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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994BD1 it is the complementary color #66B42E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994BD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994BD1 shade: #9E4BCC, #AF5DDF, #C06FF2, #D181FF and #E293FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994BD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994BD1 shade: #994BD1, #8839BE, #7727AB, #661598 and #550385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994BD1 shade: #994CD0, #BD4CD0, #D04CC0, #D04C9D and #D04C79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994BD1 shade: #994CD0, #754CD0, #524CD0 and #4C4CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994BD1 shade matches the following richer shades: #994CD0, #9C3AE3 and #9F28F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994BD1 shade: #994CD0, #965EBE, #9370AC, #90839A and #8D9588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994BD1 shade: #514CD0, #744CD0, #974CD0, #BA4CD0 and #D04CC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994BD1 shade: #6F29A1, #8632C2, #994CD0, #AC6DD9 and #BE8EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994BD1 shade: #994BD1, #D04C6B and #4CD062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994BD1 shade: #994BD1, #D0974C and #4CD097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994BD1 shade: #994BD1, #D04C6B, #85D04C and #4CD0B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994BD1 shade: #994BD1, #D0554C, #85D04C and #4CC8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

Complementary color

CMYK 43 / 0 / 74 / 29

HEX #66B42E

RGB 102 180 46

HSL 94.93, 0.59%, 0.44%

LAB 66.26, -46.23, 57.05

 

CMYK 23 / 63 / 0 / 20

HEX #9E4BCC

RGB 158 75 204

HSL 278.6, 0.56%, 0.55%

LAB 47.83, 55.63, -52.9

 

CMYK 22 / 58 / 0 / 13

HEX #AF5DDF

RGB 175 93 223

HSL 277.85, 0.67%, 0.62%

LAB 54.31, 55.01, -53.23

 

CMYK 21 / 54 / 0 / 5

HEX #C06FF2

RGB 192 111 242

HSL 277.1, 0.83%, 0.69%

LAB 60.77, 54.27, -53.45

 

CMYK 18 / 49 / 0 / 0

HEX #D181FF

RGB 209 129 255

HSL 278.1, 1%, 0.75%

LAB 66.88, 52.2, -50.79

 

CMYK 11 / 42 / 0 / 0

HEX #E293FF

RGB 226 147 255

HSL 283.89, 1%, 0.79%

LAB 72.4, 47.52, -41.99

 

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

CMYK 28 / 70 / 0 / 25

HEX #8839BE

RGB 136 57 190

HSL 275.64, 0.54%, 0.48%

LAB 41.02, 56.06, -55.89

 

CMYK 30 / 77 / 0 / 33

HEX #7727AB

RGB 119 39 171

HSL 276.36, 0.63%, 0.41%

LAB 34.63, 56.03, -55.12

 

CMYK 33 / 86 / 0 / 40

HEX #661598

RGB 102 21 152

HSL 277.1, 0.76%, 0.34%

LAB 28.45, 55.08, -53.77

 

CMYK 36 / 98 / 0 / 48

HEX #550385

RGB 85 3 133

HSL 277.85, 0.96%, 0.27%

LAB 22.62, 52.78, -51.62

 

CMYK 26 / 63 / 0 / 18

HEX #994CD0

RGB 153 76 208

HSL 275, 0.58%, 0.56%

LAB 47.62, 54.9, -55.58

 

CMYK 9 / 63 / 0 / 18

HEX #BD4CD0

RGB 189 76 208

HSL 291.36, 0.58%, 0.56%

LAB 52.44, 63.21, -47.58

 

CMYK 0 / 63 / 8 / 18

HEX #D04CC0

RGB 208 76 192

HSL 307.27, 0.58%, 0.56%

LAB 54.43, 65.11, -35.08

 

CMYK 0 / 63 / 25 / 18

HEX #D04C9D

RGB 208 76 157

HSL 323.18, 0.58%, 0.56%

LAB 52.96, 60.04, -16.95

 

CMYK 0 / 63 / 42 / 18

HEX #D04C79

RGB 208 76 121

HSL 339.55, 0.58%, 0.56%

LAB 51.79, 55.81, 2.72

 

CMYK 26 / 63 / 0 / 18

HEX #994CD0

RGB 153 76 208

HSL 275, 0.58%, 0.56%

LAB 47.62, 54.9, -55.58

 

CMYK 44 / 63 / 0 / 18

HEX #754CD0

RGB 117 76 208

HSL 258.64, 0.58%, 0.56%

LAB 43.51, 47.2, -62.41

 

CMYK 61 / 63 / 0 / 18

HEX #524CD0

RGB 82 76 208

HSL 242.73, 0.58%, 0.56%

LAB 40.44, 40.91, -67.55

 

CMYK 63 / 63 / 0 / 18

HEX #4C4CD0

RGB 76 76 208

HSL 240, 0.58%, 0.56%

LAB 40.01, 40, -68.26

 

CMYK 26 / 63 / 0 / 18

HEX #994CD0

RGB 153 76 208

HSL 275, 0.58%, 0.56%

LAB 47.62, 54.9, -55.58

 

CMYK 31 / 74 / 0 / 11

HEX #9C3AE3

RGB 156 58 227

HSL 274.79, 0.75%, 0.56%

LAB 46.5, 67.56, -68.21

 

