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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994FD8 it is the complementary color #66B027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994FD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994FD8 shade: #9E4FD3, #AF61E6, #C073F9, #D185FF and #E297FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994FD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994FD8 shade: #994FD8, #883DC5, #772BB2, #66199F and #55078C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994FD8 shade: #994FD8, #BE4FD8, #D84FCD, #D84FA8 and #D84F83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994FD8 shade: #994FD8, #744FD8, #4F4FD8 and #4F4FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994FD8 shade matches the following richer shades: #994FD8, #9A3EE9 and #9C2CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994FD8 shade: #994FD8, #9860C7, #9672B5, #9583A4 and #939493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994FD8 shade: #4F4FD8, #734FD8, #984FD8, #BD4FD8 and #D84FCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994FD8 shade: #7026AE, #852DD0, #994FD8, #AC71DF and #C093E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994FD8 shade: #994FD8, #D84F73 and #4FD861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994FD8 shade: #994FD8, #D8984F and #4FD898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994FD8 shade: #994FD8, #D84F73, #8FD84F and #4FD8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994FD8 shade: #994FD8, #D8534F, #8FD84F and #4FD3D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

Complementary color

CMYK 42 / 0 / 78 / 31

HEX #66B027

RGB 102 176 39

HSL 92.41, 0.64%, 0.42%

LAB 64.98, -45.01, 58.15

 

CMYK 25 / 63 / 0 / 17

HEX #9E4FD3

RGB 158 79 211

HSL 275.91, 0.6%, 0.57%

LAB 48.96, 55.25, -55.1

 

CMYK 24 / 58 / 0 / 10

HEX #AF61E6

RGB 175 97 230

HSL 275.19, 0.73%, 0.64%

LAB 55.46, 54.55, -55.34

 

CMYK 23 / 54 / 0 / 2

HEX #C073F9

RGB 192 115 249

HSL 274.48, 0.92%, 0.71%

LAB 61.92, 53.75, -55.49

 

CMYK 18 / 48 / 0 / 0

HEX #D185FF

RGB 209 133 255

HSL 277.38, 1%, 0.76%

LAB 67.69, 50.13, -49.52

 

CMYK 11 / 41 / 0 / 0

HEX #E297FF

RGB 226 151 255

HSL 283.27, 1%, 0.8%

LAB 73.23, 45.43, -40.69

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 31 / 69 / 0 / 23

HEX #883DC5

RGB 136 61 197

HSL 273.09, 0.54%, 0.51%

LAB 42.16, 55.85, -58.14

 

CMYK 33 / 76 / 0 / 30

HEX #772BB2

RGB 119 43 178

HSL 273.78, 0.61%, 0.43%

LAB 35.72, 56.03, -57.52

 

CMYK 36 / 84 / 0 / 38

HEX #66199F

RGB 102 25 159

HSL 274.48, 0.73%, 0.36%

LAB 29.47, 55.43, -56.39

 

CMYK 39 / 95 / 0 / 45

HEX #55078C

RGB 85 7 140

HSL 275.19, 0.9%, 0.29%

LAB 23.59, 53.42, -54.41

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 12 / 63 / 0 / 15

HEX #BE4FD8

RGB 190 79 216

HSL 288.61, 0.64%, 0.58%

LAB 53.49, 63.66, -50.47

 

CMYK 0 / 63 / 5 / 15

HEX #D84FCD

RGB 216 79 205

HSL 304.82, 0.64%, 0.58%

LAB 56.68, 67.96, -38.91

 

CMYK 0 / 63 / 22 / 15

HEX #D84FA8

RGB 216 79 168

HSL 321.02, 0.64%, 0.58%

LAB 55.09, 62.51, -20.04

 

CMYK 0 / 63 / 39 / 15

HEX #D84F83

RGB 216 79 131

HSL 337.23, 0.64%, 0.58%

LAB 53.85, 58.04, -0.1

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 46 / 63 / 0 / 15

HEX #744FD8

RGB 116 79 216

HSL 256.2, 0.64%, 0.58%

LAB 44.61, 47.57, -65.22

 

CMYK 63 / 63 / 0 / 15

HEX #4F4FD8

RGB 79 79 216

HSL 240, 0.64%, 0.58%

LAB 41.55, 41.26, -70.34

 

CMYK 63 / 63 / 0 / 15

HEX #4F4FD8

RGB 79 79 216

HSL 240, 0.64%, 0.58%

LAB 41.55, 41.26, -70.34

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 34 / 73 / 0 / 9

HEX #9A3EE9

RGB 154 62 233

HSL 272.28, 0.8%, 0.58%

LAB 47.23, 66.95, -70.43

 

