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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994CE5 it is the complementary color #66B31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994CE5 shade: #9E4CE0, #AF5EF3, #C070FF, #D182FF and #E294FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994CE5 shade: #994CE5, #883AD2, #7728BF, #6616AC and #550499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994CE5 shade: #994CE5, #C24CE5, #E54CDE, #E54CB5 and #E54C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994CE5 shade: #994CE5, #704CE5 and #4C4CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994CE5 shade matches the following richer shades: #994CE5 and #993BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994CE5 shade: #994CE5, #995DD4, #996DC4, #997EB3 and #998EA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994CE5 shade: #4C51E5, #704CE5, #994CE5, #C14CE5 and #E54CE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994CE5 shade: #701BC3, #8428E0, #994CE5, #AE70EA and #C294EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994CE5 shade: #994CE5, #E54C7A and #4CE55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994CE5 shade: #994CE5, #E5994C and #4CE599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994CE5 shade: #994CE5, #E54C7A, #99E54C and #4CE5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994CE5 shade: #994CE5, #E54C4C, #99E54C and #4CE5E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

Complementary color

CMYK 43 / 0 / 85 / 30

HEX #66B31A

RGB 102 179 26

HSL 90.2, 0.75%, 0.4%

LAB 65.86, -46.84, 62.52

 

CMYK 29 / 66 / 0 / 12

HEX #9E4CE0

RGB 158 76 224

HSL 273.24, 0.7%, 0.59%

LAB 49.28, 59.59, -62

 

CMYK 28 / 61 / 0 / 5

HEX #AF5EF3

RGB 175 94 243

HSL 272.62, 0.86%, 0.66%

LAB 55.68, 58.94, -62.26

 

CMYK 25 / 56 / 0 / 0

HEX #C070FF

RGB 192 112 255

HSL 273.57, 1%, 0.72%

LAB 61.67, 56.6, -59.19

 

CMYK 18 / 49 / 0 / 0

HEX #D182FF

RGB 209 130 255

HSL 277.92, 1%, 0.75%

LAB 67.08, 51.68, -50.47

 

CMYK 11 / 42 / 0 / 0

HEX #E294FF

RGB 226 148 255

HSL 283.74, 1%, 0.79%

LAB 72.61, 47, -41.67

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 35 / 72 / 0 / 18

HEX #883AD2

RGB 136 58 210

HSL 270.79, 0.63%, 0.53%

LAB 42.63, 60.2, -64.89

 

CMYK 38 / 79 / 0 / 25

HEX #7728BF

RGB 119 40 191

HSL 271.39, 0.65%, 0.45%

LAB 36.37, 60.18, -64.14

 

CMYK 41 / 87 / 0 / 33

HEX #6616AC

RGB 102 22 172

HSL 272, 0.77%, 0.38%

LAB 30.34, 59.25, -62.81

 

CMYK 44 / 97 / 0 / 40

HEX #550499

RGB 85 4 153

HSL 272.62, 0.95%, 0.31%

LAB 24.7, 56.95, -60.65

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 15 / 67 / 0 / 10

HEX #C24CE5

RGB 194 76 229

HSL 286.27, 0.75%, 0.6%

LAB 54.34, 68.28, -56.43

 

CMYK 0 / 67 / 3 / 10

HEX #E54CDE

RGB 229 76 222

HSL 302.75, 0.75%, 0.6%

LAB 59.07, 74.83, -44.66

 

CMYK 0 / 67 / 21 / 10

HEX #E54CB5

RGB 229 76 181

HSL 318.82, 0.75%, 0.6%

LAB 57.23, 68.88, -24.12

 

CMYK 0 / 67 / 39 / 10

HEX #E54C8C

RGB 229 76 140

HSL 334.9, 0.75%, 0.6%

LAB 55.81, 64.03, -2.31

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 51 / 67 / 0 / 10

HEX #704CE5

RGB 112 76 229

HSL 254.12, 0.75%, 0.6%

LAB 44.62, 52.13, -72.62

 

CMYK 67 / 67 / 0 / 10

HEX #4C4CE5

RGB 76 76 229

HSL 240, 0.75%, 0.6%

LAB 41.79, 46.86, -77.37

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 38 / 76 / 0 / 4

HEX #993BF6

RGB 153 59 246

HSL 270.16, 0.91%, 0.6%

LAB 47.69, 70.87, -77

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 28 / 56 / 0 / 17

HEX #995DD4

RGB 153 93 212

HSL 270.25, 0.58%, 0.6%

LAB 51.1, 47.13, -52.28

 

