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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995ACA it is the complementary color #66A535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995ACA shade: #9E5AC5, #AF6CD8, #C07EEB, #D190FE and #E2A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995ACA shade: #995ACA, #8848B7, #7736A4, #662491 and #55127E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995ACA shade: #9859C9, #B659C9, #C959BD, #C9599F and #C95981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995ACA shade: #9859C9, #7A59C9, #5C59C9 and #5959C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995ACA shade matches the following richer shades: #9859C9, #9A47DB, #9C35EC and #9E24FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995ACA shade: #9859C9, #966BB7, #937CA5, #918E94 and #8FA082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995ACA shade: #5B59C9, #7959C9, #9659C9, #B459C9 and #C959BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995ACA shade: #6E339D, #843DBC, #9859C9, #AB78D3 and #BE97DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995ACA shade: #995ACA, #C95975 and #59C96A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995ACA shade: #995ACA, #C99659 and #59C996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995ACA shade: #995ACA, #C95975, #8BC959 and #59C9AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995ACA shade: #995ACA, #C95F59, #8BC959 and #59C3C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

Complementary color

CMYK 38 / 0 / 68 / 35

HEX #66A535

RGB 102 165 53

HSL 93.75, 0.51%, 0.43%

LAB 61.65, -39.4, 49.67

 

CMYK 20 / 54 / 0 / 23

HEX #9E5AC5

RGB 158 90 197

HSL 278.13, 0.48%, 0.56%

LAB 50.23, 46.56, -45.04

 

CMYK 19 / 50 / 0 / 15

HEX #AF6CD8

RGB 175 108 216

HSL 277.22, 0.58%, 0.64%

LAB 56.88, 45.74, -45.21

 

CMYK 18 / 46 / 0 / 8

HEX #C07EEB

RGB 192 126 235

HSL 276.33, 0.73%, 0.71%

LAB 63.45, 44.91, -45.33

 

CMYK 18 / 43 / 0 / 0

HEX #D190FE

RGB 209 144 254

HSL 275.45, 0.98%, 0.78%

LAB 69.94, 44.11, -45.43

 

CMYK 11 / 36 / 0 / 0

HEX #E2A2FF

RGB 226 162 255

HSL 281.29, 1%, 0.82%

LAB 75.59, 39.61, -37.02

 

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

CMYK 26 / 61 / 0 / 28

HEX #8848B7

RGB 136 72 183

HSL 274.59, 0.44%, 0.5%

LAB 43.19, 47.21, -48.29

 

CMYK 27 / 67 / 0 / 36

HEX #7736A4

RGB 119 54 164

HSL 275.45, 0.5%, 0.43%

LAB 36.44, 47.87, -47.98

 

CMYK 30 / 75 / 0 / 43

HEX #662491

RGB 102 36 145

HSL 276.33, 0.6%, 0.35%

LAB 29.74, 48.13, -47.37

 

CMYK 33 / 86 / 0 / 51

HEX #55127E

RGB 85 18 126

HSL 277.22, 0.75%, 0.28%

LAB 23.24, 47.49, -46.19

 

CMYK 24 / 56 / 0 / 21

HEX #9859C9

RGB 152 89 201

HSL 273.75, 0.51%, 0.57%

LAB 49.54, 46.44, -48.48

 

CMYK 9 / 56 / 0 / 21

HEX #B659C9

RGB 182 89 201

HSL 289.82, 0.51%, 0.57%

LAB 53.28, 54.22, -42.31

 

CMYK 0 / 56 / 6 / 21

HEX #C959BD

RGB 201 89 189

HSL 306.43, 0.51%, 0.57%

LAB 55.31, 57.18, -32.05

 

CMYK 0 / 56 / 21 / 21

HEX #C9599F

RGB 201 89 159

HSL 322.5, 0.51%, 0.57%

LAB 54.1, 52.51, -16.5

 

CMYK 0 / 56 / 36 / 21

HEX #C95981

RGB 201 89 129

HSL 338.57, 0.51%, 0.57%

LAB 53.11, 48.57, -0.27

 

CMYK 24 / 56 / 0 / 21

HEX #9859C9

RGB 152 89 201

HSL 273.75, 0.51%, 0.57%

LAB 49.54, 46.44, -48.48

 

CMYK 39 / 56 / 0 / 21

HEX #7A59C9

RGB 122 89 201

HSL 257.68, 0.51%, 0.57%

LAB 46.31, 39.07, -53.83

 

CMYK 54 / 56 / 0 / 21

HEX #5C59C9

RGB 92 89 201

HSL 241.61, 0.51%, 0.57%

LAB 43.71, 32.55, -58.16

 

CMYK 56 / 56 / 0 / 21

HEX #5959C9

RGB 89 89 201

HSL 240, 0.51%, 0.57%

LAB 43.49, 31.97, -58.53

 

CMYK 24 / 56 / 0 / 21

HEX #9859C9

RGB 152 89 201

HSL 273.75, 0.51%, 0.57%

LAB 49.54, 46.44, -48.48

 

CMYK 30 / 68 / 0 / 14

HEX #9A47DB

RGB 154 71 219

HSL 273.65, 0.67%, 0.57%

LAB 47.61, 59.95, -61.87

 

CMYK 34 / 78 / 0 / 7

HEX #9C35EC

RGB 156 53 236

HSL 273.77, 0.83%, 0.57%

LAB 46.54, 71.34, -73.24

 

