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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9952D4 it is the complementary color #66AD2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9952D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9952D4 shade: #9E52CF, #AF64E2, #C076F5, #D188FF and #E29AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9952D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9952D4 shade: #9952D4, #8840C1, #772EAE, #661C9B and #550A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9952D4 shade: #9953D4, #BC53D4, #D453C9, #D453A6 and #D45383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9952D4 shade: #9953D4, #7753D4, #5453D4 and #5353D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9952D4 shade matches the following richer shades: #9953D4, #9B42E5 and #9D30F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9952D4 shade: #9953D4, #9864C2, #9676B1, #9587A0 and #93988E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9952D4 shade: #5353D4, #7553D4, #9853D4, #BA53D4 and #D453CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9952D4 shade: #702AAA, #8632CB, #9953D4, #AD74DC and #C095E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9952D4 shade: #9952D4, #D45375 and #53D464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9952D4 shade: #9952D4, #D49853 and #53D498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9952D4 shade: #9952D4, #D45375, #8FD453 and #53D4B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9952D4 shade: #9952D4, #D45753, #8FD453 and #53CFD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

Complementary color

CMYK 41 / 0 / 75 / 32

HEX #66AD2B

RGB 102 173 43

HSL 92.77, 0.6%, 0.42%

LAB 64.07, -43.53, 55.94

 

CMYK 24 / 60 / 0 / 19

HEX #9E52CF

RGB 158 82 207

HSL 276.48, 0.57%, 0.57%

LAB 49.26, 52.89, -52.33

 

CMYK 23 / 56 / 0 / 11

HEX #AF64E2

RGB 175 100 226

HSL 275.71, 0.68%, 0.64%

LAB 55.81, 52.14, -52.54

 

CMYK 22 / 52 / 0 / 4

HEX #C076F5

RGB 192 118 245

HSL 274.96, 0.86%, 0.71%

LAB 62.3, 51.32, -52.67

 

CMYK 18 / 47 / 0 / 0

HEX #D188FF

RGB 209 136 255

HSL 276.81, 1%, 0.77%

LAB 68.3, 48.56, -48.55

 

CMYK 11 / 40 / 0 / 0

HEX #E29AFF

RGB 226 154 255

HSL 282.77, 1%, 0.8%

LAB 73.87, 43.85, -39.7

 

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

CMYK 30 / 67 / 0 / 24

HEX #8840C1

RGB 136 64 193

HSL 273.49, 0.51%, 0.5%

LAB 42.39, 53.52, -55.44

 

CMYK 32 / 74 / 0 / 32

HEX #772EAE

RGB 119 46 174

HSL 274.22, 0.58%, 0.43%

LAB 35.85, 53.86, -54.92

 

CMYK 34 / 82 / 0 / 39

HEX #661C9B

RGB 102 28 155

HSL 274.96, 0.69%, 0.36%

LAB 29.47, 53.53, -53.95

 

CMYK 38 / 93 / 0 / 47

HEX #550A88

RGB 85 10 136

HSL 275.71, 0.86%, 0.29%

LAB 23.43, 51.88, -52.19

 

CMYK 28 / 61 / 0 / 17

HEX #9953D4

RGB 153 83 212

HSL 272.56, 0.6%, 0.58%

LAB 49.15, 52.34, -55.41

 

CMYK 11 / 61 / 0 / 17

HEX #BC53D4

RGB 188 83 212

HSL 288.84, 0.6%, 0.58%

LAB 53.63, 60.66, -47.98

 

CMYK 0 / 61 / 5 / 17

HEX #D453C9

RGB 212 83 201

HSL 305.12, 0.6%, 0.58%

LAB 56.49, 64.69, -36.98

 

CMYK 0 / 61 / 22 / 17

HEX #D453A6

RGB 212 83 166

HSL 321.4, 0.6%, 0.58%

LAB 55.01, 59.44, -19.06

 

CMYK 0 / 61 / 38 / 17

HEX #D45383

RGB 212 83 131

HSL 337.67, 0.6%, 0.58%

LAB 53.84, 55.09, -0.19

 

CMYK 28 / 61 / 0 / 17

HEX #9953D4

RGB 153 83 212

HSL 272.56, 0.6%, 0.58%

LAB 49.15, 52.34, -55.41

 

CMYK 44 / 61 / 0 / 17

HEX #7753D4

RGB 119 83 212

HSL 256.74, 0.6%, 0.58%

LAB 45.44, 44.84, -61.57

 

CMYK 60 / 61 / 0 / 17

HEX #5453D4

RGB 84 83 212

HSL 240.47, 0.6%, 0.58%

LAB 42.5, 38.31, -66.48

 

CMYK 61 / 61 / 0 / 17

HEX #5353D4

RGB 83 83 212

HSL 240, 0.6%, 0.58%

LAB 42.43, 38.15, -66.6

 

CMYK 28 / 61 / 0 / 17

HEX #9953D4

RGB 153 83 212

HSL 272.56, 0.6%, 0.58%

LAB 49.15, 52.34, -55.41

 

CMYK 32 / 71 / 0 / 10

HEX #9B42E5

RGB 155 66 229

HSL 272.76, 0.76%, 0.58%

LAB 47.65, 64.58, -67.48

 