CMYK 38 / 82 / 0 / 2

HEX #9C2CFB

RGB 156 44 251

HSL 272.46, 0.96%, 0.58%

LAB 46.76, 77.42, -81.31

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 24 / 52 / 0 / 22

HEX #9860C7

RGB 152 96 199

HSL 272.62, 0.48%, 0.58%

LAB 50.88, 42.19, -45.2

 

CMYK 17 / 37 / 0 / 29

HEX #9672B5

RGB 150 114 181

HSL 272.24, 0.31%, 0.58%

LAB 53.87, 27.25, -30.16

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 1 / 0 / 1 / 42

HEX #939493

RGB 147 148 147

HSL 120, 0%, 0.58%

LAB 61.21, -0.55, 0.39

 

CMYK 63 / 63 / 0 / 15

HEX #4F4FD8

RGB 79 79 216

HSL 240, 0.64%, 0.58%

LAB 41.55, 41.26, -70.34

 

CMYK 47 / 63 / 0 / 15

HEX #734FD8

RGB 115 79 216

HSL 255.77, 0.64%, 0.58%

LAB 44.51, 47.38, -65.39

 

CMYK 30 / 63 / 0 / 15

HEX #984FD8

RGB 152 79 216

HSL 271.97, 0.64%, 0.58%

LAB 48.54, 55.04, -58.67

 

CMYK 13 / 63 / 0 / 15

HEX #BD4FD8

RGB 189 79 216

HSL 288.18, 0.64%, 0.58%

LAB 53.35, 63.43, -50.7

 

CMYK 0 / 63 / 4 / 15

HEX #D84FCF

RGB 216 79 207

HSL 303.94, 0.64%, 0.58%

LAB 56.78, 68.28, -39.9

 

CMYK 36 / 78 / 0 / 32

HEX #7026AE

RGB 112 38 174

HSL 272.65, 0.64%, 0.42%

LAB 33.75, 55.87, -58.39

 

CMYK 36 / 78 / 0 / 18

HEX #852DD0

RGB 133 45 208

HSL 272.39, 0.64%, 0.5%

LAB 40.27, 64.41, -67.6

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 23 / 49 / 0 / 13

HEX #AC71DF

RGB 172 113 223

HSL 272.18, 0.63%, 0.66%

LAB 57.95, 43.81, -47.47

 

CMYK 17 / 36 / 0 / 9

HEX #C093E7

RGB 192 147 231

HSL 272.14, 0.64%, 0.74%

LAB 67.91, 32.59, -36.14

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 0 / 63 / 47 / 15

HEX #D84F73

RGB 216 79 115

HSL 344.23, 0.64%, 0.58%

LAB 53.42, 56.46, 8.8

 

CMYK 63 / 0 / 55 / 15

HEX #4FD861

RGB 79 216 97

HSL 127.88, 0.64%, 0.58%

LAB 77.06, -60.94, 47.34

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 0 / 30 / 63 / 15

HEX #D8984F

RGB 216 152 79

HSL 31.97, 0.64%, 0.58%

LAB 67.74, 16.72, 47.18

 

CMYK 63 / 0 / 30 / 15

HEX #4FD898

RGB 79 216 152

HSL 151.97, 0.64%, 0.58%

LAB 77.9, -51.73, 20.86

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 0 / 63 / 47 / 15

HEX #D84F73

RGB 216 79 115

HSL 344.23, 0.64%, 0.58%

LAB 53.42, 56.46, 8.8

 

CMYK 34 / 0 / 63 / 15

HEX #8FD84F

RGB 143 216 79

HSL 91.97, 0.64%, 0.58%

LAB 79.34, -44.89, 58.51

 

CMYK 63 / 0 / 17 / 15

HEX #4FD8B3

RGB 79 216 179

HSL 163.8, 0.64%, 0.58%

LAB 78.48, -45.75, 7.39

 

CMYK 29 / 63 / 0 / 15

HEX #994FD8

RGB 153 79 216

HSL 272.41, 0.64%, 0.58%

LAB 48.66, 55.26, -58.47

 

CMYK 0 / 62 / 63 / 15

HEX #D8534F

RGB 216 83 79

HSL 1.75, 0.64%, 0.58%

LAB 53.33, 51.96, 29.94

 

CMYK 34 / 0 / 63 / 15

HEX #8FD84F

RGB 143 216 79

HSL 91.97, 0.64%, 0.58%

LAB 79.34, -44.89, 58.51

 

CMYK 63 / 2 / 0 / 15

HEX #4FD3D8

RGB 79 211 216

HSL 182.19, 0.64%, 0.58%

LAB 78, -33.89, -13.13

 

Description

Color code: HEX #994FD8 | qconv.com Color code: HEX #994FD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 79 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 79 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 63 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 63% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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