CMYK 22 / 44 / 0 / 23

HEX #996DC4

RGB 153 109 196

HSL 270.34, 0.42%, 0.6%

LAB 53.7, 34.49, -39.01

 

CMYK 15 / 30 / 0 / 30

HEX #997EB3

RGB 153 126 179

HSL 270.57, 0.26%, 0.6%

LAB 57.03, 20.81, -24.11

 

CMYK 6 / 13 / 0 / 36

HEX #998EA3

RGB 153 142 163

HSL 271.43, 0.1%, 0.6%

LAB 60.57, 8.18, -9.59

 

CMYK 67 / 65 / 0 / 10

HEX #4C51E5

RGB 76 81 229

HSL 238.04, 0.75%, 0.6%

LAB 42.88, 43.92, -75.58

 

CMYK 51 / 67 / 0 / 10

HEX #704CE5

RGB 112 76 229

HSL 254.12, 0.75%, 0.6%

LAB 44.62, 52.13, -72.62

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 16 / 67 / 0 / 10

HEX #C14CE5

RGB 193 76 229

HSL 285.88, 0.75%, 0.6%

LAB 54.2, 68.07, -56.66

 

CMYK 0 / 67 / 2 / 10

HEX #E54CE0

RGB 229 76 224

HSL 301.96, 0.75%, 0.6%

LAB 59.17, 75.15, -45.63

 

CMYK 43 / 86 / 0 / 24

HEX #701BC3

RGB 112 27 195

HSL 270.36, 0.76%, 0.44%

LAB 34.33, 64.35, -69.87

 

CMYK 41 / 82 / 0 / 12

HEX #8428E0

RGB 132 40 224

HSL 270, 0.75%, 0.52%

LAB 40.9, 69.56, -75.77

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 26 / 52 / 0 / 8

HEX #AE70EA

RGB 174 112 234

HSL 270.49, 0.74%, 0.68%

LAB 58.53, 47.4, -52.68

 

CMYK 19 / 38 / 0 / 6

HEX #C294EF

RGB 194 148 239

HSL 270.33, 0.74%, 0.76%

LAB 68.67, 34.39, -39.34

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 0 / 67 / 47 / 10

HEX #E54C7A

RGB 229 76 122

HSL 341.96, 0.75%, 0.6%

LAB 55.31, 62.29, 7.63

 

CMYK 67 / 0 / 60 / 10

HEX #4CE55B

RGB 76 229 91

HSL 125.88, 0.75%, 0.6%

LAB 80.92, -66.74, 54.52

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 0 / 33 / 67 / 10

HEX #E5994C

RGB 229 153 76

HSL 30.2, 0.75%, 0.6%

LAB 69.44, 21.44, 50.95

 

CMYK 67 / 0 / 33 / 10

HEX #4CE599

RGB 76 229 153

HSL 150.2, 0.75%, 0.6%

LAB 81.77, -57.17, 25.62

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 0 / 67 / 47 / 10

HEX #E54C7A

RGB 229 76 122

HSL 341.96, 0.75%, 0.6%

LAB 55.31, 62.29, 7.63

 

CMYK 33 / 0 / 67 / 10

HEX #99E54C

RGB 153 229 76

HSL 89.8, 0.75%, 0.6%

LAB 83.62, -47.16, 64.43

 

CMYK 67 / 0 / 20 / 10

HEX #4CE5B7

RGB 76 229 183

HSL 161.96, 0.75%, 0.6%

LAB 82.38, -50.76, 10.83

 

CMYK 33 / 67 / 0 / 10

HEX #994CE5

RGB 153 76 229

HSL 270.2, 0.75%, 0.6%

LAB 49.01, 59.72, -65.3

 

CMYK 0 / 67 / 67 / 10

HEX #E54C4C

RGB 229 76 76

HSL 0, 0.75%, 0.6%

LAB 54.4, 59.01, 33.47

 

CMYK 33 / 0 / 67 / 10

HEX #99E54C

RGB 153 229 76

HSL 89.8, 0.75%, 0.6%

LAB 83.62, -47.16, 64.43

 

CMYK 67 / 0 / 0 / 10

HEX #4CE5E5

RGB 76 229 229

HSL 180, 0.75%, 0.6%

LAB 83.56, -39.05, -11.73

 

Description

Color code: HEX #994CE5 | qconv.com Color code: HEX #994CE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 76 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 76 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 67 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 67% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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