CMYK 36 / 80 / 0 / 4

HEX #9D30F6

RGB 157 48 246

HSL 273.03, 0.92%, 0.58%

LAB 46.89, 75.29, -78.29

 

CMYK 28 / 61 / 0 / 17

HEX #9953D4

RGB 153 83 212

HSL 272.56, 0.6%, 0.58%

LAB 49.15, 52.34, -55.41

 

CMYK 22 / 48 / 0 / 24

HEX #9864C2

RGB 152 100 194

HSL 273.19, 0.44%, 0.58%

LAB 51.48, 38.81, -41.38

 

CMYK 15 / 33 / 0 / 31

HEX #9676B1

RGB 150 118 177

HSL 272.54, 0.27%, 0.58%

LAB 54.67, 24.02, -26.61

 

CMYK 7 / 16 / 0 / 37

HEX #9587A0

RGB 149 135 160

HSL 273.6, 0.12%, 0.58%

LAB 58.28, 10.15, -11.35

 

CMYK 3 / 0 / 7 / 40

HEX #93988E

RGB 147 152 142

HSL 90, 0.05%, 0.58%

LAB 62.18, -3.72, 4.63

 

CMYK 61 / 61 / 0 / 17

HEX #5353D4

RGB 83 83 212

HSL 240, 0.6%, 0.58%

LAB 42.43, 38.15, -66.6

 

CMYK 45 / 61 / 0 / 17

HEX #7553D4

RGB 117 83 212

HSL 255.81, 0.6%, 0.58%

LAB 45.25, 44.43, -61.89

 

CMYK 28 / 61 / 0 / 17

HEX #9853D4

RGB 152 83 212

HSL 272.09, 0.6%, 0.58%

LAB 49.03, 52.11, -55.61

 

CMYK 12 / 61 / 0 / 17

HEX #BA53D4

RGB 186 83 212

HSL 287.91, 0.6%, 0.58%

LAB 53.36, 60.18, -48.43

 

CMYK 0 / 61 / 4 / 17

HEX #D453CB

RGB 212 83 203

HSL 304.19, 0.6%, 0.58%

LAB 56.58, 65.02, -37.97

 

CMYK 34 / 75 / 0 / 33

HEX #702AAA

RGB 112 42 170

HSL 272.81, 0.6%, 0.42%

LAB 33.99, 53.32, -55.6

 

CMYK 34 / 75 / 0 / 20

HEX #8632CB

RGB 134 50 203

HSL 272.94, 0.6%, 0.5%

LAB 40.67, 61.56, -64.04

 

CMYK 28 / 61 / 0 / 17

HEX #9953D4

RGB 153 83 212

HSL 272.56, 0.6%, 0.58%

LAB 49.15, 52.34, -55.41

 

CMYK 21 / 47 / 0 / 14

HEX #AD74DC

RGB 173 116 220

HSL 272.88, 0.6%, 0.66%

LAB 58.55, 41.76, -44.83

 

CMYK 16 / 35 / 0 / 11

HEX #C095E4

RGB 192 149 228

HSL 272.66, 0.59%, 0.74%

LAB 68.24, 30.83, -33.97

 

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

CMYK 0 / 61 / 45 / 17

HEX #D45375

RGB 212 83 117

HSL 344.19, 0.6%, 0.58%

LAB 53.46, 53.64, 7.58

 

CMYK 61 / 0 / 53 / 17

HEX #53D464

RGB 83 212 100

HSL 127.91, 0.6%, 0.58%

LAB 75.97, -58.25, 44.65

 

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

CMYK 0 / 28 / 61 / 17

HEX #D49853

RGB 212 152 83

HSL 32.09, 0.6%, 0.58%

LAB 67.34, 15.3, 44.61

 

CMYK 61 / 0 / 28 / 17

HEX #53D498

RGB 83 212 152

HSL 152.09, 0.6%, 0.58%

LAB 76.8, -49.35, 19.36

 

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

CMYK 0 / 61 / 45 / 17

HEX #D45375

RGB 212 83 117

HSL 344.19, 0.6%, 0.58%

LAB 53.46, 53.64, 7.58

 

CMYK 33 / 0 / 61 / 17

HEX #8FD453

RGB 143 212 83

HSL 92.09, 0.6%, 0.58%

LAB 78.2, -42.82, 55.57

 

CMYK 61 / 0 / 17 / 17

HEX #53D4B1

RGB 83 212 177

HSL 163.72, 0.6%, 0.58%

LAB 77.34, -43.79, 6.83

 

CMYK 28 / 61 / 0 / 17

HEX #9952D4

RGB 153 82 212

HSL 272.77, 0.6%, 0.58%

LAB 48.96, 52.85, -55.71

 

CMYK 0 / 59 / 61 / 17

HEX #D45753

RGB 212 87 83

HSL 1.86, 0.6%, 0.58%

LAB 53.43, 49.03, 27.61

 

CMYK 33 / 0 / 61 / 17

HEX #8FD453

RGB 143 212 83

HSL 92.09, 0.6%, 0.58%

LAB 78.2, -42.82, 55.57

 

CMYK 61 / 2 / 0 / 17

HEX #53CFD4

RGB 83 207 212

HSL 182.33, 0.6%, 0.58%

LAB 76.81, -32.47, -12.75

 

Description

Color code: HEX #9952D4 | qconv.com Color code: HEX #9952D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 82 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 82 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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