 1%, 0.26%

LAB 22.29, 53.25, -51.53

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 8 / 70 / 0 / 18

HEX #BF3ED0

RGB 191 62 208

HSL 293.01, 0.61%, 0.53%

LAB 50.78, 69.16, -50.22

 

CMYK 0 / 70 / 11 / 18

HEX #D03EB9

RGB 208 62 185

HSL 309.45, 0.61%, 0.53%

LAB 52.24, 69.27, -34.46

 

CMYK 0 / 70 / 30 / 18

HEX #D03E91

RGB 208 62 145

HSL 325.89, 0.61%, 0.53%

LAB 50.57, 63.94, -13.47

 

CMYK 0 / 70 / 49 / 18

HEX #D03E6A

RGB 208 62 106

HSL 341.92, 0.61%, 0.53%

LAB 49.37, 59.94, 8.3

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 46 / 70 / 0 / 18

HEX #703ED0

RGB 112 62 208

HSL 260.55, 0.61%, 0.53%

LAB 40.32, 53.6, -67.63

 

CMYK 65 / 70 / 0 / 18

HEX #493ED0

RGB 73 62 208

HSL 244.52, 0.61%, 0.53%

LAB 36.77, 47.77, -73.58

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 31 / 81 / 0 / 11

HEX #9C2AE3

RGB 156 42 227

HSL 276.97, 0.77%, 0.53%

LAB 44.62, 73, -71.27

 

CMYK 35 / 91 / 0 / 3

HEX #A117F7

RGB 161 23 247

HSL 276.96, 0.93%, 0.53%

LAB 45.5, 81.98, -81.1

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 22 / 57 / 0 / 26

HEX #9351BC

RGB 147 81 188

HSL 277.01, 0.44%, 0.53%

LAB 46.6, 46.42, -45.68

 

CMYK 15 / 41 / 0 / 34

HEX #8F64A9

RGB 143 100 169

HSL 277.39, 0.29%, 0.53%

LAB 49.28, 30.43, -30.41

 

CMYK 8 / 20 / 0 / 41

HEX #8A7896

RGB 138 120 150

HSL 276, 0.13%, 0.53%

LAB 52.99, 12.85, -13.63

 

CMYK 4 / 0 / 6 / 45

HEX #868B82

RGB 134 139 130

HSL 93.33, 0.04%, 0.53%

LAB 57.22, -3.59, 4.17

 

CMYK 64 / 70 / 0 / 18

HEX #4A3ED0

RGB 74 62 208

HSL 244.93, 0.61%, 0.53%

LAB 36.85, 47.9, -73.45

 

CMYK 46 / 70 / 0 / 18

HEX #713ED0

RGB 113 62 208

HSL 260.96, 0.61%, 0.53%

LAB 40.43, 53.77, -67.45

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 8 / 70 / 0 / 18

HEX #BF3ED0

RGB 191 62 208

HSL 293.01, 0.61%, 0.53%

LAB 50.78, 69.16, -50.22

 

CMYK 0 / 70 / 11 / 18

HEX #D03EBA

RGB 208 62 186

HSL 309.04, 0.61%, 0.53%

LAB 52.29, 69.42, -34.97

 

CMYK 29 / 76 / 0 / 41

HEX #6B2497

RGB 107 36 151

HSL 277.04, 0.61%, 0.37%

LAB 30.93, 50.48, -49.1

 

CMYK 29 / 76 / 0 / 28

HEX #832CB8

RGB 131 44 184

HSL 277.29, 0.61%, 0.45%

LAB 38, 59.15, -57.29

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 21 / 56 / 0 / 15

HEX #AA5FD8

RGB 170 95 216

HSL 277.19, 0.61%, 0.61%

LAB 53.69, 51.24, -50.29

 

CMYK 17 / 43 / 0 / 12

HEX #BB80E0

RGB 187 128 224

HSL 276.88, 0.61%, 0.69%

LAB 62.83, 40.04, -40.23

 

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

CMYK 0 / 70 / 58 / 18

HEX #D03E58

RGB 208 62 88

HSL 349.32, 0.61%, 0.53%

LAB 48.96, 58.53, 18.66

 

CMYK 70 / 0 / 55 / 18

HEX #3ED05D

RGB 62 208 93

HSL 132.74, 0.61%, 0.53%

LAB 74.14, -61.83, 45.62

 

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

CMYK 0 / 27 / 70 / 18

HEX #D0983E

RGB 208 152 62

HSL 36.99, 0.61%, 0.53%

LAB 66.68, 12.3, 53.73

 

CMYK 70 / 0 / 27 / 18

HEX #3ED098

RGB 62 208 152

HSL 156.99, 0.61%, 0.53%

LAB 75.08, -51.35, 16.9

 

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

CMYK 0 / 70 / 58 / 18

HEX #D03E58

RGB 208 62 88

HSL 349.32, 0.61%, 0.53%

LAB 48.96, 58.53, 18.66

 

CMYK 43 / 0 / 70 / 18

HEX #76D03E

RGB 118 208 62

HSL 96.99, 0.61%, 0.53%

LAB 75.64, -51.23, 60.94

 

CMYK 70 / 0 / 13 / 18

HEX #3ED0B5

RGB 62 208 181

HSL 168.9, 0.61%, 0.53%

LAB 75.74, -44.44, 2.32

 

CMYK 26 / 69 / 0 / 18

HEX #9940D0

RGB 153 64 208

HSL 277.08, 0.61%, 0.53%

LAB 45.62, 60.42, -58.79

 

CMYK 0 / 62 / 70 / 18

HEX #D04F3E

RGB 208 79 62

HSL 6.99, 0.61%, 0.53%

LAB 51.09, 50.01, 36.61

 

CMYK 43 / 0 / 70 / 18

HEX #76D03E

RGB 118 208 62

HSL 96.99, 0.61%, 0.53%

LAB 75.64, -51.23, 60.94

 

CMYK 70 / 8 / 0 / 18

HEX #3EBFD0

RGB 62 191 208

HSL 186.99, 0.61%, 0.53%

LAB 71.45, -29.08, -18.71

 

Description

Color code: HEX #9940D0 | qconv.com Color code: HEX #9940D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 64 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 64 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 69 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 69% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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