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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #996F2D it is the complementary color #6690D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #996F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #996F2D shade: #9E6F28, #AF813B, #C0934E, #D1A561 and #E2B774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #996F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #996F2D shade: #996F2D, #885D1A, #774B07, #663900 and #552700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #996F2D shade: #9A6F2C, #9A522C, #9A342C and #9A2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #996F2D shade: #9A6F2C, #9A8D2C, #899A2C, #6C9A2C and #4E9A2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #996F2D shade matches the following richer shades: #9A6F2C, #AA731C and #BA760C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #996F2D shade: #9A6F2C, #8A6C3C, #79684C, #69645D and #59616D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #996F2D shade: #9A342C, #9A512C, #9A6E2C, #9A8B2C and #8B9A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #996F2D shade: #5A411A, #7A5823, #9A6F2C, #BA8636 and #CB9A4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #996F2D shade: #996F2D, #429A2C and #422C9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #996F2D shade: #996F2D, #2C9A6E and #6E2C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #996F2D shade: #996F2D, #429A2C, #2C589A and #842C9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #996F2D shade: #996F2D, #2C9A37, #2C589A and #9A2C8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

Complementary color

CMYK 51 / 31 / 0 / 18

HEX #6690D2

RGB 102 144 210

HSL 216.67, 0.55%, 0.61%

LAB 59.37, 4.18, -38.32

 

CMYK 0 / 30 / 75 / 38

HEX #9E6F28

RGB 158 111 40

HSL 36.1, 0.6%, 0.39%

LAB 50.44, 11.84, 45.04

 

CMYK 0 / 26 / 66 / 31

HEX #AF813B

RGB 175 129 59

HSL 36.21, 0.5%, 0.46%

LAB 57.2, 10.37, 43.86

 

CMYK 0 / 23 / 59 / 25

HEX #C0934E

RGB 192 147 78

HSL 36.32, 0.48%, 0.53%

LAB 63.86, 9.15, 42.5

 

CMYK 0 / 21 / 54 / 18

HEX #D1A561

RGB 209 165 97

HSL 36.43, 0.55%, 0.6%

LAB 70.41, 8.12, 41.12

 

CMYK 0 / 19 / 49 / 11

HEX #E2B774

RGB 226 183 116

HSL 36.55, 0.65%, 0.67%

LAB 76.86, 7.24, 39.77

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 0 / 32 / 81 / 47

HEX #885D1A

RGB 136 93 26

HSL 36.55, 0.68%, 0.32%

LAB 42.97, 11.47, 42.91

 

CMYK 0 / 37 / 94 / 53

HEX #774B07

RGB 119 75 7

HSL 36.43, 0.89%, 0.25%

LAB 35.93, 13.5, 42.71

 

CMYK 0 / 44 / 100 / 60

HEX #663900

RGB 102 57 0

HSL 33.53, 1%, 0.2%

LAB 28.78, 16.01, 38.97

 

CMYK 0 / 54 / 100 / 67

HEX #552700

RGB 85 39 0

HSL 27.53, 1%, 0.17%

LAB 21.51, 18.8, 31.13

 

CMYK 0 / 28 / 71 / 40

HEX #9A6F2C

RGB 154 111 44

HSL 36.55, 0.56%, 0.39%

LAB 50, 10.23, 42.6

 

CMYK 0 / 47 / 71 / 40

HEX #9A522C

RGB 154 82 44

HSL 20.73, 0.56%, 0.39%

LAB 42.89, 26.74, 34.92

 

CMYK 0 / 66 / 71 / 40

HEX #9A342C

RGB 154 52 44

HSL 4.36, 0.56%, 0.39%

LAB 36.94, 42.05, 28.14

 

CMYK 0 / 71 / 71 / 40

HEX #9A2C2C

RGB 154 44 44

HSL 0, 0.56%, 0.39%

LAB 35.7, 45.43, 26.67

 

CMYK 0 / 28 / 71 / 40

HEX #9A6F2C

RGB 154 111 44

HSL 36.55, 0.56%, 0.39%

LAB 50, 10.23, 42.6

 

CMYK 0 / 8 / 71 / 40

HEX #9A8D2C

RGB 154 141 44

HSL 52.91, 0.56%, 0.39%

LAB 58.13, -6.59, 50.9

 

CMYK 11 / 0 / 71 / 40

HEX #899A2C

RGB 137 154 44

HSL 69.27, 0.56%, 0.39%

LAB 60.44, -20.96, 52.72

 

CMYK 30 / 0 / 71 / 40

HEX #6C9A2C

RGB 108 154 44

HSL 85.09, 0.56%, 0.39%

LAB 58.49, -32.92, 50.13

 

CMYK 49 / 0 / 71 / 40

HEX #4E9A2C

RGB 78 154 44

HSL 101.45, 0.56%, 0.39%

LAB 56.99, -43.5, 48.11

 

CMYK 0 / 28 / 71 / 40

HEX #9A6F2C

RGB 154 111 44

HSL 36.55, 0.56%, 0.39%

LAB 50, 10.23, 42.6

 

CMYK 0 / 32 / 84 / 33

HEX #AA731C

RGB 170 115 28

HSL 36.76, 0.72%, 0.39%

LAB 52.83, 14.52, 52.62

 

