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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995C42 it is the complementary color #66A3BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995C42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995C42 shade: #9E5C3D, #AF6E50, #C08063, #D19276 and #E2A489

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995C42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995C42 shade: #995C42, #884A2F, #77381C, #662609 and #551400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995C42 shade: #995C41, #994441 and #994141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995C42 shade: #995C41, #997341, #998B41, #909941 and #789941

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995C42 shade matches the following richer shades: #995C41, #AB5430, #BC4D1E and #CE460C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995C42 shade: #995C41, #876353, #766A65, #647177 and #527888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995C42 shade: #994157, #994341, #995A41, #997241 and #998941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995C42 shade: #5F3929, #7C4A35, #995C41, #B46E50 and #C0866D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995C42 shade: #995C42, #6F9941 and #414C99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995C42 shade: #995C42, #41995A and #5A4199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995C42 shade: #995C42, #6F9941, #418099 and #6C4199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995C42 shade: #995C42, #549941, #418099 and #864199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

Complementary color

CMYK 46 / 14 / 0 / 26

HEX #66A3BD

RGB 102 163 189

HSL 197.93, 0.4%, 0.57%

LAB 63.91, -12.7, -19.54

 

CMYK 0 / 42 / 61 / 38

HEX #9E5C3D

RGB 158 92 61

HSL 19.18, 0.44%, 0.43%

LAB 45.99, 23.98, 29.23

 

CMYK 0 / 37 / 54 / 31

HEX #AF6E50

RGB 175 110 80

HSL 18.95, 0.37%, 0.5%

LAB 52.78, 22.62, 27.42

 

CMYK 0 / 33 / 48 / 25

HEX #C08063

RGB 192 128 99

HSL 18.71, 0.42%, 0.57%

LAB 59.48, 21.45, 25.81

 

CMYK 0 / 30 / 44 / 18

HEX #D19276

RGB 209 146 118

HSL 18.46, 0.5%, 0.64%

LAB 66.08, 20.43, 24.37

 

CMYK 0 / 27 / 39 / 11

HEX #E2A489

RGB 226 164 137

HSL 18.2, 0.61%, 0.71%

LAB 72.58, 19.54, 23.06

 

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

CMYK 0 / 46 / 65 / 47

HEX #884A2F

RGB 136 74 47

HSL 18.2, 0.49%, 0.36%

LAB 38.44, 23.72, 27.41

 

CMYK 0 / 53 / 76 / 53

HEX #77381C

RGB 119 56 28

HSL 18.46, 0.62%, 0.29%

LAB 31.43, 25.41, 29.61

 

CMYK 0 / 63 / 91 / 60

HEX #662609

RGB 102 38 9

HSL 18.71, 0.84%, 0.22%

LAB 24.42, 27.29, 31.42

 

CMYK 0 / 76 / 100 / 67

HEX #551400

RGB 85 20 0

HSL 14.12, 1%, 0.17%

LAB 17.61, 29.01, 26.66

 

CMYK 0 / 40 / 58 / 40

HEX #995C41

RGB 153 92 65

HSL 18.41, 0.4%, 0.43%

LAB 45.37, 22.17, 26.02

 

CMYK 0 / 56 / 58 / 40

HEX #994441

RGB 153 68 65

HSL 2.05, 0.4%, 0.43%

LAB 40.06, 35.34, 19.19

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 0 / 40 / 58 / 40

HEX #995C41

RGB 153 92 65

HSL 18.41, 0.4%, 0.43%

LAB 45.37, 22.17, 26.02

 

CMYK 0 / 25 / 58 / 40

HEX #997341

RGB 153 115 65

HSL 34.09, 0.4%, 0.43%

LAB 51.17, 8.97, 33.16

 

CMYK 0 / 9 / 58 / 40

HEX #998B41

RGB 153 139 65

HSL 50.45, 0.4%, 0.43%

LAB 57.67, -4.53, 40.83

 

CMYK 6 / 0 / 58 / 40

HEX #909941

RGB 144 153 65

HSL 66.14, 0.4%, 0.43%

LAB 60.86, -15.95, 44.26

 

CMYK 22 / 0 / 58 / 40

HEX #789941

RGB 120 153 65

HSL 82.5, 0.4%, 0.43%

LAB 59.12, -25.95, 41.81

 

CMYK 0 / 40 / 58 / 40

HEX #995C41

RGB 153 92 65

HSL 18.41, 0.4%, 0.43%

LAB 45.37, 22.17, 26.02

 

CMYK 0 / 51 / 72 / 33

HEX #AB5430

RGB 171 84 48

HSL 17.56, 0.56%, 0.43%

LAB 45.92, 32.94, 36.85

 

CMYK 0 / 59 / 84 / 26

HEX #BC4D1E

RGB 188 77 30

HSL 17.85, 0.72%, 0.43%

LAB 47.1, 42.42, 47.79

 

