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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9965DB it is the complementary color #669A24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9965DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9965DB shade: #9E65D6, #AF77E9, #C089FC, #D19BFF and #E2ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9965DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9965DB shade: #9965DB, #8853C8, #7741B5, #662FA2 and #551D8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9965DB shade: #9966DB, #B966DB, #D866DB, #DB66BD and #DB669E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9965DB shade: #9966DB, #7A66DB and #6666DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9965DB shade matches the following richer shades: #9966DB, #9756EA and #9647F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9965DB shade: #9966DB, #9B75CB, #9D84BC, #9F93AD and #A0A39E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9965DB shade: #6671DB, #7966DB, #9866DB, #B866DB and #D766DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9965DB shade: #6E2DC1, #8344D3, #9966DB, #AF87E2 and #C6A8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9965DB shade: #9965DB, #DB6691 and #66DB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9965DB shade: #9965DB, #DB9866 and #66DB98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9965DB shade: #9965DB, #DB6691, #A8DB66 and #66DBB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9965DB shade: #9965DB, #DB666D, #A8DB66 and #66DBD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

Complementary color

CMYK 34 / 0 / 77 / 40

HEX #669A24

RGB 102 154 36

HSL 86.44, 0.62%, 0.37%

LAB 58.1, -35.73, 52.57

 

CMYK 26 / 53 / 0 / 16

HEX #9E65D6

RGB 158 101 214

HSL 270.27, 0.58%, 0.62%

LAB 53.42, 44.56, -49.68

 

CMYK 25 / 49 / 0 / 9

HEX #AF77E9

RGB 175 119 233

HSL 269.47, 0.72%, 0.69%

LAB 60.06, 43.65, -49.69

 

CMYK 24 / 46 / 0 / 1

HEX #C089FC

RGB 192 137 252

HSL 268.7, 0.95%, 0.76%

LAB 66.62, 42.77, -49.69

 

CMYK 18 / 39 / 0 / 0

HEX #D19BFF

RGB 209 155 255

HSL 272.4, 1%, 0.8%

LAB 72.37, 38.41, -42.16

 

CMYK 11 / 32 / 0 / 0

HEX #E2ADFF

RGB 226 173 255

HSL 278.78, 1%, 0.84%

LAB 78.04, 33.73, -33.24

 

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

CMYK 32 / 59 / 0 / 22

HEX #8853C8

RGB 136 83 200

HSL 267.18, 0.52%, 0.55%

LAB 46.43, 45.47, -52.98

 

CMYK 34 / 64 / 0 / 29

HEX #7741B5

RGB 119 65 181

HSL 267.93, 0.47%, 0.48%

LAB 39.65, 46.42, -52.93

 

CMYK 37 / 71 / 0 / 36

HEX #662FA2

RGB 102 47 162

HSL 268.7, 0.55%, 0.41%

LAB 32.85, 47.19, -52.7

 

CMYK 41 / 80 / 0 / 44

HEX #551D8F

RGB 85 29 143

HSL 269.47, 0.66%, 0.34%

LAB 26.14, 47.48, -52.11

 

CMYK 30 / 53 / 0 / 14

HEX #9966DB

RGB 153 102 219

HSL 266.15, 0.62%, 0.63%

LAB 53.37, 43.94, -52.62

 

CMYK 16 / 53 / 0 / 14

HEX #B966DB

RGB 185 102 219

HSL 282.56, 0.62%, 0.63%

LAB 57.01, 52.17, -46.61

 

CMYK 1 / 53 / 0 / 14

HEX #D866DB

RGB 216 102 219

HSL 298.46, 0.62%, 0.63%

LAB 60.97, 60.38, -40.1

 

CMYK 0 / 53 / 14 / 14

HEX #DB66BD

RGB 219 102 189

HSL 315.38, 0.62%, 0.63%

LAB 60.1, 56.26, -24.44

 

CMYK 0 / 53 / 28 / 14

HEX #DB669E

RGB 219 102 158

HSL 331.28, 0.62%, 0.63%

LAB 59, 51.83, -8.27

 

CMYK 30 / 53 / 0 / 14

HEX #9966DB

RGB 153 102 219

HSL 266.15, 0.62%, 0.63%

LAB 53.37, 43.94, -52.62

 

CMYK 44 / 53 / 0 / 14

HEX #7A66DB

RGB 122 102 219

HSL 250.26, 0.62%, 0.63%

LAB 50.4, 36.55, -57.55

 

CMYK 53 / 53 / 0 / 14

HEX #6666DB

RGB 102 102 219

HSL 240, 0.62%, 0.63%

LAB 48.81, 32.29, -60.18

 

CMYK 30 / 53 / 0 / 14

HEX #9966DB

RGB 153 102 219

HSL 266.15, 0.62%, 0.63%

LAB 53.37, 43.94, -52.62

 

CMYK 35 / 63 / 0 / 8

HEX #9756EA

RGB 151 86 234

HSL 266.35, 0.78%, 0.63%

LAB 50.89, 55.63, -65.07

 

CMYK 40 / 71 / 0 / 2

HEX #9647F9

RGB 150 71 249

HSL 266.63, 0.94%, 0.63%

LAB 49.29, 66.16, -76.08

 