CMYK 38 / 86 / 0 / 0

HEX #9E24FE

RGB 158 36 254

HSL 273.58, 0.99%, 0.57%

LAB 46.56, 80.41, -83.3

 

CMYK 24 / 56 / 0 / 21

HEX #9859C9

RGB 152 89 201

HSL 273.75, 0.51%, 0.57%

LAB 49.54, 46.44, -48.48

 

CMYK 18 / 42 / 0 / 28

HEX #966BB7

RGB 150 107 183

HSL 273.95, 0.35%, 0.57%

LAB 52.31, 31.73, -33.75

 

CMYK 11 / 25 / 0 / 35

HEX #937CA5

RGB 147 124 165

HSL 273.66, 0.19%, 0.57%

LAB 55.42, 16.88, -18.58

 

CMYK 2 / 4 / 0 / 42

HEX #918E94

RGB 145 142 148

HSL 270, 0.03%, 0.57%

LAB 59.44, 2.28, -2.79

 

CMYK 11 / 0 / 19 / 37

HEX #8FA082

RGB 143 160 130

HSL 94, 0.14%, 0.57%

LAB 63.83, -11.69, 13.66

 

CMYK 55 / 56 / 0 / 21

HEX #5B59C9

RGB 91 89 201

HSL 241.07, 0.51%, 0.57%

LAB 43.63, 32.36, -58.29

 

CMYK 40 / 56 / 0 / 21

HEX #7959C9

RGB 121 89 201

HSL 257.14, 0.51%, 0.57%

LAB 46.21, 38.84, -54

 

CMYK 25 / 56 / 0 / 21

HEX #9659C9

RGB 150 89 201

HSL 272.68, 0.51%, 0.57%

LAB 49.31, 45.93, -48.87

 

CMYK 10 / 56 / 0 / 21

HEX #B459C9

RGB 180 89 201

HSL 288.75, 0.51%, 0.57%

LAB 53.02, 53.7, -42.74

 

CMYK 0 / 56 / 5 / 21

HEX #C959BF

RGB 201 89 191

HSL 305.36, 0.51%, 0.57%

LAB 55.4, 57.51, -33.06

 

CMYK 30 / 68 / 0 / 38

HEX #6E339D

RGB 110 51 157

HSL 273.4, 0.51%, 0.41%

LAB 34.23, 45.67, -47.4

 

CMYK 30 / 68 / 0 / 26

HEX #843DBC

RGB 132 61 188

HSL 273.54, 0.51%, 0.49%

LAB 41.01, 52.93, -54.76

 

CMYK 24 / 56 / 0 / 21

HEX #9859C9

RGB 152 89 201

HSL 273.75, 0.51%, 0.57%

LAB 49.54, 46.44, -48.48

 

CMYK 19 / 43 / 0 / 17

HEX #AB78D3

RGB 171 120 211

HSL 273.63, 0.51%, 0.65%

LAB 58.78, 36.96, -39.41

 

CMYK 14 / 32 / 0 / 13

HEX #BE97DD

RGB 190 151 221

HSL 273.43, 0.51%, 0.73%

LAB 68.24, 27.6, -30.13

 

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

CMYK 0 / 56 / 42 / 21

HEX #C95975

RGB 201 89 117

HSL 345, 0.51%, 0.57%

LAB 52.78, 47.22, 6.38

 

CMYK 56 / 0 / 47 / 21

HEX #59C96A

RGB 89 201 106

HSL 129.11, 0.51%, 0.57%

LAB 72.85, -51.85, 37.91

 

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

CMYK 0 / 25 / 56 / 21

HEX #C99659

RGB 201 150 89

HSL 32.68, 0.51%, 0.57%

LAB 65.71, 12.21, 39.32

 

CMYK 56 / 0 / 25 / 21

HEX #59C996

RGB 89 201 150

HSL 152.68, 0.51%, 0.57%

LAB 73.61, -43.89, 16.02

 

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

CMYK 0 / 56 / 42 / 21

HEX #C95975

RGB 201 89 117

HSL 345, 0.51%, 0.57%

LAB 52.78, 47.22, 6.38

 

CMYK 31 / 0 / 56 / 21

HEX #8BC959

RGB 139 201 89

HSL 93.21, 0.51%, 0.57%

LAB 74.81, -38.83, 48.98

 

CMYK 56 / 0 / 14 / 21

HEX #59C9AD

RGB 89 201 173

HSL 165, 0.51%, 0.57%

LAB 74.13, -38.7, 4.39

 

CMYK 24 / 55 / 0 / 21

HEX #995ACA

RGB 153 90 202

HSL 273.75, 0.51%, 0.57%

LAB 49.92, 46.39, -48.45

 

CMYK 0 / 53 / 56 / 21

HEX #C95F59

RGB 201 95 89

HSL 3.21, 0.51%, 0.57%

LAB 53.3, 41.65, 23.63

 

CMYK 31 / 0 / 56 / 21

HEX #8BC959

RGB 139 201 89

HSL 93.21, 0.51%, 0.57%

LAB 74.81, -38.83, 48.98

 

CMYK 56 / 3 / 0 / 21

HEX #59C3C9

RGB 89 195 201

HSL 183.21, 0.51%, 0.57%

LAB 73.14, -28.65, -12.28

 

Description

Color code: HEX #995ACA | qconv.com Color code: HEX #995ACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 90 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 90 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 55 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 55% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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