CMYK 0 / 37 / 94 / 27

HEX #BA760C

RGB 186 118 12

HSL 36.55, 0.88%, 0.39%

LAB 55.5, 19.64, 59.96

 

CMYK 0 / 28 / 71 / 40

HEX #9A6F2C

RGB 154 111 44

HSL 36.55, 0.56%, 0.39%

LAB 50, 10.23, 42.6

 

CMYK 0 / 22 / 57 / 46

HEX #8A6C3C

RGB 138 108 60

HSL 36.92, 0.39%, 0.39%

LAB 47.57, 5.83, 31.14

 

CMYK 0 / 14 / 37 / 53

HEX #79684C

RGB 121 104 76

HSL 37.33, 0.23%, 0.39%

LAB 44.92, 2.33, 18.28

 

CMYK 0 / 5 / 11 / 59

HEX #69645D

RGB 105 100 93

HSL 35, 0.06%, 0.39%

LAB 42.62, 0.62, 4.67

 

CMYK 18 / 11 / 0 / 57

HEX #59616D

RGB 89 97 109

HSL 216, 0.1%, 0.39%

LAB 40.86, -0.29, -7.84

 

CMYK 0 / 66 / 71 / 40

HEX #9A342C

RGB 154 52 44

HSL 4.36, 0.56%, 0.39%

LAB 36.94, 42.05, 28.14

 

CMYK 0 / 47 / 71 / 40

HEX #9A512C

RGB 154 81 44

HSL 20.18, 0.56%, 0.39%

LAB 42.67, 27.3, 34.67

 

CMYK 0 / 29 / 71 / 40

HEX #9A6E2C

RGB 154 110 44

HSL 36, 0.56%, 0.39%

LAB 49.74, 10.8, 42.32

 

CMYK 0 / 10 / 71 / 40

HEX #9A8B2C

RGB 154 139 44

HSL 51.82, 0.56%, 0.39%

LAB 57.58, -5.5, 50.35

 

CMYK 10 / 0 / 71 / 40

HEX #8B9A2C

RGB 139 154 44

HSL 68.18, 0.56%, 0.39%

LAB 60.59, -20.1, 52.92

 

CMYK 0 / 28 / 71 / 65

HEX #5A411A

RGB 90 65 26

HSL 36.56, 0.55%, 0.23%

LAB 29.49, 6.22, 27.39

 

CMYK 0 / 28 / 71 / 52

HEX #7A5823

RGB 122 88 35

HSL 36.55, 0.55%, 0.31%

LAB 39.98, 8.28, 35.21

 

CMYK 0 / 28 / 71 / 40

HEX #9A6F2C

RGB 154 111 44

HSL 36.55, 0.56%, 0.39%

LAB 50, 10.23, 42.6

 

CMYK 0 / 28 / 71 / 27

HEX #BA8636

RGB 186 134 54

HSL 36.36, 0.55%, 0.47%

LAB 59.67, 12.15, 49.23

 

CMYK 0 / 24 / 62 / 20

HEX #CB9A4D

RGB 203 154 77

HSL 36.67, 0.55%, 0.55%

LAB 66.78, 9.98, 46.68

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 57 / 0 / 71 / 40

HEX #429A2C

RGB 66 154 44

HSL 108, 0.56%, 0.39%

LAB 56.54, -46.99, 47.5

 

CMYK 57 / 71 / 0 / 40

HEX #422C9A

RGB 66 44 154

HSL 252, 0.56%, 0.39%

LAB 27.55, 40, -56.65

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 71 / 0 / 29 / 40

HEX #2C9A6E

RGB 44 154 110

HSL 156, 0.56%, 0.39%

LAB 56.85, -41.39, 14.4

 

CMYK 29 / 71 / 0 / 40

HEX #6E2C9A

RGB 110 44 154

HSL 276, 0.56%, 0.39%

LAB 32.81, 48.31, -47.86

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 57 / 0 / 71 / 40

HEX #429A2C

RGB 66 154 44

HSL 108, 0.56%, 0.39%

LAB 56.54, -46.99, 47.5

 

CMYK 71 / 43 / 0 / 40

HEX #2C589A

RGB 44 88 154

HSL 216, 0.56%, 0.39%

LAB 37.57, 7.95, -40.51

 

CMYK 14 / 71 / 0 / 40

HEX #842C9A

RGB 132 44 154

HSL 288, 0.56%, 0.39%

LAB 36.06, 53.1, -42.46

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 71 / 0 / 64 / 40

HEX #2C9A37

RGB 44 154 55

HSL 126, 0.56%, 0.39%

LAB 56.01, -50.91, 42.06

 

CMYK 71 / 43 / 0 / 40

HEX #2C589A

RGB 44 88 154

HSL 216, 0.56%, 0.39%

LAB 37.57, 7.95, -40.51

 

CMYK 0 / 71 / 7 / 40

HEX #9A2C8F

RGB 154 44 143

HSL 306, 0.56%, 0.39%

LAB 38.99, 56.26, -30.89

 

Description

Color code: HEX #996F2D | qconv.com Color code: HEX #996F2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 111 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 111 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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