CMYK 30 / 53 / 0 / 14

HEX #9966DB

RGB 153 102 219

HSL 266.15, 0.62%, 0.63%

LAB 53.37, 43.94, -52.62

 

CMYK 24 / 42 / 0 / 20

HEX #9B75CB

RGB 155 117 203

HSL 266.51, 0.45%, 0.63%

LAB 56.09, 32.17, -39.23

 

CMYK 16 / 30 / 0 / 26

HEX #9D84BC

RGB 157 132 188

HSL 266.79, 0.29%, 0.63%

LAB 59.25, 20.67, -25.78

 

CMYK 8 / 15 / 0 / 32

HEX #9F93AD

RGB 159 147 173

HSL 267.69, 0.14%, 0.63%

LAB 62.72, 9.51, -11.99

 

CMYK 2 / 0 / 3 / 36

HEX #A0A39E

RGB 160 163 158

HSL 96, 0.03%, 0.63%

LAB 66.62, -2.02, 2.21

 

CMYK 53 / 48 / 0 / 14

HEX #6671DB

RGB 102 113 219

HSL 234.36, 0.62%, 0.63%

LAB 51.55, 25.6, -55.78

 

CMYK 45 / 53 / 0 / 14

HEX #7966DB

RGB 121 102 219

HSL 249.74, 0.62%, 0.63%

LAB 50.31, 36.32, -57.69

 

CMYK 31 / 53 / 0 / 14

HEX #9866DB

RGB 152 102 219

HSL 265.64, 0.62%, 0.63%

LAB 53.27, 43.69, -52.79

 

CMYK 16 / 53 / 0 / 14

HEX #B866DB

RGB 184 102 219

HSL 282.05, 0.62%, 0.63%

LAB 56.89, 51.91, -46.81

 

CMYK 2 / 53 / 0 / 14

HEX #D766DB

RGB 215 102 219

HSL 297.95, 0.62%, 0.63%

LAB 60.84, 60.11, -40.32

 

CMYK 43 / 77 / 0 / 24

HEX #6E2DC1

RGB 110 45 193

HSL 266.35, 0.62%, 0.47%

LAB 36.07, 57.26, -65.86

 

CMYK 38 / 68 / 0 / 17

HEX #8344D3

RGB 131 68 211

HSL 266.43, 0.62%, 0.55%

LAB 43.75, 54.89, -63.69

 

CMYK 30 / 53 / 0 / 14

HEX #9966DB

RGB 153 102 219

HSL 266.15, 0.62%, 0.63%

LAB 53.37, 43.94, -52.62

 

CMYK 23 / 40 / 0 / 11

HEX #AF87E2

RGB 175 135 226

HSL 266.37, 0.61%, 0.71%

LAB 63.29, 33.16, -40.71

 

CMYK 15 / 28 / 0 / 8

HEX #C6A8EA

RGB 198 168 234

HSL 267.27, 0.61%, 0.79%

LAB 73.51, 23.48, -29.07

 

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

CMYK 0 / 53 / 34 / 14

HEX #DB6691

RGB 219 102 145

HSL 337.95, 0.62%, 0.63%

LAB 58.61, 50.2, -1.31

 

CMYK 53 / 0 / 52 / 14

HEX #66DB6A

RGB 102 219 106

HSL 122.05, 0.62%, 0.63%

LAB 78.77, -55.61, 45.33

 

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

CMYK 0 / 31 / 53 / 14

HEX #DB9866

RGB 219 152 102

HSL 25.64, 0.62%, 0.63%

LAB 68.37, 19.7, 36.23

 

CMYK 53 / 0 / 31 / 14

HEX #66DB98

RGB 102 219 152

HSL 145.64, 0.62%, 0.63%

LAB 79.47, -48.17, 23.13

 

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

CMYK 0 / 53 / 34 / 14

HEX #DB6691

RGB 219 102 145

HSL 337.95, 0.62%, 0.63%

LAB 58.61, 50.2, -1.31

 

CMYK 23 / 0 / 53 / 14

HEX #A8DB66

RGB 168 219 102

HSL 86.15, 0.62%, 0.63%

LAB 81.81, -35.16, 51.58

 

CMYK 53 / 0 / 20 / 14

HEX #66DBB0

RGB 102 219 176

HSL 157.95, 0.62%, 0.63%

LAB 79.97, -43.23, 11.19

 

CMYK 30 / 54 / 0 / 14

HEX #9965DB

RGB 153 101 219

HSL 266.44, 0.62%, 0.63%

LAB 53.16, 44.49, -52.96

 

CMYK 0 / 53 / 50 / 14

HEX #DB666D

RGB 219 102 109

HSL 356.41, 0.62%, 0.63%

LAB 57.72, 46.42, 18.39

 

CMYK 23 / 0 / 53 / 14

HEX #A8DB66

RGB 168 219 102

HSL 86.15, 0.62%, 0.63%

LAB 81.81, -35.16, 51.58

 

CMYK 53 / 0 / 4 / 14

HEX #66DBD3

RGB 102 219 211

HSL 175.9, 0.62%, 0.63%

LAB 80.84, -34.88, -6.15

 

Description

Color code: HEX #9965DB | qconv.com Color code: HEX #9965DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 101 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 101 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 54 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 54% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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