CMYK 35 / 84 / 0 / 4

HEX #9F28F5

RGB 159 40 245

HSL 274.83, 0.91%, 0.56%

LAB 46.29, 77.68, -78.7

 

CMYK 26 / 63 / 0 / 18

HEX #994CD0

RGB 153 76 208

HSL 275, 0.58%, 0.56%

LAB 47.62, 54.9, -55.58

 

CMYK 21 / 51 / 0 / 25

HEX #965EBE

RGB 150 94 190

HSL 275, 0.42%, 0.56%

LAB 49.75, 40.66, -41.83

 

CMYK 15 / 35 / 0 / 33

HEX #9370AC

RGB 147 112 172

HSL 275, 0.27%, 0.56%

LAB 52.7, 25.42, -26.81

 

CMYK 6 / 15 / 0 / 40

HEX #90839A

RGB 144 131 154

HSL 273.91, 0.1%, 0.56%

LAB 56.58, 9.43, -10.49

 

CMYK 5 / 0 / 9 / 42

HEX #8D9588

RGB 141 149 136

HSL 96.92, 0.06%, 0.56%

LAB 60.72, -5.4, 5.87

 

CMYK 61 / 63 / 0 / 18

HEX #514CD0

RGB 81 76 208

HSL 242.27, 0.58%, 0.56%

LAB 40.36, 40.75, -67.67

 

CMYK 44 / 63 / 0 / 18

HEX #744CD0

RGB 116 76 208

HSL 258.18, 0.58%, 0.56%

LAB 43.41, 47, -62.58

 

CMYK 27 / 63 / 0 / 18

HEX #974CD0

RGB 151 76 208

HSL 274.09, 0.58%, 0.56%

LAB 47.37, 54.45, -55.99

 

CMYK 11 / 63 / 0 / 18

HEX #BA4CD0

RGB 186 76 208

HSL 290, 0.58%, 0.56%

LAB 52.02, 62.51, -48.28

 

CMYK 0 / 63 / 6 / 18

HEX #D04CC3

RGB 208 76 195

HSL 305.91, 0.58%, 0.56%

LAB 54.57, 65.59, -36.58

 

CMYK 31 / 75 / 0 / 37

HEX #6F29A1

RGB 111 41 161

HSL 275, 0.59%, 0.4%

LAB 33, 51.46, -51.79

 

CMYK 31 / 74 / 0 / 24

HEX #8632C2

RGB 134 50 194

HSL 275, 0.59%, 0.48%

LAB 39.99, 59.54, -59.92

 

CMYK 26 / 63 / 0 / 18

HEX #994CD0

RGB 153 76 208

HSL 275, 0.58%, 0.56%

LAB 47.62, 54.9, -55.58

 

CMYK 21 / 50 / 0 / 15

HEX #AC6DD9

RGB 172 109 217

HSL 275, 0.59%, 0.64%

LAB 56.8, 44.61, -45.92

 

CMYK 16 / 37 / 0 / 12

HEX #BE8EE1

RGB 190 142 225

HSL 274.7, 0.58%, 0.72%

LAB 66.31, 33.45, -35.33

 

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

CMYK 0 / 63 / 49 / 18

HEX #D04C6B

RGB 208 76 107

HSL 345.91, 0.58%, 0.56%

LAB 51.43, 54.46, 10.6

 

CMYK 63 / 0 / 53 / 18

HEX #4CD062

RGB 76 208 98

HSL 130, 0.58%, 0.56%

LAB 74.53, -58.54, 43.8

 

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

CMYK 0 / 27 / 63 / 18

HEX #D0974C

RGB 208 151 76

HSL 34.09, 0.58%, 0.56%

LAB 66.57, 13.67, 47.07

 

CMYK 63 / 0 / 27 / 18

HEX #4CD097

RGB 76 208 151

HSL 154.09, 0.58%, 0.56%

LAB 75.38, -49.25, 17.89

 

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

CMYK 0 / 63 / 49 / 18

HEX #D04C6B

RGB 208 76 107

HSL 345.91, 0.58%, 0.56%

LAB 51.43, 54.46, 10.6

 

CMYK 36 / 0 / 63 / 18

HEX #85D04C

RGB 133 208 76

HSL 94.09, 0.58%, 0.56%

LAB 76.45, -45.18, 56.47

 

CMYK 63 / 0 / 14 / 18

HEX #4CD0B2

RGB 76 208 178

HSL 166.36, 0.58%, 0.56%

LAB 75.98, -43.05, 4.32

 

CMYK 27 / 64 / 0 / 18

HEX #994BD1

RGB 153 75 209

HSL 274.93, 0.59%, 0.56%

LAB 47.51, 55.61, -56.33

 

CMYK 0 / 59 / 63 / 18

HEX #D0554C

RGB 208 85 76

HSL 4.09, 0.58%, 0.56%

LAB 52.32, 48.08, 30.13

 

CMYK 36 / 0 / 63 / 18

HEX #85D04C

RGB 133 208 76

HSL 94.09, 0.58%, 0.56%

LAB 76.45, -45.18, 56.47

 

CMYK 63 / 4 / 0 / 18

HEX #4CC8D0

RGB 76 200 208

HSL 183.64, 0.58%, 0.56%

LAB 74.44, -31.4, -14.15

 

Description

Color code: HEX #994BD1 | qconv.com Color code: HEX #994BD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 75 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 75 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 64 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 64% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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