CMYK 0 / 66 / 94 / 19

HEX #CE460C

RGB 206 70 12

HSL 17.94, 0.89%, 0.43%

LAB 48.92, 51.72, 56.88

 

CMYK 0 / 40 / 58 / 40

HEX #995C41

RGB 153 92 65

HSL 18.41, 0.4%, 0.43%

LAB 45.37, 22.17, 26.02

 

CMYK 0 / 27 / 39 / 47

HEX #876353

RGB 135 99 83

HSL 18.46, 0.24%, 0.43%

LAB 45.22, 12.29, 14.79

 

CMYK 0 / 10 / 14 / 54

HEX #766A65

RGB 118 106 101

HSL 17.65, 0.08%, 0.43%

LAB 45.77, 3.8, 4.51

 

CMYK 16 / 5 / 0 / 53

HEX #647177

RGB 100 113 119

HSL 198.95, 0.09%, 0.43%

LAB 46.78, -3.49, -4.97

 

CMYK 40 / 12 / 0 / 47

HEX #527888

RGB 82 120 136

HSL 197.78, 0.25%, 0.43%

LAB 48.27, -8.98, -12.96

 

CMYK 0 / 58 / 43 / 40

HEX #994157

RGB 153 65 87

HSL 345, 0.4%, 0.43%

LAB 39.98, 39, 5.38

 

CMYK 0 / 56 / 58 / 40

HEX #994341

RGB 153 67 65

HSL 1.36, 0.4%, 0.43%

LAB 39.86, 35.85, 18.93

 

CMYK 0 / 41 / 58 / 40

HEX #995A41

RGB 153 90 65

HSL 17.05, 0.4%, 0.43%

LAB 44.89, 23.31, 25.42

 

CMYK 0 / 25 / 58 / 40

HEX #997241

RGB 153 114 65

HSL 33.41, 0.4%, 0.43%

LAB 50.91, 9.54, 32.85

 

CMYK 0 / 10 / 58 / 40

HEX #998941

RGB 153 137 65

HSL 49.09, 0.4%, 0.43%

LAB 57.12, -3.43, 40.19

 

CMYK 0 / 40 / 57 / 63

HEX #5F3929

RGB 95 57 41

HSL 17.78, 0.4%, 0.27%

LAB 28.17, 14.96, 17

 

CMYK 0 / 40 / 57 / 51

HEX #7C4A35

RGB 124 74 53

HSL 17.75, 0.4%, 0.35%

LAB 36.82, 18.94, 21.46

 

CMYK 0 / 40 / 58 / 40

HEX #995C41

RGB 153 92 65

HSL 18.41, 0.4%, 0.43%

LAB 45.37, 22.17, 26.02

 

CMYK 0 / 39 / 56 / 29

HEX #B46E50

RGB 180 110 80

HSL 18, 0.4%, 0.51%

LAB 53.42, 24.7, 28.37

 

CMYK 0 / 30 / 43 / 25

HEX #C0866D

RGB 192 134 109

HSL 18.07, 0.4%, 0.59%

LAB 61.1, 19.18, 22.37

 

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

CMYK 27 / 0 / 58 / 40

HEX #6F9941

RGB 111 153 65

HSL 88.64, 0.4%, 0.43%

LAB 58.55, -29.49, 41

 

CMYK 58 / 50 / 0 / 40

HEX #414C99

RGB 65 76 153

HSL 232.5, 0.4%, 0.43%

LAB 35.19, 19.38, -43.66

 

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

CMYK 58 / 0 / 41 / 40

HEX #41995A

RGB 65 153 90

HSL 137.05, 0.4%, 0.43%

LAB 56.73, -40.8, 25.38

 

CMYK 41 / 58 / 0 / 40

HEX #5A4199

RGB 90 65 153

HSL 257.05, 0.4%, 0.43%

LAB 34.51, 32.13, -44.64

 

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

CMYK 27 / 0 / 58 / 40

HEX #6F9941

RGB 111 153 65

HSL 88.64, 0.4%, 0.43%

LAB 58.55, -29.49, 41

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 29 / 58 / 0 / 40

HEX #6C4199

RGB 108 65 153

HSL 269.32, 0.4%, 0.43%

LAB 36.5, 36.67, -41.34

 

CMYK 0 / 40 / 57 / 40

HEX #995C42

RGB 153 92 66

HSL 17.93, 0.4%, 0.43%

LAB 45.39, 22.25, 25.46

 

CMYK 45 / 0 / 58 / 40

HEX #549941

RGB 84 153 65

HSL 107.05, 0.4%, 0.43%

LAB 57.12, -39.1, 38.98

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 12 / 58 / 0 / 40

HEX #864199

RGB 134 65 153

HSL 287.05, 0.4%, 0.43%

LAB 39.83, 43.65, -35.83

 

Description

Color code: HEX #995C42 | qconv.com Color code: HEX #995C42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 92 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 92 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 57 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 57% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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